Sheet Music

Sheet Music Database

Our Sheet Music database is very searchable using any or all of the following - Composer name, Title, Musical standard, Exam board and Grade of piece both that of the exam boards and also our own Stafford Guitar grading.

Our aim is to not only bring you the up to date exam syllabus but also a selection of music we have enjoyed over our years of playing. The Stafford Guitar grading is to help you when selecting new pieces to learn.

In addition you will find Selina’s review of a piece or book helpful and again these reviews are carried out to help with your choice.

We are also happy to obtain music that we currently do not stock so if there is a book or piece you would like call and we will attempt to find it for you.

Sheet Music Database

319

The Guitar Music of Spain Vol 2 Bartolome Calatayud

Bartolome Calatayud

Base price for variant: £14.95
Sales price: £14.95
Price:£14.95
Discount:
Tax amount:
Price / kg:

A series of three volumes containing the very best of Spanish guitar music. Over 50 traditional pieces by Bartolome Calatayud, graded from simple to advanced throughout the book. This the second book in a series of three volumes they contain the very best of Spanish guitar music.

Skill Level
Beginner
Intermediate
Advanced
192

The Guitar Music of Spain Vol 3 Bartolome Calatayud

Bartolome Calatayud

Base price for variant: £14.95
Sales price: £14.95
Price:£14.95
Discount:
Tax amount:
Price / kg:

This sort of collection is great since as well as including some well-known and very popular pieces it introduces guitarists to some fairly obscure pieces and less well-known composers. This the third book in a series of three volumes contains the very best of Spanish guitar music. Traditional Spanish and Hispanic music by composers such as Rodrigo, Calatayud, Llobet, Cardoso, Sainz De La Maza and other masters.

Skill Level
Intermediate
Advanced

This sort of collection is great since as well as including some well-known and very popular pieces it introduces guitarists to some fairly obscure pieces and less well-known composers.

This sort of collection is great since as well as including some well-known and very popular pieces it introduces guitarists to some fairly obscure pieces and less well-known composers.

Included are quite a wide variety of styles from within this genre from the brightness and relative simplicity of Bolero and El Majo by Calatayud to the contemporary feel of Pajaros De Primavera by Rodrigo and the rich, romantic melody of Capricho Arabe by Tarrega.

The edition is very good with plenty of space allowed for each piece (which is very important for the amount of notes that some of them contain) and clear musical instructions and fingering.

As for the latter, there is not too much; the Torroba and Rodrigo have none at all allowing much more freedom for the performer even if it takes a little longer to work it out!

If you are considering this book for one or two pieces it is very worth while. For one thing the price is very good for the variety that you get!

Madronas by Torroba (grade 8) is a rich and beautiful piece that really captures the spirit of Spain and highlights the warmth, sonority and lyricism of the guitar as brought to us by Segovia.

Capricho Arabe is also here – a great repertoire standard with its soaring melodic lines and rich harmonies.

Another highlight for me is the music by Sainz De La Maza, which, unfortunately, is not heard so much these days. He uses the guitar very effectively having a lighter, simpler feel and so depicting the vitality of Spain.

There are some big and more complicated and contemporary pieces by Llobet as well as his glorious arrangement of El Noi de la Mare.

Some of these pieces take more working out and effort to learn but the experience is great for any guitarist in learning about musical style, shape and interpretation.

Selina.

120

The Guitarists Hour Book 1

Schott

Base price for variant: £10.99
Sales price: £10.99
Price:£10.99
Discount:
Tax amount:
Price / kg:

An Hour with the Guitar presents a careful selection of the most beautiful pieces of guitar literature. All the names familiar to every professional and amateur guitarist - Aguado, Carulli, Carcassi, Coste, Giuliani, Sor, and many more - are represented in this collection and ensure much stimulating variety. These pieces, with grades of difficulty progressing from very easy to moderately difficult, will give not only the beginner but also the advanced guitarist some valuable material for teaching, entertainment and performance.

Skill Level
Beginner
Intermediate
132

The Guitarists Hour Book 3

Schott

Base price for variant: £10.99
Sales price: £10.99
Price:£10.99
Discount:
Tax amount:
Price / kg:

An hour with the guitar presents a careful selection of the most beautiful pieces of guitar literature. The pieces contain in the book progress from easy to moderatly difficult giving not only the beginner but also the advanced guitarist valuable material for teaching, entertainment and performing.

Skill Level
Intermediate
Advanced

I remember well the Guitarists Hour books from when I was young and I know that I gained a lot from playing a this repertoire! The problem is that there is so much choice in the 19th century repertoire and, yes, there are inevitably some ‘ordinary’ pieces. However there are also many excellent, exciting and fun to play pieces that always teach you a lot in the process of learning them.

The main strength of this book is that it offers choice and variety within the 19th century, introduces new composers and gives an overall snapshot of the repertoire so that players can then make informed choices and don’t necessarily have to buy lots of books to find music that they enjoy.

I have had brilliant fun playing through these pieces, several times now! There is so much drama, excitement and colour in the music with a good cross section of composers to compare. The added bonus is that you are learning a great deal as you play.

The 19th century was the beginning of the classical guitar; although the proportions of their instrument were quite different, the composers of the time started to lay down the techniques that are so important as a foundation to modern technique.

I firmly believe that without the ‘grounding’ that the 19th century repertoire gives us we cannot fulfill our technical potential in other styles of music. For example basic slur technique, scale and arpeggio playing, movement in thirds, sixths, octaves and tenths – intervals that are fundamental to the way we voice harmony and fluid movement around the fretboard.

The opening ‘Galopp’ by Carulli is full of drama and joy, contrasting beautifully with his lyrical ‘Alla Polacca’. Molino’s ‘Menuett’ has more detail in the harmony, introducing double slurs while the ‘Menuett’ by Matiegka contrasts strong rhythm in the opening section with delicate three part writing in the trio. These two composers are not as well known to us - a welcome inclusion in this volume.

The ‘Allegro’ by Aguado employs very free and quick movement around the fretboard emphasizing musical intervals, with a wider use of ornamentation.

Mertz is one of my very favourite composers and the ‘Polacca’ (grade 8) and ‘Capriccio’ are great examples of his music. Both are full of drama and ‘theatre’, the ‘Polacca’ in light, bright and lilting way and the ‘Capriccio’ using insistent repeating notes, accents and off beat melody to give drive and energy. These really are pieces with which you can “let rip”!!

Giuliani’s music is very free flowing and rhythmical; ‘Sonatine’ (grade 6) produces a sense of grandeur with the octaves and rests in the music, and the ‘Capriccio’, stands out for me in the way that the melody is within the arpeggio changing from bass to treble and running all over the fingerboard.

The ‘Andantino’ by Coste is particularly demanding as no concession is made for the difficulty presented by a lovely, decorated melodic line and very big interval jumps between chords. His ‘Studie’ (grade 7) is strong and dramatic with a great motif in the bass accompanied by full chords. Sor is perhaps the most famous and prolific writer for the guitar in this period and there are 7 of his pieces here showing the variety in his output and depth and fun to be found in his music. I particularly like the light, cheerful and quite cheeky ‘Hunting Piece’ (grade 6) in which the hunting horn can be clearly heard and the ‘Galopp’ which is very true to its name! His ‘Rondo’ (grade 8) is a longer piece that is more ‘virtuosic in tempo and flair with moving thirds, very quick semiquaver rhythms, free flowing arpeggios and an almost orchestral build up to the final cadence.

All in all an excellent volume of music that is very important to guitar students, not least for performance practice.

By the time that you have worked through these pieces you will have mastered so many basic techniques, as well as learning to hear and highlight melodies through arpeggio texture, control the projection of individual voices so gaining right hand balance, and perhaps most importantly learnt to “let your hair down” and enjoy the theatrical side of the music!

Selina.

musguitaristsprogress1

The Guitarists Progress Book 1

David Burden

Base price for variant: £8.99
Sales price: £8.99
Price:£8.99
Discount:
Tax amount:
Price / kg:

This collection of guitar pieces takes the beginning guitar student from reading music to playing pieces of approximately Grade Three standard. It leaves the teaching of technique, hand positions, and other fundamentals to the teacher but provides material for all aspects of the very early stages of learning the guitar.

Skill Level
Beginner
82

The Guitarists Progress Book 2

David Burden

Base price for variant: £8.99
Sales price: £8.99
Price:£8.99
Discount:
Tax amount:
Price / kg:

This collection of guitar pieces brings the guitar student from approximately Grade Two through Grade Four standard. It leaves the teaching of technique, hand positions, and other fundamentals to the teacher but provides material for work on specific techniques such as barres. The notes in the higher positions are gradually introduced and musical notation is explained with helpful hints.

Skill Level
Beginner
Intermediate
91

The Guitarists Progress Book 3

David Burden

Base price for variant: £8.99
Sales price: £8.99
Price:£8.99
Discount:
Tax amount:
Price / kg:

The Guitarist's Progress Book 3 - A selection of the best 19th Century works for guitar. Music for the intermediate stages of classical guitar playing, arranged by David Burden.

Skill Level
Intermediate
musburdenguitarprog4

The Guitarists Progress Book 4

David Burden

Base price for variant: £8.99
Sales price: £8.99
Price:£8.99
Discount:
Tax amount:
Price / kg:

Book 4 covers the area approximately Grade 6 to Grade 8. Music has been selected to encourage improvement in areas of technique for Slurs, Development of Melody and Barre with part two of the book being called Recital Section.

Skill Level
Intermediate
Advanced
musburdengpduet1

The Guitarists Progress Duets and Ensemble Series Book 1

David Burden

Base price for variant: £6.95
Sales price: £6.95
Price:£6.95
Discount:
Tax amount:
Price / kg:

Although book 1 of the series this book takes you from the first steps of duet playing through to pieces with a more content and scope for enjoyment. The variety and flexibility of the arrangements makes it ideal for individual or group tuition.

Skill Level
Beginner
Ensemble
guitaristway1

The Guitarists Way Book 1

Peter Nuttall and John Whitworth

Base price for variant: £6.50
Sales price: £6.50
Price:£6.50
Discount:
Tax amount:
Price / kg:

Book one leads to the playing of simple melodies on the top 3 strings, whilst developing a secure technique in both hands. A few bass note are then introduced, followed by pieces which combine a melody with a simple bass accompaniment.

Skill Level
Beginner
musgw2

The Guitarists Way Book 2

Peter Nuttall and John Whitworth

Base price for variant: £6.50
Sales price: £6.50
Price:£6.50
Discount:
Tax amount:
Price / kg:

Book 2 reinforces the skills learned in book 1. We discover quavers, dotted rhythms and two-note chords, as well as sharps, flats and naturals. The remaining bass notes are introduced through a series of carefully graded melodies.

Skill Level
Beginner
musgw3

The Guitarists Way Book 3

Peter Nuttall and John Whitworth

Base price for variant: £6.50
Sales price: £6.50
Price:£6.50
Discount:
Tax amount:
Price / kg:

An important feature of this book is the development of a secure free stroke technique therough the playing of arpeggios and chords. Second and seventh positions are explored and left hand technique is developed by the introduction of slurs. As in books one and two there is plenty of opportunity for duet and trio playing, and there are many attractive solo pieces.

Skill Level
Beginner
musparkinsonleapfrog

The Leap Frog Principle

Rob Parkinson

Base price for variant: £10.50
Sales price: £10.50
Price:£10.50
Discount:
Tax amount:
Price / kg:

This book has been around for a number of years and it is one that I keep returning to, finding more that I like and want to include in my teaching and each time enjoying the fresh and unusual style of the pieces. I am particularly attracted to the sub title - "10 Popular style guitar studies for adventurous learners"!

Skill Level
Intermediate

This book has been around for a number of years and it is one that I keep returning to, finding more that I like and want to include in my teaching and each time enjoying the fresh and unusual style of the pieces. I am particularly attracted to the sub title - "10 Popular style guitar studies for adventurous learners"!

There is a very informative preface in which the composer puts forward his ideas behind the music which are very much to do with technique and ways to learn within fun and entertaining pieces. He describes his "Leapfrog Principle" as a notion to "use scale patterns against open strings, avoiding complicated chord fingerings..." . He then goes on to describe the advantages that this limitation has, for example making the music comfortable to play, extending fingerboard knowledge, improving position changing and encouraging efficient fingering in both hands, as well as introducing the idea of improvisation.

The pieces are clearly laid out, with a short introduction to every piece that has some technical information and help but is mostly there to describe the story of the piece! For example for no.2 "The Whistler's Tune" he has written: "People who whistle often don't remember all of the tune. This piece is ideal for whistlers because there are only a few bits that keep repeating. However in bars 21 to 28, the whistler still manages to forget the first phrase and tries to find it in different registers before eventually getting it right on the da capo."

All of the pieces are great fun using Giants, Butterflies, Genies, Grasshoppers and Ponies to bring out the contrasting characters really helping you to get involved in the music. Initially the written music does look quite challenging with quite difficult rhythms, lots of syncopation, a wide range of pitch and a lot of accidentals. Although the rhythms do look complicated on the page many will be familiar from everyday musical styles, e.g. swing and blues. The most important thing here is to get the feel of the pulse of the music. Once you can count and feel this, everything else tends to fit into place nicely!

As the composer says "a strong pulse is more important than strict accuracy, and a free, improvising rhythmic spirit should be encouraged."!

All of the pieces are very melodic with the melody often moving between the bass and the treble registers and any chords are usually small and mostly using open strings. Confidence in position changing and reading higher notes is important, although the melodies are based around patterns of fingering in different places so easier than they seem at first.

To return to the first example of The Whistlers Tune the last 2 lines consist of an identical finger pattern played in 4 different positions. However we always recommend that you can name the notes that you are playing, vital if you want to become a fluent and musical classical guitarist.

My favourites are Giant Jive, because it is wonderfully strange with a fantastic bass riff and some great clashes, and the Butterfly Boogie which has a light dancing feel and a warm character. A special mention is needed for Waltz for Two Left Feet,(definitely me!) as it is a real challenge to get the changes of beat but once you have mastered that you almost catch yourself tripping over as you play - a great idea and very effective.

These are great little pieces, inventive and fun while challenging your fingers and your brain. Perfect for beginners moving on and for better players wanting some entertaining performance pieces or simply wanting to brush up on those basic skills! If you are relaxed with the position changes and rhythms here you can try anything!

Selina.

musiclongroad

The Long Road Home

Gordon Giltrap

Base price for variant: £12.95
Sales price: £12.95
Price:£12.95
Discount:
Tax amount:
Price / kg:

Here are seventeen superb arrangements of Classic Giltrap guitar compositions all taken from Raymond Burley's CD The Long Road Home

Skill Level
Intermediate

I was uncertain about this book when I first skimmed through and I now put this down to a lack of understanding of the style and the way that it needs to be played, having had no previous experience of his music.

Each time I play through the book, I find another piece that I love, and that communicates new pictures and emotions to me.

There are many technical challenges in the pieces especially, I think, for "very" classical players like myself.

For example, he uses quick multiple slurs that require relaxation and freedom of left hand movement. The sound of individual notes is not important, rather the overall flow and direction of the musical line.

There is a lot of left hand movement around the fingerboard that requires agility but again I would say that relaxation and a rhythmic feel are foremost.

The harmony is much more interesting, unusual and surprising than I expected and as I played, I found that the overall feel had to be improvisatory and free within the rhythmic structure of the piece.

That sounded a bit too technical so let me see if I can put it more simply! The pieces all have a strong rhythmic framework but the notes need to sound free and flexible around this. So if you can play without technical worry (even if the notes are not all correct) you will get much more enjoyment from the music.

The book is a very well set out and clear edition and there are quite a lot of fingering suggestions, mostly barres and positions, that are helpful and only written once!

Remember not to feel restricted by fingering as everybody's hands work differently and your hands need to flow naturally with the music.

There is a noticeable absence of dynamic and musical markings, apart from well-chosen words at the beginning of each piece such as "lazily", "stately" and "lively", and I think that this is a key as to how the music should be played. It is all about interpretation; looking at the title and general speed/ musical instruction and then listening to the music and getting "caught up" in its story! You can then write in your own phrasing, dynamics, articulation etc, or let the music unfold differently each time you play.

There are many contrasts in mood between these 16 pieces and some testing counting and time signature changes.

The calm, peace and space of the first piece, The Long Road Home, provide a wonderful opening to the book. It is not too difficult and allows you to practice listening and experimenting - a great introduction to the style.

My other favourites include Kaz with its lazy, low harmonies and melodic line; the stately Lord's Seat; London, which has a slow and wistful feel; For those who Bring Sunshine, which is lively and hopeful; the exuberance of Fell Runner and finally A Christmas Carol - a slow and reflective piece with fantastic harmony and lovely delicate touches to the melody.

The highlight for me is probably A Misunderstood Man, a piece that took me longer to appreciate with its slow, ever changing melodies but in which I now find new lines, feelings and pictures every time I play.

This volume of 16 pieces has taught me a lot about interpretation and freedom in performance and I know that this will benefit my technique, playing and performance in general.

Selina.

musrealguitar1

The Real Guitar Book Vol 1

Lee Sollory and Nick Powlesland

Base price for variant: £9.95
Sales price: £9.95
Price:£9.95
Discount:
Tax amount:
Price / kg:

A compilation of original plectrum guitar repertoire that sets out to inspire while also developing technique and musicianship. The aim has been to create a progressive selection of pieces that is accessible to relative beginners as well as to more experienced players, the diversity of styles providing something for every musical taste, whether it be blues, rock, classical, folk, reggae, pop or metal.

Skill Level
Beginner

This is a compilation of original plectrum guitar pieces by Nick Powlesland and Lee Sollory designed to inspire players while developing technique and musicianship.

The book uses music notation throughout which is excellent for the young plectrum guitarist, and means that the pieces are just as suitable for classical guitarists providing an excellent variety and contrast in style from the standard repertoire.

The music is challenging in details of articulation, dynamics and phrasing right from the start with the simplest pieces and each piece has a definite character and mood to get into! This is particularly evident in the musical directions which include "aggressively", "punchy", "easily, into the night" and "in a hurry", really encouraging feeling in young players.

The exciting counting and early development of strumming, bends and slides are all important for becoming a "rounded" guitarist and there are some great harmonies, notably in Tomorrow Will Be Better and Tuesday Bluesday.

Selina.

212

The Real Guitar Book Vol 3

Lee Sollory and Nick Powlesland

Base price for variant: £9.95
Sales price: £9.95
Price:£9.95
Discount:
Tax amount:
Price / kg:

The Real Guitar Book project evolved after a frustrating and largely unsuccessful attempt to find exciting, challenging music for a new generation of solo guitarosts who were not interested in the classical approach. The result is this compilation of original repertoire that sets out to inspire while also developing technique and musicianship. The aim has been to create a progressive selection of pieces that is accessible to relative beginners as well as more experienced players.

Skill Level
Beginner
85

The Young Guitarists Progress Part 2 GM7

David Burden

Base price for variant: £8.50
Sales price: £8.50
Price:£8.50
Discount:
Tax amount:
Price / kg:

This collection of guitar pieces takes the beginning guitar student from reading music to playing pieces of approximately Grade Two standard. It leaves the teaching of technique, hand positions, and other fundamentals to the teacher but provides material for all aspects of the very early stages of learning the guitar.

Skill Level
Beginner
muswanders3ofakind

three of a kind

Jeop Wanders

Base price for variant: £10.50
Sales price: £10.50
Price:£10.50
Discount:
Tax amount:
Price / kg:

The book has three sections: 10 rhythmic studies, each focusing on a particular rhythm which is introduced in each piece by a 2-bar phrase. 10 arpeggio studies, each based on a right-hand pattern. 10 legato studies, descending and ascending slurs and a mix of both. These studies are a valuable contribution to the beginner's technical development. Difficulty level grade 2/4

Skill Level
Beginner
Intermediate

These short studies offer a wide variety of techniques, and are generally universally helpful in improving your playing.

Grades 2/4 on the site, but looking in some of the grade books I think some grade 1 players would benefit from the easier ones?

The first ten studies are rhythmic, and Wanders gives an ‘example rhythm’ below the title to let us know exactly what it is we are meant to be practicing. As with most books they start off simple and move to more complicated rhythms with dotted notes and semiquavers. This is great for learning to recognise rhythms and improving sight reading; there is also fingering in some of the pieces, reminding us to alternate and to be aware of the finger we are using with any given note. Wanders also reminds us that even though these are studies, they are not necessarily ‘un-musical’. He writes performance directions which encourage us to and add colour to the notes making the music more exciting.

My favourite studies in this book are the arpeggio studies, they are great right and left hand exercises suitable for any standard of player; I will be incorporating these into my practice regime as warm ups! No.12 – Basso Chromatica is particularly good as it offers variations on the original [p i m a] quaver pattern. We are encouraged to be musical with No.14 – Prelude on the B-String in order to bring out the melody that is closely interwoven with the accompaniment. There are a nice variety of styles in this book.

Last in the book are the legato studies. These are excellent for building up strength and balance in the left hand as they require 2 and 3 note slurs that need to be even. They are musically engaging and you will definitely find yourself singing them hours after practice. This book would be perfect as a prelude to starting the Sor or Carcassi studies.

Jess.

musscarlatti3sonatas29158

Three Sonatas UE 29158

Domenico Scarlatti

Base price for variant: £9.99
Sales price: £9.99
Price:£9.99
Discount:
Tax amount:
Price / kg:

Scarlatti sonatas were first collated and catalogued by Alessandro Longo. Much later the harpsichordist Ralph Kirkpatrick re-ordered the sonatas in what he deduced to be their chronological order. Kirkpatrick deduced that Scarlatti intended a large portion of the sonatas to be played in pairs. Of the sonatas in this book the first two form a pair and should be played together. The third K.208 has been added as it is the most beautiful of Scarlatti's sonatas.

Skill Level
Intermediate
Advanced

Scarlatti’s music is very effective on the classical guitar having originally been written for the harpsichord, which, even though it has a keyboard, is a plucked string instrument. The choice of pieces here is great.

he first two pieces are less well known whereas the third is probably one of the most popular of Scarlatti’s pieces on the classical guitar.

The music has lots of space around it on the page which I love as it allows room for fingering and notes without becoming cluttered.

There is a short but excellent forward giving you a great insight into how Scarlatti’s works have been catalogued and ideas for performance. Reading this only takes a couple of minutes but is very important as it gives a little insight into how to play this style of music and opens the door for further investigations, something that we really should do when learning any new piece. There is also an explanation of notation and fingering used in the edition.

I particularly like the first piece, with lovely counterpoint between the two voices, interesting and offbeat rhythms in the opening Cantabile and a contrasting light and bright ‘Allegrissimo’ in 3/8, and great feel of movement and development throughout.

The second piece is given a steadier feel by underlying crotchet pulse using repeated basses beneath a rhythmically flowing and often complicated upper voice with some wonderful dissonances.

The third piece is one of his most beautiful, fitting perfectly on the guitar with its strong steady bass and lovely rise and fall in the long sustained phrases.

Playing this music is great for guitarists teaching us a lot about shaping melodies by listening to the effect of intervals and tension created and resolved.

Selina.

mustimepieces2

Time Pieces for Guitar Vol 2

Peter Batchelor and Richard Wright

Base price for variant: £8.95
Sales price: £8.95
Price:£8.95
Discount:
Tax amount:
Price / kg:

These are excellent books and I find myself asking, Why wasn't this sort of syllabus available years ago. Preparing an exam syllabus is much more difficult than it may seem, and a thankless job, but with these books they have got it just right.

Skill Level
Intermediate

These are excellent books and I find myself asking, "Why wasn't this sort of syllabus available years ago". Preparing an exam syllabus is much more difficult than it may seem, and a thankless job, but with these books they have got it just right.

They are beautifully laid out with clear printing and just a little fingering that is by no means intrusive and allows the students to really learn about the guitar fingerboard. The best thing however is the way that they introduce the history of music to guitarists, from the thirteenth to the twenty first century, with very sympathetic arrangements throughout that allow you to forget that the pieces were not originally written for the guitar!

As guitarists, we have a wonderful repertoire of music but it is great to have the opportunity to experience the music of Mozart, Handel and Beethoven in a first hand and positive way. This is especially important for young people to develop understanding and enjoyment of classical music (and for GCSE and A level exams!) For this reason, I will happily use these books for all of my students in future whether taking exams or not.

There is a good mix of music throughout including traditional, classical, jazz influenced, popular and song arrangements, in solo and duo formats. Many of the pieces have explanatory notes of, for example, the history of the piece, translation of the title, and original format as in accompanied song or original instrument.

All of the early dance forms are explained and given context so that the student is learning far more than just (!) how to play the guitar. There are 36 pieces in the first volume and 32 in the second so you are getting an awful lot of music for your money! Each piece also states clearly the year in which it was written so, as the books quote, "you can map your journey through time."

The books clearly cover all the technical requirements of the first years of learning including legato melodies, shaping phrases, articulation and ensemble playing to name but a few.

To summarise the choice of music, quality and suitability of arrangements, and accompanying notes are all excellent. There are many recognisable tunes "throughout the ages" and contrast in styles from Personent Hodie (1360) to Bach (1736), and from our own Aguado (1843) to Granados (1902) and Lennon/McCartney (1966)!

The editions are easy to read with a level of fingering that is not overpowering and I can truly say that all the pieces are enjoyable to play (from personal experience!)

Highly recommended.

Grade 1 pieces

  • Ductia: a gentle flowing melody in 6/8 time using the open D string as accompaniment.
  • Branle d’Ecosse: a lot of running quavers in this dance using the open A string as accompaniment.
  • Gavotte: this lively dance by Handel has been arranged as a duet. The student’s part is a single line melody on the treble strings with a steady crotchet and quaver rhythm.
  • Douce dame jolie: this is a "virelais" which is an old French musical form related to dancing. It has an interesting syncopated rhythm and open A as accompaniment.
  • Leccion: a simple single line melody "Alla marcia"! in 2/4 time
  • Valse: a flowing waltz using an arpeggio style in the first half and then separating into 2 voices.
  • El Noy de la Mare: this is a duet arrangement of a beautiful traditional Catalan melody in F major using a dotted crotchet rhythm.
  • Poor Wayfaring Stranger: an arrangement of a traditional spiritual with an interesting syncopated rhythm.
  • One Hand, One Heart: a lovely arrangement of this song from Westside Story, with simple melody using long sustained notes in G major.
  • The Dangers of Poking Holes in Ice: as the title suggests this is great fun with staccato and accent articulation and dynamics that are vital to bring out the character.

Grade 2 pieces

  • Pavane: a short stately dance using 2 and 3 note chords.
  • Can she excuse my wrongs: a duet arrangement of this beautiful Dowland song. The student plays the vocal line including some syncopated rhythms and changes of pulse.
  • Farewell Manchester: this is a lively little piece, mostly in 2 voices with more challenging left hand changes.
  • Aria detta la Frescobalda: a duet arrangement; the student plays a single line melody which uses long tied notes, mostly in 2nd and 5th positions. In the key of E minor.
  • Ode to Joy: an excellent arrangement of this popular melody using 2 voices.
  • Menuet: a duet arrangement of this famous Haydn Menuet with longer quaver passages in the melody and detailed left hand fingering using positions 1, 2, 3, 4 and 5.
  • The Sixpence: a traditional Irish melody with a lot of quaver passages and dotted rhythms and some fingered bass notes; in G major.
  • Here, There and Everywhere: a very effective duet arrangement of this Lennon/ McCartney song. The melody is syncopated requiring a good feel for the pulse and style.
  • Ballroom Blues: this little waltz is an original guitar piece written in a blues/ reggae style with simple 3 note chords and a bass melody. Great fun!

Selina.

Page 8 of 9