Sheet Music

Sheet Music Database

Our Sheet Music database is very searchable using any or all of the following - Composer name, Title, Musical standard, Exam board and Grade of piece both that of the exam boards and also our own Stafford Guitar grading.

Our aim is to not only bring you the up to date exam syllabus but also a selection of music we have enjoyed over our years of playing. The Stafford Guitar grading is to help you when selecting new pieces to learn.

In addition you will find Selina’s review of a piece or book helpful and again these reviews are carried out to help with your choice.

We are also happy to obtain music that we currently do not stock so if there is a book or piece you would like call and we will attempt to find it for you.

Sheet Music Database

126

Tarrega Guitar Works Vol 3

Francisco Tarrega

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These are pieces written for the guitar to bring out the best it has to offer, highlighting the guitars warm, rich and singing character. The music is very evocative and, I think, teaches us how to express feeling and emotions through the guitar in a fun and relatively uncomplicated way! Berben Edition - Volume 3 Orginal Compositions. Titles include - Adelita, Alborada, Capricho Arabe, El Columpio, Danza Mora, Danza Odalisca, Jota, Gran Vals En La, La Cartagenera, Pavana, Las Dos Hermanitas, Maria, Marieta, Mazurka En Sol Mayor, Minueto, Pepita, Rosita, Sueno, Tango, Vals, Malaguena, Paquito, Isabel.

Skill Level
Intermediate
Advanced

This collection of pieces offers a lot of variety within this style of music and the pieces are just written so well for the guitar.

Tarrega gets the very most from the guitar using the range of pitch and varied special effects to create rich and interesting music that is simply fun to play and listen to.

From the simple soaring melody of Adelita, exploring the fingerboard, to the showiness and virtuoso feeling of Gran Jota, there is something here for everyone.

I particularly love El Columpio that has a sweet melody in thirds over a full and rich yet straightforward accompaniment. Of course there is Gran Valse that we know and love, a piece full of contrasts that requires full understanding of pulse and rhythm to get the best from it. This is true of all of this music. it is not just a case of getting the rhythm correct but of really feeling and getting into the pulse, and understanding what it brings to the music instead of just making it light and fluffy!

Rosita is a great little miniature packed full of energy and movement while Marieta is dramatic and colourful with its rich bass melodies exploiting the warmth and song of the guitar. Mazurka en Sol has passion and emotion created through rhythm and pitch contrasting with the cheeky light hearted character of Pepita, and Tango is simply marvelous, the G and D tuning giving wonderful resonance – simple but very effective and fun.

Capricho Arabe provides one of the great guitar melodies with so much opportunity for expression, contrasting moods and the accompaniment and melody combination that is so wonderful on a solo guitar.

This is a great edition.

There is a comprehensive Introduction including historical details of Tarrega’s life, composing and of the way that his music has survived and the difficulties involved in putting together a collection of his works. The music is then presented clearly without extra clutter and with the impression that it is as close to the original sources as possible.

Although the book is only present in the grade 6-8 lists the standard starts at about grade 5 and is certainly useful and appropriate for all players at and above this level to experience.

These are pieces written for the guitar to bring out the best it has to offer, highlighting the guitars warm, rich and singing character. The music is very evocative and, I think, teaches us how to express feeling and emotions through the guitar in a fun and relatively uncomplicated way!

Selina.

musUhl10pieces

Ten Pieces for Guitar

Alfred Uhl

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Do not be misled by the title, there are only 5 pieces within this edition. Having said that, the music is fun and well written allowing the player freedom to move around the fingerboard. If you are looking for intermediate pieces with which to challenge your sight reading skills and encourage fingerboard speed, look no further.

Skill Level
Intermediate

Playing these pieces really took me back since I played the Aria for my grade 5, what seems like an age ago!

There are three pieces offering contrast in character but strong links in melody that means they work beautifully together. The music is full of strong treble and bass melodies, driving rhythms, exciting harmonies and lots of opportunity for contrasts in articulation and tone. Techniques include fast articulation, control of long slurred passages and fluid movement around the fingerboard.

There are 6 pieces in this volume and I think they are a great set, introducing players to a contemporary style, possibly their first time, while remaining lyrical and fun to play. There is plenty to think about with quite detailed dynamics and articulation, plenty of melodies to follow, clear musical shape and some quirky harmonies.

The Bagatelle is unusual but in a way to get you interested with a strong rhythm and lyrical melody. I love the Aria with its lilting, melancholic melody ebbing and flowing throughout the piece, and the Capriccio is lively quick and rhythmical.

The printing is nicely spaced with quite a lot of fingering, most of which is necessary to convey the movement around the fingerboard.

In fact this is one of the main challenges in the music, very good for reading and fingerboard knowledge while also giving the player plenty to look for in telling the stories of the pieces and experimenting with tone and colour.

Definitely recommended.

Selina.

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The AB Guide to Music Theory, Part I

ABRSM

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Provides an introduction to the basic elements in harmony and musical structure covering the basics of rhythm and tempo. An introduction to pitch, intervals and transposition, articulation, ornaments, and reiterations. This Guide is not only an excellent support to a good syllabus but also a fine reference work in its own right.

Skill Level
Beginner
Intermediate
42

The AB Guide to Music Theory, Part II

ABRSM

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Provides an introduction to the basic elements in harmony and musical structure. Separate chapters on voices, string instruments, woodwind and brass instruments, percussions and keyboard instruments, and instruments in combination. Covers non-harmony notes, tonal harmony and chromatic chords, and musical structure.

Skill Level
Intermediate
Advanced
84

The Baroque Book

Chanterelle

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The Baroque Book for guitar is a treasury of carefully selected pieces from the greatest composers of the 17th and 18th centuries. The music of the baroque era has always been a popular and important part of the guitar repertoire. A thorough understanding of the style, forms and rhythmic and harmonic conventions of the period are an essential part of the guitarist’s training. The Baroque Book introduces today’s guitarist to baroque music in a way that is both technically cumulative and musically comprehensive. Comprising arrangements of all the standard dance movements and other characteristic forms from across Europe, it is a critical part of any progressing classical guitarist’s repertoire.

Skill Level
Beginner
Intermediate
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The Baroque Guitar

Frederick Noad

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The music for this collection was composed during the years from 1650 to 1750, the middle part of the period known as the Baroque. As well as the variety of wonderful music there are bite sized piece of information, that can be easily digested, which will help you to draw the best from the music.

Skill Level
Beginner
Intermediate
Advanced
161

The Enchanted Forest

Peter Nuttall

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One delightful (two page) piece with a haunting melody, introducing the student to classical tremolo technique. A must for all aspiring guitarists.

Skill Level
Beginner

This lovely little piece definitely fills a gap in technical development for guitar students in that it gives us the chance to start learning about and developing tremolo technique at a much earlier stage in our learning.

Tremolo involves rapid right hand finger articulation, usually in a “p a m i” pattern designed to give the impression of long sustained notes which can then form a melody or act as an accompaniment or counter melody to a bass melody.

There are a few easier studies from the 19th century using this type of technique but all of the main pieces are advanced repertoire, most famously Recuerdos De La Alhambra by Tarrega.

The Enchanted Forest uses simple Left Hand fingering with no quick changes to notes and positions in the tremolo line.

The left hand consists mostly of half barre shapes moving up and down the fingerboard with some easy fingering around that. The bass line is very good for working on travel of the thumb across the strings and is easy to hear and shape as a musical line. Both the bass and tremolo notes are to be highlighted rather than one being purely accompaniment.

The thumb has a low string to stretch to at the beginning of each bar and then mostly alternates closer to the fingers, much easier for the tremolo novice!

The earlier that we can start working on this technique the better as it can become a natural part of the way that we use our fingers and this piece offers a fantastic opportunity for that and for enjoying a beautiful, little musical experience.

Selina.

318

The Guitar Music of Spain Vol 1 Bartolome Calatayud

Bartolome Calatayud

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A series of three volumes, with over 50 traditional pieces by Bartolome Calatayud, graded from simple to advanced throughout the book. This the first book in a series of three volumes which contain the very best of Spanish guitar music.

Skill Level
Beginner
Intermediate
Advanced
319

The Guitar Music of Spain Vol 2 Bartolome Calatayud

Bartolome Calatayud

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A series of three volumes containing the very best of Spanish guitar music. Over 50 traditional pieces by Bartolome Calatayud, graded from simple to advanced throughout the book. This the second book in a series of three volumes they contain the very best of Spanish guitar music.

Skill Level
Beginner
Intermediate
Advanced
192

The Guitar Music of Spain Vol 3 Bartolome Calatayud

Bartolome Calatayud

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This sort of collection is great since as well as including some well-known and very popular pieces it introduces guitarists to some fairly obscure pieces and less well-known composers. This the third book in a series of three volumes contains the very best of Spanish guitar music. Traditional Spanish and Hispanic music by composers such as Rodrigo, Calatayud, Llobet, Cardoso, Sainz De La Maza and other masters.

Skill Level
Intermediate
Advanced

This sort of collection is great since as well as including some well-known and very popular pieces it introduces guitarists to some fairly obscure pieces and less well-known composers.

This sort of collection is great since as well as including some well-known and very popular pieces it introduces guitarists to some fairly obscure pieces and less well-known composers.

Included are quite a wide variety of styles from within this genre from the brightness and relative simplicity of Bolero and El Majo by Calatayud to the contemporary feel of Pajaros De Primavera by Rodrigo and the rich, romantic melody of Capricho Arabe by Tarrega.

The edition is very good with plenty of space allowed for each piece (which is very important for the amount of notes that some of them contain) and clear musical instructions and fingering.

As for the latter, there is not too much; the Torroba and Rodrigo have none at all allowing much more freedom for the performer even if it takes a little longer to work it out!

If you are considering this book for one or two pieces it is very worth while. For one thing the price is very good for the variety that you get!

Madronas by Torroba (grade 8) is a rich and beautiful piece that really captures the spirit of Spain and highlights the warmth, sonority and lyricism of the guitar as brought to us by Segovia.

Capricho Arabe is also here – a great repertoire standard with its soaring melodic lines and rich harmonies.

Another highlight for me is the music by Sainz De La Maza, which, unfortunately, is not heard so much these days. He uses the guitar very effectively having a lighter, simpler feel and so depicting the vitality of Spain.

There are some big and more complicated and contemporary pieces by Llobet as well as his glorious arrangement of El Noi de la Mare.

Some of these pieces take more working out and effort to learn but the experience is great for any guitarist in learning about musical style, shape and interpretation.

Selina.

120

The Guitarists Hour Book 1

Schott

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An Hour with the Guitar presents a careful selection of the most beautiful pieces of guitar literature. All the names familiar to every professional and amateur guitarist - Aguado, Carulli, Carcassi, Coste, Giuliani, Sor, and many more - are represented in this collection and ensure much stimulating variety. These pieces, with grades of difficulty progressing from very easy to moderately difficult, will give not only the beginner but also the advanced guitarist some valuable material for teaching, entertainment and performance.

Skill Level
Beginner
Intermediate
132

The Guitarists Hour Book 3

Schott

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An hour with the guitar presents a careful selection of the most beautiful pieces of guitar literature. The pieces contain in the book progress from easy to moderatly difficult giving not only the beginner but also the advanced guitarist valuable material for teaching, entertainment and performing.

Skill Level
Intermediate
Advanced

I remember well the Guitarists Hour books from when I was young and I know that I gained a lot from playing a this repertoire! The problem is that there is so much choice in the 19th century repertoire and, yes, there are inevitably some ‘ordinary’ pieces. However there are also many excellent, exciting and fun to play pieces that always teach you a lot in the process of learning them.

The main strength of this book is that it offers choice and variety within the 19th century, introduces new composers and gives an overall snapshot of the repertoire so that players can then make informed choices and don’t necessarily have to buy lots of books to find music that they enjoy.

I have had brilliant fun playing through these pieces, several times now! There is so much drama, excitement and colour in the music with a good cross section of composers to compare. The added bonus is that you are learning a great deal as you play.

The 19th century was the beginning of the classical guitar; although the proportions of their instrument were quite different, the composers of the time started to lay down the techniques that are so important as a foundation to modern technique.

I firmly believe that without the ‘grounding’ that the 19th century repertoire gives us we cannot fulfill our technical potential in other styles of music. For example basic slur technique, scale and arpeggio playing, movement in thirds, sixths, octaves and tenths – intervals that are fundamental to the way we voice harmony and fluid movement around the fretboard.

The opening ‘Galopp’ by Carulli is full of drama and joy, contrasting beautifully with his lyrical ‘Alla Polacca’. Molino’s ‘Menuett’ has more detail in the harmony, introducing double slurs while the ‘Menuett’ by Matiegka contrasts strong rhythm in the opening section with delicate three part writing in the trio. These two composers are not as well known to us - a welcome inclusion in this volume.

The ‘Allegro’ by Aguado employs very free and quick movement around the fretboard emphasizing musical intervals, with a wider use of ornamentation.

Mertz is one of my very favourite composers and the ‘Polacca’ (grade 8) and ‘Capriccio’ are great examples of his music. Both are full of drama and ‘theatre’, the ‘Polacca’ in light, bright and lilting way and the ‘Capriccio’ using insistent repeating notes, accents and off beat melody to give drive and energy. These really are pieces with which you can “let rip”!!

Giuliani’s music is very free flowing and rhythmical; ‘Sonatine’ (grade 6) produces a sense of grandeur with the octaves and rests in the music, and the ‘Capriccio’, stands out for me in the way that the melody is within the arpeggio changing from bass to treble and running all over the fingerboard.

The ‘Andantino’ by Coste is particularly demanding as no concession is made for the difficulty presented by a lovely, decorated melodic line and very big interval jumps between chords. His ‘Studie’ (grade 7) is strong and dramatic with a great motif in the bass accompanied by full chords. Sor is perhaps the most famous and prolific writer for the guitar in this period and there are 7 of his pieces here showing the variety in his output and depth and fun to be found in his music. I particularly like the light, cheerful and quite cheeky ‘Hunting Piece’ (grade 6) in which the hunting horn can be clearly heard and the ‘Galopp’ which is very true to its name! His ‘Rondo’ (grade 8) is a longer piece that is more ‘virtuosic in tempo and flair with moving thirds, very quick semiquaver rhythms, free flowing arpeggios and an almost orchestral build up to the final cadence.

All in all an excellent volume of music that is very important to guitar students, not least for performance practice.

By the time that you have worked through these pieces you will have mastered so many basic techniques, as well as learning to hear and highlight melodies through arpeggio texture, control the projection of individual voices so gaining right hand balance, and perhaps most importantly learnt to “let your hair down” and enjoy the theatrical side of the music!

Selina.

musguitaristsprogress1

The Guitarists Progress Book 1

David Burden

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This collection of guitar pieces takes the beginning guitar student from reading music to playing pieces of approximately Grade Three standard. It leaves the teaching of technique, hand positions, and other fundamentals to the teacher but provides material for all aspects of the very early stages of learning the guitar.

Skill Level
Beginner
82

The Guitarists Progress Book 2

David Burden

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This collection of guitar pieces brings the guitar student from approximately Grade Two through Grade Four standard. It leaves the teaching of technique, hand positions, and other fundamentals to the teacher but provides material for work on specific techniques such as barres. The notes in the higher positions are gradually introduced and musical notation is explained with helpful hints.

Skill Level
Beginner
Intermediate
91

The Guitarists Progress Book 3

David Burden

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The Guitarist's Progress Book 3 - A selection of the best 19th Century works for guitar. Music for the intermediate stages of classical guitar playing, arranged by David Burden.

Skill Level
Intermediate
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The Guitarists Progress Book 4

David Burden

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Book 4 covers the area approximately Grade 6 to Grade 8. Music has been selected to encourage improvement in areas of technique for Slurs, Development of Melody and Barre with part two of the book being called Recital Section.

Skill Level
Intermediate
Advanced
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The Guitarists Progress Duets and Ensemble Series Book 1

David Burden

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Although book 1 of the series this book takes you from the first steps of duet playing through to pieces with a more content and scope for enjoyment. The variety and flexibility of the arrangements makes it ideal for individual or group tuition.

Skill Level
Beginner
Ensemble
guitaristway1

The Guitarists Way Book 1

Peter Nuttall and John Whitworth

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Book one leads to the playing of simple melodies on the top 3 strings, whilst developing a secure technique in both hands. A few bass note are then introduced, followed by pieces which combine a melody with a simple bass accompaniment.

Skill Level
Beginner
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The Guitarists Way Book 2

Peter Nuttall and John Whitworth

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Book 2 reinforces the skills learned in book 1. We discover quavers, dotted rhythms and two-note chords, as well as sharps, flats and naturals. The remaining bass notes are introduced through a series of carefully graded melodies.

Skill Level
Beginner
musgw3

The Guitarists Way Book 3

Peter Nuttall and John Whitworth

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An important feature of this book is the development of a secure free stroke technique therough the playing of arpeggios and chords. Second and seventh positions are explored and left hand technique is developed by the introduction of slurs. As in books one and two there is plenty of opportunity for duet and trio playing, and there are many attractive solo pieces.

Skill Level
Beginner