Sheet Music

Sheet Music Database

Our Sheet Music database is very searchable using any or all of the following - Composer name, Title, Musical standard, Exam board and Grade of piece both that of the exam boards and also our own Stafford Guitar grading.

Our aim is to not only bring you the up to date exam syllabus but also a selection of music we have enjoyed over our years of playing. The Stafford Guitar grading is to help you when selecting new pieces to learn.

In addition you will find Selina’s review of a piece or book helpful and again these reviews are carried out to help with your choice.

We are also happy to obtain music that we currently do not stock so if there is a book or piece you would like call and we will attempt to find it for you.

Results 73 - 96 of 289

Sheet Music Database

musmarshderbyshire9

Derbyshire Suite

Steve Marsh

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A musical excursion into the beautiful countryside of the county of Derbyshire which is set in the heart of England known as the 'Peak District'. Lathkill Dale, Bleaklow, Kinder Downfall, Arbor Low, Litton, Millers Dale and Peak Cavern are the names of each of the seven movements which make up this suite which lasts approximately 30 minutes. The music tries to capture the mood of each of these contrasting areas: from the tranquillity and beauty of Lathkill Dale and Miller's Dale and the mysterious and dramatic Arbor Low and Bleaklow, through to the humorous Litton and the awe and power of Kinder Downfall and Peak Cavern. The album contains a brief description of each area

Skill Level
Intermediate

This suite consists of 7 movements with lots of contrast in character, mood and atmosphere, and with plenty of musical and technical challenges.

In fact I think the most important factor in Steve’s music is the musicianship, challenging the player to explore the written notes and find the movement and emotion within the piece.

The titles of the individual movements in this suite are very evocative and the way the music is written reflects this beautifully. For example the syncopated melody within the arpeggios and the dissonant harmonies definitely create a mysterious feel in Bleaklow and the fast, tumbling arpeggios give you a real sense of a dramatic waterfall in Kinder Downfall.

Millers Dale is a beautiful, gentle piece with a dramatic centre section that includes one of my favourite ‘buildups’! I visited Millers Dale a few years ago and was amazed at how well this piece reflects the landscape and feel of the place.

The 5th movement, Litton, is written in sections with instructions as to the order and repeats. It has a festive and dance like feel that put me in mind of a village fete or celebration before I looked it up and found that Litton is a village!

The final movement, Peak Cavern, is very dramatic with running semiquavers that change from flowing and swirling patterns to rhythmical and energetic passages and back again.

This really is a lovely set of pieces that will enhance your repertoire and expand your musical ideas. I think that it is music written from the heart, about places that the composer knows and cares about. With the wonders of the internet you can look up the landscape as you learn the music, although the way that the music is written really does create a picture and feeling for you to develop. Some of the sounds are definitely challenging but they go towards creating a sound picture that is compelling and inspiring.

Great fun!

Selina.

mustwelve

Twelve Inventions

Peter Nuttall

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Covering a wide range of musical styles,these twelve pieces are characterised by strong melodies, idiomatic harmonies and an inventive use of the fingerboard. They have become one of the most popular guitar publications at this level.

Skill Level
Beginner
mustimescapes

Timescapes

John Whitworth

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Nine compositions aiming to broaden the repertoire of the intermediate guitarist. The most fun I have had in ages, if you are searching for music to challenge the player and give pleasure to the audience this is definately for you.

Skill Level
Intermediate

I first started to play these pieces a week ago and I am already completely hooked!

They are beautifully simple in concept and very aptly named. John seems to have a knack of putting across expressive ideas in relatively few notes, and not asking the guitarist to perform acrobatics, ensuring that you can enjoy the music!

I was immediately attracted to the high levels of interpretation and musicianship being asked for. All the pieces work at many levels; if you are working up to this technical level the pieces will sound good without too much control of sound and dynamics, but if you are more advanced you can still get loads of enjoyment from the music by challenging yourself on matters of colour and shape.

The amount of instruction in the book is excellent. Each piece has a description that varies from the origin of, or inspiration for the piece, to technical instruction and musical goals.

The introduction on the title page briefly explains the history of the pieces and ideas for performance; for example as a continuous suite, individually or in smaller suites created by grouping three or four pieces together.

These are great ideas for students embarking on their first performances, and for more experienced players developing their musicianship.

The phrasing, dynamic and articulation markings are very detailed throughout giving you plenty to work with that will help you to bring out the shape and character of each piece.

The first section of First Light is made up of long legato chords asking for lots of dynamic control and it finishes with a simple but beautiful quaver melody.

Road to the Hills and The Traveller are more lively and rhythmical while Edge of Storm uses low dissonances and a throbbing bass line for dramatic effect.

Serenade pays homage to Erik Satie's famous Gymnopedie No 1 for piano and Walton's 2nd Bagatelle for guitar asking for a legato melody line with accompaniment very much in the background.

The rhythm in Milonga is easy to highlight and great fun to play.

Introduction and Tango is very cleverly written with two simple voices that fit together and bring out the spirit of the dance perfectly.

Late Night contrasts a slow, broody introduction (great melody), with a lively swing rhythm and the collection is brought to a close by the haunting Beneath the Stars where the bass melody is backed by a fast but gentle open string arpeggio, finishing with the melody from First Light in harmonics, dying away.

The most important aspect of this collection for me, and, for that matter, of being a guitarist, is summed up by John at the end of his introduction;

"I hope you enjoy playing these pieces and bringing them to life…"

Selina.

mustrinitytheoryg5

Theory of Music Workbook Grade 5

Trinity Guildhall

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Designed for use during lessons or at home these workbooks contain all the requirements for Trinity Guildhall examinations. Each book also contains sample exam papers.

Skill Level
Intermediate
85

The Young Guitarists Progress Part 2 GM7

David Burden

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This collection of guitar pieces takes the beginning guitar student from reading music to playing pieces of approximately Grade Two standard. It leaves the teaching of technique, hand positions, and other fundamentals to the teacher but provides material for all aspects of the very early stages of learning the guitar.

Skill Level
Beginner
mussor20minuets

20 Selected Minuets GA15

Fernando Sor

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How should one perform Sor's music? I believe the answer is with considerably more freedom, expression and passion than has, for the most part, been done in the recent past. These 20 Minuets are a must have for the aspiring student wishing to develop the emotional side of their playing.

Skill Level
Intermediate
Advanced
42

The AB Guide to Music Theory, Part II

ABRSM

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Provides an introduction to the basic elements in harmony and musical structure. Separate chapters on voices, string instruments, woodwind and brass instruments, percussions and keyboard instruments, and instruments in combination. Covers non-harmony notes, tonal harmony and chromatic chords, and musical structure.

Skill Level
Intermediate
Advanced
muslerichsixpreludes

Six Preludes

Pierre Lerich

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These six preludes are a must for any aspiring player. I remember studying themin my earlier years and now having re visited them, I have to say they are still just as good. Musically expressive, and each with their own technical intricacies; but most of all great fun, offering a sense of achievement upon completion.

Skill Level
Intermediate
musponcevalse

Valse

Manuel M Ponce

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Ponce was in fact born in Mexico City but by 1904 was living in Europe where he studied music in Bologna and Berlin. In 1925, after a spell back in Mexico, he was inspired to make the move to the French capital. It was a stay that was to last seven years and was arguably his most creative period. It was when he met Andres Segovia in 1923 that he began to compose music for guitar.

Skill Level
Advanced

This is a new to piece to me and I enjoyed playing through so much I have decided to learn it properly!

It is so full of life making full use of the powerful resonance of a guitar with dropped ‘D’ tuning.

The strong and bright main theme has an almost ‘rustic’ feel accompanied by full strummed chords and moves at a lively one in a bar pace.

The articulation and musical directions are detailed and need good control, the articulation particularly bringing loads of texture and shaping to the music.

The main theme has a lot of contrast in register and dynamic and is repeated throughout the piece giving it its structure with great, unexpected harmonies and twists in direction in between.

The centre section changes key to B?. It has more chromatic movement and emphasis on melodic lines in the treble and bass with fewer chords in the accompaniment texture.

I love the falling bass line building up to the return to D major. In contrast to the full and energetic theme the ending is ‘grazioso’ and understated – a lovely surprise!

This little Valse has fantastic movement and swing throughout, making full use of the tone colours in the guitars voice, and leaving you with a definite ‘feel good’ feeling – an excellent little repertoire filler.

Selina.

117

Renaissance Dances

Karl Scheit

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The musician or musical amateur of earlier times used to have a book in which were collected pieces that suited their musical tastes and technical abilities. This edition contains the following dances Allemand, Balletto, Galliard, Pavane and Villanella.

Skill Level
Intermediate
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315

Elogio de la danza

Leo Brouwer

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A much loved and often performed piece that will test your technical and interpretive abilities yet give a great sense of achievement when mastered. The two movements Lento & Obstinato have been clearly printed making for easy reading and page turns are well catered for.

Skill Level
Advanced
98

24 Preludes Book 1

Gilbert Biberian

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Often intricate and complex, these Preludes are intended for a fairly advanced player, although there are no fearsome technical obstacles. They are composed skillfully and effectively for the guitar.

Skill Level
Advanced
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certainhits5

Certain Hits 5

David Burden

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10 Songs and Themes from Film and TV. Ticket To Ride; And I Love Her; The Windmills of Your Mind; Pastorale(Vivaldi); The Harmonious Blacksmith(Handel); Plaisir d'Amour; Raindrops Keep Falling On My Head; Scarborough Fair; Eye Level; The Jeeves and Wooster Theme

Skill Level
Beginner
Intermediate
musabauralbook1

Aural Training In Practice Book 1

ABRSM

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Aural Training In Practice Book 1 provides clear, structured guidance for candidates preparing for the aural tests in the Associated Board's practical examinations. covering grades 1-3. A CD of all exercises covering grades 1-3 is also available. I have used the book and CD with many of my pupils achieving great success. I highly recommend both for those wishing to achieve high marks in their graded exams.

Skill Level
Beginner
musabauralbook2

Aural Training In Practice Book 2

ABRSM

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Aural Training In Practice Book 2 provides clear, structured guidance for candidates preparing for the aural tests in the Associated Board's practical examinations. covering grades 4-5. A CD of all exercises covering grades 4-5 is also available. I have used the book and CD with many of my pupils achieving great success. I highly recommend both for those wishing to achieve high marks in their graded exams.

Skill Level
Beginner
Intermediate
musburdencertainhits3

Certain Hits 3

David Burden

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Songs and Themes from Stage & Screen for solo guitar. This book offers the student popular hits of contemporary music and pieces from other periods that have been used in Film, TV & Stage. Castle On A Cloud, Romance, The Harry Lime Theme, Summertime, The Godfather Love Theme, Ragtime Dance.

Skill Level
Intermediate
Advanced
muswandersgfiesta

Guitarra Fiesta

Jeop Wanders

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A collection of 10 pieces in a lighter vein for the more advanced guitar student. Fingerpicking, a choro, a Venezuelan waltz, a salsa and a ragtime, finishing up with a bossa-nova duet, reflect important aspects of performance culture. This is a fun book extending the repertoire of the classical guitar beyond the usual. The book is really a collection of light entertaining pieces. All are nicely melodic with an interesting rhythmic variety. Well recommended to widen the average student fare.

mustimepieces1

Time Pieces for Guitar Vol 1

Peter Batchelor and Richard Wright

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These are excellent books and I find myself asking, Why wasn't this sort of syllabus available years ago. Preparing an exam syllabus is much more difficult than it may seem, and a thankless job, but with these books they have got it just right.

Skill Level
Beginner

These are excellent books and I find myself asking, "Why wasn't this sort of syllabus available years ago". Preparing an exam syllabus is much more difficult than it may seem, and a thankless job, but with these books they have got it just right.

They are beautifully laid out with clear printing and just a little fingering that is by no means intrusive and allows the students to really learn about the guitar fingerboard. The best thing however is the way that they introduce the history of music to guitarists, from the thirteenth to the twenty-first century, with very sympathetic arrangements throughout that allow you to forget that the pieces were not originally written for the guitar!

As guitarists, we have a wonderful repertoire of music but it is great to have the opportunity to experience the music of Mozart, Handel and Beethoven in a first hand and positive way. This is especially important for young people to develop understanding and enjoyment of classical music (and for GCSE and A level exams!) For this reason, I will happily use these books for all of my students in future whether taking exams or not.

There is a good mix of music throughout including traditional, classical, jazz influenced, popular and song arrangements, in solo and duo formats. Many of the pieces have explanatory notes of, for example, the history of the piece, translation of the title, and original format as in accompanied song or original instrument.

All of the early dance forms are explained and given context so that the student is learning far more than just (!) how to play the guitar. There are 36 pieces in the first volume and 32 in the second so you are getting an awful lot of music for your money! Each piece also states clearly the year in which it was written so, as the books quote, "you can map your journey through time."

The books clearly cover all the technical requirements of the first years of learning including legato melodies, shaping phrases, articulation and ensemble playing to name but a few.

To summarise the choice of music, quality and suitability of arrangements, and accompanying notes are all excellent. There are many recognisable tunes "throughout the ages" and contrast in styles from Personent Hodie (1360) to Bach (1736), and from our own Aguado (1843) to Granados (1902) and Lennon/McCartney (1966)!

The editions are easy to read with a level of fingering that is not overpowering and I can truly say that all the pieces are enjoyable to play (from personal experience!)

Highly recommended.

Grade 1 pieces

  • Ductia: a gentle flowing melody in 6/8 time using the open D string as accompaniment.
  • Branle d’Ecosse: a lot of running quavers in this dance using the open A string as accompaniment.
  • Gavotte: this lively dance by Handel has been arranged as a duet. The student’s part is a single line melody on the treble strings with a steady crotchet and quaver rhythm.
  • Douce dame jolie: this is a "virelais" which is an old French musical form related to dancing. It has an interesting syncopated rhythm and open A as accompaniment.
  • Leccion: a simple single line melody "Alla marcia"! in 2/4 time
  • Valse: a flowing waltz using an arpeggio style in the first half and then separating into 2 voices.
  • El Noy de la Mare: this is a duet arrangement of a beautiful traditional Catalan melody in F major using a dotted crotchet rhythm.
  • Poor Wayfaring Stranger: an arrangement of a traditional spiritual with an interesting syncopated rhythm.
  • One Hand, One Heart: a lovely arrangement of this song from Westside Story, with simple melody using long sustained notes in G major.
  • The Dangers of Poking Holes in Ice: as the title suggests this is great fun with staccato and accent articulation and dynamics that are vital to bring out the character.

Grade 2 pieces

  • Pavane: a short stately dance using 2 and 3 note chords.
  • Can she excuse my wrongs: a duet arrangement of this beautiful Dowland song. The student plays the vocal line including some syncopated rhythms and changes of pulse.
  • Farewell Manchester: this is a lively little piece, mostly in 2 voices with more challenging left hand changes.
  • Aria detta la Frescobalda: a duet arrangement; the student plays a single line melody which uses long tied notes, mostly in 2nd and 5th positions. In the key of E minor.
  • Ode to Joy: an excellent arrangement of this popular melody using 2 voices.
  • Menuet: a duet arrangement of this famous Haydn Menuet with longer quaver passages in the melody and detailed left hand fingering using positions 1, 2, 3, 4 and 5.
  • The Sixpence: a traditional Irish melody with a lot of quaver passages and dotted rhythms and some fingered bass notes; in G major.
  • Here, There and Everywhere: a very effective duet arrangement of this Lennon/ McCartney song. The melody is syncopated requiring a good feel for the pulse and style.
  • Ballroom Blues: this little waltz is an original guitar piece written in a blues/ reggae style with simple 3 note chords and a bass melody. Great fun!

Selina.

musspalding4tangos

Four Famous Tangos

Gary Spolding

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Destined to be a best seller this album incorporates four of the music worlds most famous tangos: La Cumparsita, Hernando's Hideaway, El Choclo, Jalousie. Absolutely brilliant arrangements!

Skill Level
Advanced

I have to admit to being pleasantly surprised on first playing these four Tangos. To begin with, they really are “famous” and they work really well on the guitar! Of course, this is the result of an excellent transcription. Gary Spolding has managed to maintain the musical shape, rhythms and parts in the music while keeping the transcriptions very “guitaristic”.

The pieces are difficult, about grade 6 – 8, but they do not ask you to be too acrobatic by, for example, twisting fingers into unnatural shapes or stretches, or asking for impossible sustaining parts.

The four pieces are La Cumparsita, Hernando’s Hideaway, El Choclo and Jalousie.

The main technical challenges are in reading a lot of high notes, recognizing positions, and left hand mobility. As you work through the pieces, you will quickly discover that notes and chord shapes fall comfortably under the fingers, and big moves around the fretboard are often facilitated by use of open strings, finger shapes and sliding fingers.

One of my favourite things about the edition is that it is not over fingered! Gary has not used position markings and has only used numbers where necessary for positions, setting up a pattern or indicating sliding shapes and voicing. This means that the performer has to think more but also has much more freedom in interpretation.

There are a lot of dynamic and articulation markings that really help as you are learning to interpret and communicate this style of music, and the guitar effects that he uses highlight the style. All of these things help you to push the boundaries in your playing.

I found myself able to enjoy the Tango rhythms and emotions, and had great fun experimenting and bringing out the humour in the music.

I think that these arrangements encourage a different approach to playing, one that cannot be too technical but is based on enjoying yourself and the music.

After all that is what it is all about!

Selina.

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musabtheory7

Music Theory in Practice, Grade 7

ABRSM

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Covers all aspects of the Grade 7 Theory of Music examination. Deals with harmonic vocabulary, dissonance treatment and part-writing in Baroque music, and melodic composition. Text includes worked examples of some typical examination questions, and a set of exercises is provided for each kind of question. Covers both pre-20th-century and 20th-century styles.

Skill Level
Advanced
68

The Young Guitarists Progress Part 1 GM39

David Burden

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Designed for young beginners learning individually or in groups. The New Things Sections introduce new notes, rhythms and techniques in a structured and entertaining way. Solos, duets and ensembles, including: The Batman TV Theme, Colours Of Day, The James Bond Theme and many more.

Skill Level
Beginner

The layout and printing in this book is excellent with notes slightly larger than normal, and space and pictures between pieces.

There are lots of well-known tunes in good arrangements, and I especially like the amount of solo pieces written in 2 voices using simple open basses. These provide invaluable experience for beginners at reading and playing two note chords, when books often move onto more difficult, fingered chords very quickly.

This book is clearly linked to The Young Guitarists Progress, Part 1 and its sections called "New Things 1-7, 8 and 9, 10" etc. However, it works perfectly well on its own since each "New Things" is fully explained. For example, "New Things 10 – playing with the thumb and fingers together, the bass 5th and 6th open strings and dotted crotchets."

Technically the book includes dotted rhythms, music with 2 voices and 3 note chords, tied notes and melody within simple arpeggios. There is even some simple syncopation in an excellent and very accessible arrangement of Eleanor Rigby.

The final section of the book, on ear development includes some copycat exercises, pentatonic and blues scales, and simple ideas on improvisation. This is all very valuable and something that we should introduce to pupils as early as possible.

Grade 1

  • Les Bouffons: a straightforward melodic arrangement of a well-known French traditional piece using the open D string as accompaniment. Cheerful and rhythmical!
  • Waltz in G: a flowing piece based on very simple arpeggios and chords, using up to 2 left hand fingers on strings 1, 2 and 3.

Grade 2

  • A La Mode de France: this is in D major and mostly fingered in second position. Question and answer phrases using the same rhythms including dotted crotchets.

Selina.

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107

Guerau Five Pieces

Francisco Guerau

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Five dances selected from Guerau's Poema Harmonico. If the themes have a familiar ring it is because they were in general use and were often built on traditional groungs rather like as this century has made use of the 12-bar blues sequence. Guerau treats his themes with much greater freedom and resource than Sanz.

Skill Level
Advanced
musyorkkinderlight

Kinderlight

Andrew York

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York's first big break came in 1986 during study in Spain. In a concert at the end of the course, he played one of his original compositions, "Sunburst." Guitarist John Williams, who happened to be in the audience, was impressed with the piece. He asked York to transcribe it and send it to him in England. Williams's interest in the piece was not a momentary thing: not only did Williams add it to his performances, but he also recorded it. Since then York has published many works including Kinderlight a book of 7 pieces. If you are a fan of his music, as I am, Kinderlight will be a great addition.

Skill Level
Intermediate
Advanced
108

Eight Sonatas

Domenico Scarlatti

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Of the more than 500 sonatas (originally termed esercizi) written for harpsichord by Domenico Scarlatti, Raymond Burley has chosen to arrange eight for guitar. These include K. 480, K. 379, K. 208, K. 232, K. 491, K. 94, as well as K. 376 and K. 377, which Scarlatti's cataloger, Ralph Kirkpatrick, suggests should be performed together. Burley has done a terrific job of fitting these pieces to the fretboard.

Skill Level
Advanced
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