Sheet Music

Sheet Music Database

Our Sheet Music database is very searchable using any or all of the following - Composer name, Title, Musical standard, Exam board and Grade of piece both that of the exam boards and also our own Stafford Guitar grading.

Our aim is to not only bring you the up to date exam syllabus but also a selection of music we have enjoyed over our years of playing. The Stafford Guitar grading is to help you when selecting new pieces to learn.

In addition you will find Selina’s review of a piece or book helpful and again these reviews are carried out to help with your choice.

We are also happy to obtain music that we currently do not stock so if there is a book or piece you would like call and we will attempt to find it for you.

Results 193 - 216 of 289

Sheet Music Database

313

Trinity Guitar 2016-2019 - Guitar Grade 7

Trinity College London

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Containing pieces required for the Trinity Guitar exam. Three pieces to be performed from those listed in this book, at least one from each group, or from the duets or alternative pieces listed for this grade, to form a balanced program. This is an excellent book even if you have no intention of taking the exams.

Skill Level
Advanced
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290

City Scenes

Gary Ryan

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Three original compositions Rush, Metropolis & Birds Flew Over The Spire. These works are challenging and very musical with The Birds Flew Over The Spire being one of the most popular pieces enjoyed by our own students and others who hear it played. If you are looking for new pieces to play and enjoy, City Scenes is a must have item.

Skill Level
Intermediate
Advanced

We came across this book through the Trinity grade 5 syllabus which includes the third piece Birds Flew over the Spire. If you read my guitar reviews you will recognize this as one of my firm favourites because it is a beautiful little piece of music, using the guitar so well and highlighting what the classical guitar is best at. The pieces in this book are very contrasting and fit beautifully within the title City Scenes.

Rush was originally conceived as a study for the right hand thumb and is full of energy, with the 5/4 time signature constantly pushing the music forward, a strong bass melody and lots of syncopation and articulation. It is great to see how adding a title and ‘story’ to a study can transform it into an exciting, descriptive piece of music.

Metropolis is a long piece with a difficult rhythm that looks very complex on the page but is fine once you get into the swing of it, as long as you work it out properly with counting first! The way that Gary uses material gives a real bustle to the music with gradually evolving patterns and harmonies and repeated sections bringing in subtle changes of mood.

In the preface Gary describes it as “the non-stop bustle of a musical city where influences combine from many different ages and musical cultures.” Birds flew over the Spire is a wonderful relaxation after this with lovely campanella harmonies accompanying a fluid melody that twists and turns gently depicting the birds floating on thermals and warm currents of air. It is great for fingerboard knowledge and left hand movement but, more importantly for listening ad enjoying the musical phrasing.

The preface by the composer is very good and the music is well laid out with clear fingering (not too much) and musical instructions.

This is definitely music to have fun with!

Selina.

musvillaconcerto

Concerto

H. Villa-Lobos

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Concerto pour guitar et petit orchestre. Printed by Editions Max Eschig with reduction for guitar and piano. Includes separate printing of guitar part. One day a member of a local orchestra will ask you to name a piece of music which you can both work on. Start the practice now! Don't wait to be asked.

Skill Level
Advanced
mustansmandanza

Danza Pomposa

Alexandre Tansman

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musbensa2preludes

Deux Preludes

Olivier Bensa

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Skill Level
Intermediate
brouwer-paisaje-cubano-con-tristeza

Paisaje cubano con tristeza

Leo Brouwer

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Paisaje Cubano con Tristeza (1996) is part of a group of compositions that evoke impressions on aspects of the Cuban landscape. The other pieces in this series are the Cuban Landscape with Rain and the Cuban Landscape with Rumba, both for guitar quartet, as well as Paisaje Cubano con Campanas for solo guitar. These works incorporate the sounds of minimalism more prominently than in Brouwer’s other pieces for guitar, using repetition as a musical basis. Paisaje Cubano con Tristeza, as its title implies (Cuban landscape with sadness), is different for its overt lyricism as opposed to the rhythmically insistent qualities of its predecessors.

Skill Level
Intermediate
Advanced
mustrinitytheoryg4

Theory of Music Workbook Grade 4

Trinity Guildhall

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Designed for use during lessons or at home these workbooks contain all the requirements for Trinity Guildhall examinations. Each book also contains sample exam papers.

Skill Level
Intermediate
musfirstperformance

First Performance Pieces

Peter Nuttall

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Ten pieces in a popular and attractive style making an ideal start to the student repertoire. These pieces are all substantial enough for "First Performance" while remaining technically accesible to early students.

Skill Level
Beginner

This is a very good collection of pieces designed to give early students some ‘proper’ pieces that start to build a repertoire and expand horizons

The pieces are technically very accessible offering a wide range of musical styles and easier techniques to explore.

The music covers all the basic technical skills and makes good use of the fingerboard with plenty of notes in higher positions on string one. The writing is very effective creating full and interesting pieces without being too difficult.

The first five pieces use a lot of arpeggio technique, interspersed with melody or with the melody as an integral part of the arpeggio. Romantic Prelude and Ballade are good examples of this.

The simple harmonic progressions and comfortable chord shapes help easy left hand movement and there is full use of a variety of right hand patterns.

Little Reverie has a beautifully simple arpeggio section at the beginning and end with a central flowing melody moving up to fifth position. Romantica is more difficult with flowing 6/8 quavers moving between arpeggio and melody, very good practice for the left hand.

The 6th piece, Triste, is very different in style, more of a ‘mood’ piece with slurs and simple syncopation helping to create lovely gentle music and encouraging expressive playing.

The last four pieces are in a blues style, excellent for working on pulse and rhythm, with movement between simple chord shapes introducing new sounds and harmonies.

Selina.

musabauralcd1

Aural Training In Practice CD Grades 1 to 3

ABRSM

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Old Syllabus - for practice only. Aural Training In Practice provides clear, structured guidance for candidates preparing for the aural tests in the Associated Board's practical exams. These CDs accompany the Aural Training workbooks. I have used the book and CD with many of my pupils achieving great success. I highly recommend both for those wishing to achieve high marks in their graded exams.

Skill Level
Beginner
134

Triptico

Antonio Lauro

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Lauro's Tríptico consists of three pieces in E minor. The first of these, Armida, is a contemplative canción named after the composer's sister. Madrugada ("before dawn") is an appoggiatura study inspired by one of Sojo's few original works for guitar. La Negra was the nickname of Lauro's niece Armida, the daughter of his sister of the same name.

Skill Level
Intermediate
Advanced

I have played various pieces by Antonio Lauro over the years but never really tried Triptico. In reviewing this I discovered how much more there is in the piece than I had previously found in simply playing through. It is in three movements with loads of variety in rhythm, feel, melody and harmony and is quite accessible to players of grade 6 and above.

In many ways the music is actually quite complex, for example in the way that rhythms are combined, counterpoint between voices, and melodies with a lot of chord movement underneath.

The first movement ‘Armida” acts as a sort of prelude and has a fantastic shifting and swirling rhythm created by one beat of triplet quavers and one beat of normal quavers. Interestingly this rhythm is the same in every bar but the music does not feel at all repetitive. This is because the melody moves between voices sometimes as a single line, sometimes in octaves or thirds giving a lot of variety in colour and texture. By separating the lines you can get an excellent feel for the direction of the music straightaway and start to recognize the detail that is so important. There is a lot of movement around the fingerboard that needs to be smooth and free flowing.

The second movement ‘Madrugada’ is subtitled Cancion Venezolano, a very important clue! Cancion means song but as you look at the page all you see is chords, some of which are quite tricky with some big jumps. Playing the melody helps to build up the shape and feeling of the music while you are learning your fingering. You can also work on the chords separately to give you more opportunity to listen to the lovely scrunchy harmonies. As you look into the detail you will discover that, as in the first and third movements, the melody changes voices, a detail that you need to highlight to bring out the best in the music. The rhythm here is very simple accentuating the long flowing melody that does not want to be interrupted by, but enhanced by the chords.

The third movement ‘La Negra’ is subtitled Vals Venezolano and is a lovely flowing, syncopated and lively waltz, with voices bringing out different rhythms and the pulse shifting between 2 and 3 in a bar, typical of this style of music. Here I would go as far as saying that you cannot play this properly without separating out and playing the individual voices (musical lines).

As you learn the music the overall effect in your left hand is of chord shapes but the music is not chordal in sound. The harmonies are built up and created by the contrapuntal voices, that is the musical lines moving independently. This is a difficult effect to achieve on the guitar and needs a lot of attention for the best results. Working like this also helps you to bring out the individual rhythms and develop more interest and excitement through your rhythm.

Selina.

116

Suite Castellana

Federico Moreno Torroba

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Guitar Solo. By Federico Moreno-Torroba. Arranged by Andres Segovia. Published by Schott Music. Contents: Fandanguillo * Arada * Danza

Skill Level
Advanced
102

Hommage a Tarrega

Turina

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This piece is from the repertoire that brought a lot of people of my generation to the guitar, and still does due to its rich, evocative musical language. It is part of the huge contribution that Andres Segovia made to our repertoire by inspiring and encouraging new composers to write guitar music, without which I am sure we would not be where we are today. The edition covers 7 pages. Published by Schott Music.

Skill Level
Advanced

This piece is from the repertoire that brought a lot of people of my generation to the guitar, and still does due to its rich, evocative musical language.

It is part of the huge contribution that Andres Segovia made to our repertoire by inspiring and encouraging new composers to write guitar music, without which I am sure we would not be where we are today.

The key is the way that Turina uses the characteristics of the guitar to create the emotion, depth and colour in the music. The piece is very much written for the guitar with a fantastic and varied texture created using ponticello, tasto, rasgueado, subito dynamics and loads of musical instruction on the score.

The music also uses the natural tone colours of the guitar, for example the full and mellow sound high up on the inner strings, and accuracy in right hand articulation is important.

The two movements are based on flamenco dance forms, which are distinguished by, among other things, their rhythmic patterns.

Garrotin has an exciting opening and driving rhythm. There is a lot of variety with melodic motifs tying the movement together, lots of slurring, rasgueado and golpe.

The singing melodies contrast with driving repeated notes, rhythmical chords and flowing scales. Soleares is more flamenco in style in its distinctive rhythm, rolling arpeggio patterns, sequences of scales and triplets. Slurring is very important for free movement as well as texture and rhythm, and much of the fingering is for colour.

Overall this piece reflects the flamenco tradition while remaining classical in style. It is a true guitar piece using the guitars attributes to the full and it is very exciting piece – an important part of the repertoire.

Selina.

baroque

The Baroque Book

Chanterelle

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The Baroque Book for guitar is a treasury of carefully selected pieces from the greatest composers of the 17th and 18th centuries. The music of the baroque era has always been a popular and important part of the guitar repertoire. A thorough understanding of the style, forms and rhythmic and harmonic conventions of the period are an essential part of the guitarist’s training. The Baroque Book introduces today’s guitarist to baroque music in a way that is both technically cumulative and musically comprehensive. Comprising arrangements of all the standard dance movements and other characteristic forms from across Europe, it is a critical part of any progressing classical guitarist’s repertoire.

Skill Level
Beginner
Intermediate
musabtheory4

Music Theory in Practice, Grade 4

ABRSM

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The Music Theory in Practice series has helped more than one million musicians worldwide to learn about the notation and theory of music. Now fully revised, this workbook remains the best way to prepare for the Associated Board's Grade 4 Theory of Music Exam, offering: a clear explanation of music notation, straightforward language throughout, many worked examples and practice exercises, definitions of important words and concepts, specimen exam questions, helpful tips for students As well as supporting the ABRSM theory syllabus, this workbook also provides an excellent resource for anyone wishing to develop general music literacy skills.

Skill Level
Intermediate
37

Guitar Exam Pieces CD Grade 4

ABRSM

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Recordings of pieces from the new ABRSM Guitar Syllabus, from 2009. Innovative and valuable resource for candidates preparing for ABRSM exams. All duos are accompanied by another guitar, and playalong tracks for these pieces are also included.

Skill Level
Intermediate
muszebracadabra

Zebracadabra

David Cottam

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Above all this music is great fun to play while offering excellent technical and musical progression for students of all ages.

Skill Level
Beginner

Above all this music is great fun to play while offering excellent technical and musical progression for students of all ages.

David Cottam manages to communicate many different musical styles using mainly simple notes, shapes and slides giving beginners access to a wider musical "atlas" and early experience of techniques such as "campanella" (cross string melodies) and articulation.

He introduces some quite difficult syncopated rhythms, but does so gradually so that you are not always aware of the offbeat rhythm until you hear the effect, and he uses easy notes so that the student can focus on the rhythm.

These pieces also explore the fretboard right from the start often using sliding chord shapes to develop the link between notes in the higher positions.

Cottam makes excellent use of finger patterns for both hands that help to produce music that sounds more difficult than it is to play - always a confidence booster for students! One of the best and most important features of the book for me is the lack of intrusive fingering. It is only marked when necessary to indicate patterns or positions that are not immediately obvious, giving teachers and students much more freedom, and developing sight-reading skills.

Examples that stood out to me include Grasshopper Guiro which develops "p" "i" technique across the strings and includes left hand strumming at the nut, and Swing Shift that uses simple sliding shapes and a swing rhythm that gradually becomes syncopated. Chimes of Saint Swithun where the slow, resonant cross string harmonies require good tonal control, and Tirandosaurus Rex where the repeated chords work on "tirando" technique and the "Primitive" direction allows the player to let rip!

My favorites have to be Icicles and Floating World where the wonderful use of natural harmonics produces beautiful, haunting melodies and harmonies through overlapping sounds. As a teacher, I highly recommend this book for students of all ages - wonderful for practising music making!

Selina.

323

Complete Studies for Guitar

Fernando Sor

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Edited by Paolo Cherici. In editing Sor's studies Cherici is attempting to seek new performing possibilities. Cherici has not restricted himself to Sor's original fingering or even to the traditional solutions adopted. Cherici wishes to develop an outcome that reflects his own personal view of how these pieces should be performed.

Skill Level
Beginner
Intermediate
Advanced
carulli-duo-op62-no2

Carulli Duo op. 62 no 2

Ferdinando Carulli

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CH 82 - Written for 2 guitars - Carulli, one of the most prolific composers of his century with at least 400 pieces to his name. A pioneer in his field he popularised the classical guitar in Paris where many guitarists came to study under him. This edition, for two guitars, is clearly printed with both score and parts. Fingering is absent which is great as this allows freedom for ones own interpretation.

Skill Level
Intermediate
Ensemble
  • Containing
  • Moderato
  • Largo
  • Minuetto - Allegro
  • Rondeau - Allegretto con poco moto
314

Trinity Guitar 2016-2019 - Guitar Grade 8

Trinity College London

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Containing pieces required for the Trinity Guitar exam. Three pieces to be performed from those listed in this book, at least one from each group, or from the duets or alternative pieces listed for this grade, to form a balanced program. This is an excellent book even if you have no intention of taking the exams.

Skill Level
Advanced
286

Aural Training In Practice 2011 Grades 1-3

ABRSM

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Aural Training in Practice offers valuable support to teachers preparing students for ABRSM Practical exams. The three volumes, covering Grades 1-3, 4 & 5 and 6-8, provide information on what each test involves and what the examiner is looking for teaching hints and strategies, including warm-up material and ideas for integrating aural into lessons. Practice exercises to prepare students for the exam. CD recordings of all practice exercises, and examples in two or more parts, presented by an ABRSM examiner. Answers, both recorded and printed where appropriate, as a guide to the sort of responses that would be successful in the exam.

Skill Level
Beginner
Intermediate
musUhl10pieces

Ten Pieces for Guitar

Alfred Uhl

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Do not be misled by the title, there are only 5 pieces within this edition. Having said that, the music is fun and well written allowing the player freedom to move around the fingerboard. If you are looking for intermediate pieces with which to challenge your sight reading skills and encourage fingerboard speed, look no further.

Skill Level
Intermediate

Playing these pieces really took me back since I played the Aria for my grade 5, what seems like an age ago!

There are three pieces offering contrast in character but strong links in melody that means they work beautifully together. The music is full of strong treble and bass melodies, driving rhythms, exciting harmonies and lots of opportunity for contrasts in articulation and tone. Techniques include fast articulation, control of long slurred passages and fluid movement around the fingerboard.

There are 6 pieces in this volume and I think they are a great set, introducing players to a contemporary style, possibly their first time, while remaining lyrical and fun to play. There is plenty to think about with quite detailed dynamics and articulation, plenty of melodies to follow, clear musical shape and some quirky harmonies.

The Bagatelle is unusual but in a way to get you interested with a strong rhythm and lyrical melody. I love the Aria with its lilting, melancholic melody ebbing and flowing throughout the piece, and the Capriccio is lively quick and rhythmical.

The printing is nicely spaced with quite a lot of fingering, most of which is necessary to convey the movement around the fingerboard.

In fact this is one of the main challenges in the music, very good for reading and fingerboard knowledge while also giving the player plenty to look for in telling the stories of the pieces and experimenting with tone and colour.

Definitely recommended.

Selina.

mustarregafantasia

Fantasia on Themes from La Traviata

Francisco Tarrega

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Skill Level
Advanced
musryansongserin

Songs From Erin

Gary Ryan

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Songs from Erin (2007) is a shorter, two movement work for guitar commissioned by Rebecca Baulch and inspired by Ryan's visits to Ireland. Ryan explores different tunings for the guitar in these pieces, making the instrument sound reinvigorated, idiomatic and resonant in new ways. Out of Clonmel has an energetic flavour reflective of Irish folk music Lough Caragh is more contemplative and influenced by the traditional Irish ballad.

Skill Level
Advanced
musburdencertainhits

Certain Hits Songs and Themes from Films

David Burden

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Seven great hits from films in effective and easy to play arrangements for guitar ensembles. Essential experience in ensemble playing gained in the most enjoyable way. Romance, Supercalifragilisticexpialidocious, Raindrops Keep Falling On My Head, The Siamese Cat Song, If I were a Rich Man, Walking In The Air & The Pink Panther.

Skill Level
Beginner
Intermediate
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