Sheet Music

Sheet Music Database

Our Sheet Music database is very searchable using any or all of the following - Composer name, Title, Musical standard, Exam board and Grade of piece both that of the exam boards and also our own Stafford Guitar grading.

Our aim is to not only bring you the up to date exam syllabus but also a selection of music we have enjoyed over our years of playing. The Stafford Guitar grading is to help you when selecting new pieces to learn.

In addition you will find Selina’s review of a piece or book helpful and again these reviews are carried out to help with your choice.

We are also happy to obtain music that we currently do not stock so if there is a book or piece you would like call and we will attempt to find it for you.

Results 1 - 24 of 287

Sheet Music Database

318

The Guitar Music of Spain Vol 1 Bartolome Calatayud

Bartolome Calatayud

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A series of three volumes, with over 50 traditional pieces by Bartolome Calatayud, graded from simple to advanced throughout the book. This the first book in a series of three volumes which contain the very best of Spanish guitar music.

Skill Level
Beginner
Intermediate
Advanced
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299

Café Music

Michael Stimpson

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Suite for Solo Guitar, was originally conceived as a reflection of the lighter styles of music written for the classical guitar. The character of the suite is predominantly preserved by the contrasts of mood between pieces. Adrian's thoughts - I was introduced to this book many years ago and thoroughly enjoyed the challenge.

Skill Level
Intermediate

This is descriptive music at its best with storytelling created using harmony and texture as well as through title, tempo and rhythm.

In order to communicate the music successfully the player has to be aware of the musical detail and be interested in the emotions and stories being told.

These pieces provide excellent experience in developing musicianship with a lot of detail written in to each piece, for example articulation, dynamics and tone colour. This also challenges the player technically but in the end it is thinking of, and listening to, the music that must be the most important thing.

Ouvert, a gentle introduction with warm cross string resonances, slurs and glissandi that all combine to create atmosphere. I love the closely spaced “talking” voices.

Promenade has a strong storyline and lots of contrast between the repeating, stately ‘promenade’ phrases and sections between. The first of these changes key and uses triplets and warmer colours to give a light and fluid feel. The second is slower and more tranquil while the third is in a minor key and lower in pitch with some lovely dissonances giving a darker feel.

Reverie is slow, sad and dreamlike using a repeated melody in different registers. It requires a lot of tonal control with a beautiful combination of tambora chords and harmonics at the end.

Folies is all in thirds and so the angry and bustling feel is quite tricky technically but very exciting all the same! I particularly like the arpeggios across the strings in thirds at the end.

Chanson is a joyous and flowing piece, again more challenging with barres and flowing arpeggios incorporating an upper melody to highlight.

Ferme is the finale and has great lift and rhythm with plenty of articulation, dynamic contrast and rasgueado technique.

These are great little pieces guaranteed to keep you occupied for months and very effective in performance.

Selina.

280

Segovia - Albeniz Transcriptions

Isaac Albeniz

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From the front cover to the back page this is a beautifully printed edition of these wonderful pieces by Albeniz. Granada, Mallorca, Oriental and Zambra Granadina are printed in such clarity with space to allow easy reading of the music. If you love the music then you should definitely try this edition.

Skill Level
Advanced

I think that this is a lovely volume of pieces, firstly because of the historical significance of Segovia as a player and as an arranger. Segovia brought a lot of new music into the guitar repertoire through commissioning and arranging, making a big contribution to the development and success of the guitar in the second half of the 20th century.

Now that our technique and interpretation ideas have moved on these arrangements are often not considered any more. Of course there are so many editions available now and access to original scores is much easier with the internet, but I think that Segovia’s transcriptions are really worth looking at.

The book is very well presented, simple with large, clear print and wide spacing between staves – plenty of room for your notations. There is plenty of fingering but it is not unnecessarily repeated (e.g. in repeated sections) and on the whole it is very good. Do not be afraid to change it as long as you consider the flow of the music! Rather than just giving the guitarist the notes from the original piano Segovia has arranged these pieces to fit on the guitar technically and musically which is quite a skill.

Chord voicing and pitches are obviously going to have to change and it has been done in such a way as to allow the music to flow comfortably under the fingers and to feel and sound natural. Segovia also exploits the natural features of the guitar, which actually enhances the music.

Moving beyond the arrangements the music itself is gorgeous, rich in Spanish character, colour and emotion. I love the beautiful, gentle pulse at the opening of Granada with the contrasting minor section and overall movement and drive in the music. The D tuning in Mallorca gives a wonderful resonance to the bass line balancing the long, soaring melody with comfortable left hand movement over the whole range of the fingerboard. The close position chords in Oriental are fantastic and again fit very well under the fingers creating great textures and musical drive, and the rich harmony and wide range in melodies and chords in Zambra Granadina are just wonderful, particularly for me as I love low notes!

There is no doubt that these pieces are difficult to play and require good technical, rhythmical and listening skills, but they have been arranged for the guitar in a very sympathetic and natural way that gets the best from the music and the guitar making them well worth the effort.

Selina.

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Four Sonatas UE 29149

Domenico Scarlatti

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Skill Level
Intermediate
mussagreraslesson4-6

Guitar Lessons Books 4 to 6

Julio Sagreras

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One of the most successful classical guitar methods of all time. The studies in each book are carefully fingered and graded. They are charming, melodious and extremely effective with some of the later studies making convincing concert repertoire.

Skill Level
Intermediate
Advanced
222

Theory of Music Workbook Grade 8

Trinity Guildhall

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Designed for use during lessons or at home these workbooks contain all the requirements for Trinity Guildhall examinations. Each book also contains sample exam paper.

Skill Level
Advanced
muswanders3ofakind

three of a kind

Jeop Wanders

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The book has three sections: 10 rhythmic studies, each focusing on a particular rhythm which is introduced in each piece by a 2-bar phrase. 10 arpeggio studies, each based on a right-hand pattern. 10 legato studies, descending and ascending slurs and a mix of both. These studies are a valuable contribution to the beginner's technical development. Difficulty level grade 2/4

Skill Level
Beginner
Intermediate

These short studies offer a wide variety of techniques, and are generally universally helpful in improving your playing.

Grades 2/4 on the site, but looking in some of the grade books I think some grade 1 players would benefit from the easier ones?

The first ten studies are rhythmic, and Wanders gives an ‘example rhythm’ below the title to let us know exactly what it is we are meant to be practicing. As with most books they start off simple and move to more complicated rhythms with dotted notes and semiquavers. This is great for learning to recognise rhythms and improving sight reading; there is also fingering in some of the pieces, reminding us to alternate and to be aware of the finger we are using with any given note. Wanders also reminds us that even though these are studies, they are not necessarily ‘un-musical’. He writes performance directions which encourage us to and add colour to the notes making the music more exciting.

My favourite studies in this book are the arpeggio studies, they are great right and left hand exercises suitable for any standard of player; I will be incorporating these into my practice regime as warm ups! No.12 – Basso Chromatica is particularly good as it offers variations on the original [p i m a] quaver pattern. We are encouraged to be musical with No.14 – Prelude on the B-String in order to bring out the melody that is closely interwoven with the accompaniment. There are a nice variety of styles in this book.

Last in the book are the legato studies. These are excellent for building up strength and balance in the left hand as they require 2 and 3 note slurs that need to be even. They are musically engaging and you will definitely find yourself singing them hours after practice. This book would be perfect as a prelude to starting the Sor or Carcassi studies.

Jess.

musduarteenglishsuite

English Suite

John Duarte

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This piece is obviously written for the guitar as it exploits all the best bits, but it certainly doesn’t give the performer an easy ride! An exciting addition to any advanced guitarist's repertoire. Duarte's English Suite contains three movements: 1) Prelude, 2) Folk Song and 3) Round Dance.

Skill Level
Advanced

This work is in three movements - Prelude, Folk Song and Round Dance, all of which are full of life and movement with a strong sense of the tradition upon which they are based.

The music in the Prelude is immediately bright, sunny and spirited and I was drawn to the full rich harmonies and varied texture. There is definitely a modal feel highlighting English folk influence in the music making it easy music to explore and develop. The melodies are expansive and ‘singing’ with plenty for the player to think about in shaping and shifting rhythms. I really like the slow, minor section with its interweaving lines making very evocative music.

The Folk Song is in two sections, firstly calm and expressive and then with a little more movement. There are some beautiful melancholy melodies combined with big harmonies, dotted rhythms and sweeping arpeggios requiring good left hand movement and freedom. The feel is full and almost majestic at times but always manages to maintain the ‘folk’ simplicity.

The Round Dance is lively and energetic with a contrasting lyrical section in the middle. There are plenty of changes in time signature with an overall 9/8 that really pushes the music along, with nothing being held back in physical movement for the performer.

This piece is obviously written for the guitar as it exploits all the best bits, but it certainly doesn’t give the performer an easy ride!

I think that it is great music for the imagination and for finding out about expression and especially texture in performance.

Selina.

guitaristway1

The Guitarists Way Book 1

Peter Nuttall and John Whitworth

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Book one leads to the playing of simple melodies on the top 3 strings, whilst developing a secure technique in both hands. A few bass note are then introduced, followed by pieces which combine a melody with a simple bass accompaniment.

Skill Level
Beginner
muslemayprogressivevol5

Repertoire Progressif Volume 5

Les Productions dOZ

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These six volumes of progressive repertoire for classic guitar provide pieces that will please apprentice guitarists at both beginner and more advanced levels. The repertoire was chosen by a large number of Quebec teachers who have been working for many years at all levels of classic guitar instruction. Their precious help has brought quality, diversity and originality to this collection.

Skill Level
Intermediate
117

Renaissance Dances

Karl Scheit

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The musician or musical amateur of earlier times used to have a book in which were collected pieces that suited their musical tastes and technical abilities. This edition contains the following dances Allemand, Balletto, Galliard, Pavane and Villanella.

Skill Level
Intermediate
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95

Five Pictures of Sark

Vincent Lindsey-Clark

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These five delightful pieces by Vincent Lindsey-Clark reflect the Channel Island of Sark. Maseline Harbour, Hvre Gosselin, Cycles in the Avenue, La Moinerie and Descent from La Coupee are expertly composed for solo guitar by this highly talented musician.

Skill Level
Intermediate

As with the "Simply" series, these pieces encourage experimentation, exploration and musicianship for all levels of ability.

Clarke somehow manages to make the guitar sound more expansive in scope than it is with the various ways that he writes melodies and, particularly, accompaniments. He achieves many different textures and moods, which are evocative and convincing, drawing real pictures of the scenery and life of Sark.

The music requires dynamic and tonal control and contrast, while the structure and harmony in the pieces introduces the player to a modern and "impressionistic" style.

We often talk about finding pictures to accompany your music and help you to communicate ideas - this music really helps and encourages you to do just that!

In Maseline Harbour the contrast in textures is fantastic, from the flowing arpeggios of the first section to a repeated chord accompaniment over a bass melody; this melody then expands into octaves bringing out wonderful dissonances and producing a big sound picture. The final section highlights a syncopated melody within the semiquavers that is a great exercise for the brain and finger independence. This creates an uneasy atmosphere before melting back into the opening arpeggios.

Havre Gosselin uses a simpler musical texture, mainly two voices, employing repeated notes in the melody to create long undulating phrases. This is a haunting piece; the dramatic centre section uses big jumps between first and seventh position to hold and release the tension in the music.

Cycles in the Avenue is the most cheerful of the pieces -the musical instruction is "scherzando"! The piece uses the whole fretboard and encourages a freedom of movement in the player. This is not easy as there is some challenging high position reading and quick moves. The contrasting middle section uses long slow chords with a "scrunchy" harmonic progression and voicing that requires one part to be staccato and the other legato.

La Moinerie is a beautiful, slow, expressive piece that requires good finger control to bring out the separate voices and fantastic harmonies. The phrases are long and flowing, excellent practice for the developing guitarist and the flow of the music is irresistible. A small phrase using artificial harmonics with other voices is a big challenge (a difficult technique) that is wonderful when mastered, and the way that the ending evaporates has a real "tingle" factor!

The final piece, Descent from La Coupee (304 steps) is the most dramatic, dissonant and exciting. The dissonances may take some time to get used to when you are learning the piece, but the effect they add to the driving rhythms conjures up many pictures including, for me, a thunderstorm, crashing seas and fright in the repeated chord section! The use of strumming and punctuated rhythm in the coda results in a big, dramatic ending.

This set of pieces would stand quite happily alongside more complicated and difficult works in performance and I think that any player would have fun (and benefit from) exploring them - I know that I do!

Selina.

75

First Guitar Pieces

Gerald Garcia and John Whitworth

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A very popular collection of eight attractive pieces, drawn from many parts of the world. The pieces are suitable for the elementary player who is ready to study music in two voices, and have been chosen for their musical value whilst remaining within strict technical limits.

Skill Level
Beginner
4-venezuelan-pieces

Four Venezuelan Pieces

Rodrigo Riera

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Rodrigo Riera is a prominent Venezuelan guitarists/composer who attended many summer schools given by Segovia in the 1950's. These four pieces are among Riera's simplest works and are attractive student material at about Grade 4 level. All fingering and slurs in this edition are original.

Skill Level
Intermediate;
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musbarriosvol1

Barrios Guitar Works Vol I

Agustin Barrios Mangore

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A comprehensive publication of the works of Augustin Barrios Mangore, the first guitarist/composer from the New World of truly universal importance. These volumes are designed for the performer, student and teacher. Volume I has 21 pieces, including: El Sueno de la Munequita * Oracion por Todos * Danza Guarani.

Skill Level
Intermediate
Advanced
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guitaracademy2

Guitar Academy Book 2

Richard Corr

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This is a very well presented tutor covering many areas that others miss and providing clear explanations. Book 2 follows on nicely from book 1.

Skill Level
Beginner

This volume starts with a quick reference of notes, chords and accidentals followed by an introduction that takes the same format as in book one. It previews what there is to look forward to in book two, focussing particularly on free stroke and the importance of the improvisation and chord exercises in a students overall musical development.

There is an excellent introduction to free stroke describing where and why it is used, and the differences with rest stroke. There are pictures and written explanations on preparation for free stroke and correct and incorrect finger movements.

While many guitar teachers still disagree over the use of free and rest strokes in the early stages of learning (I start my pupils with free stroke) this book provides more information than is usual and so gives the pupil and teacher more choice. This introduction to free stroke is followed up by several exercises using chords in thirds and arpeggios helping the student to become familiar with the finger movements. The book then goes on to cover accidentals and key signatures, scales including the blues scale, ties, swing rhythm, dotted rhythms and 6/8 time signature.

Each new subject has clear written explanations, loads of pictures both amusing and technical, and plenty of exercises for practice. The section on playing fingers with thumb includes some very good open string exercises and even though it does move on to more difficult stretches, these are introduced in a way that makes them not seem so hard! The pieces at the end of the classical section are longer and more involved giving the student a real sense of progress and achievement. The chord supplement uses more involved strumming patterns, and introduces tablature.

musweiss

Weiss for guitar

Silvius Leopold Weiss

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It is great to see these two collections being published, as the music is often difficult to find and choose when students reach the technical level required.

Skill Level
Advanced

It is great to see these two collections being published,as the music is often difficult to find and choose when students reach the technical level required.

I was especially impressed with the Weiss collection where the 10 movements chosen (from a huge repertoire of suites) work very well as stand alone pieces and transfer beautifully onto our 6 string classical guitar, without the player having to perform too many acrobatics and without losing the musical flow.

It is very important to introduce the repertoire of these two composers to guitarists as soon as possible. Weiss because he was a contemporary of Bach and wrote pieces of high quality and, arguably more suited to the guitar, and Scarlatti whose harpsichord music helps to develop a feel for the Spanish Baroque style where the guitar can recreate the textures of the harpsichord very well.

The editions are clearly set out and printed with excellent historical notes at the beginning of each volume. These notes are very informative and useful for the technical and musical interpretation of the pieces.

For the Scarlatti there is some background for individual pieces, as well as musical ideas and explanation of ornaments.

For the Weiss there is a more general history of how he wrote for the Baroque Lute developing the instrument to include 13 courses, and of his main format for composition, namely the suites of dance movements.

I particularly found useful the explanation of the Prelude or Fantasia, a form represented in the first piece in this book.

The Scarlatti pieces all fit the guitar well although the last two are technically complicated. My favourites are 3, 5, 6 and 7 from which I felt I could really get a lot of musicality, texture and rhythmic drive.

All of the Weiss movements are lovely with a lot of contrast to be found between pieces. The player can get a real feel for the dance styles and sophisticated harmonies that Weiss used. My highlights are the Rondeau and Sarabande (5 and 6), Paysanne (8) and Courante (9).

The only thing that I would like to have seen less of in these editions is fingering, especially for the left hand. The music is complicated and it is nice to have fingering advice but I found that it hindered my initial reading of the pieces and so it ended up taking me longer to become fluent!!

It is good for students and teachers to work out the best fingering for themselves through trial and error - in my experience you learn more thoroughly and have a better understanding of reading and technique this way.

Overall, this is excellent source material for any guitarist, not only to be used for exams but as essential repertoire. It is also beautiful and detailed music that all will be able to enjoy learning and mastering.

Selina.

giuliani-rossiniana

Giuliani Rossiniana OP.119

Mauro Giuliani

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Returning to Italy in 1819 after years of success Giuliani found himself forced to rebuild his career in a musical environment dominated by opera. It was in this context that the six Rossiniane were created. Constituting one of the highlights of Giuliani's production they also offer an insight into the the reception of Rossini's work by his contemporaries. If this is new work for you then Rossiniana No 1 is a good starting point.

Skill Level
Advanced
319

The Guitar Music of Spain Vol 2 Bartolome Calatayud

Bartolome Calatayud

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A series of three volumes containing the very best of Spanish guitar music. Over 50 traditional pieces by Bartolome Calatayud, graded from simple to advanced throughout the book. This the second book in a series of three volumes they contain the very best of Spanish guitar music.

Skill Level
Beginner
Intermediate
Advanced
300

Estudios Sencillos

Leo Brouwer

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Etudes simples volume 1 studies 1-5. These are a must for any aspiring guitarist. Leo Brouwer's attention to musical and technical detail stretches the player encouraging expression and freedom of movement.

Skill Level
Beginner
Intermediate

This is definitely a case of good things come in small packages, a classic edition for the classical guitar, unchanged since its first publication in 1972.

The ‘book’ consists of an A5 piece of card for the front and back covers and an A5 piece of paper that provides 4 pages for the printed music, however within this the music is excellent and essential repertoire for any beginner or intermediate guitarist, as well as offering great technical and musical practice for those of us who consider ourselves more advanced.

These 5 pieces are wonderful miniatures packed full of musical and technical detail covering articulation, syncopation, voicing and a wide range of colour and dynamics. The use of descriptive words is also great including “movido’, ‘cantando’ and ‘sonoro’, descriptions that are so evocative and good for your musical knowledge!

There are great bass melodies in nos.1 and 4 with an upper accompaniment of repeated thirds (chords) requiring technical and rhythmical control. The shifting time signature in no.4 gives it lovely flow and overall movement. No.2 consists of very slow moving chords highlighting balance and voicing with some wonderful dissonant and emotional harmonies. No.3 concentrates on rapid articulation and no.5 is beautifully lyrical despite some quirky harmonies and fantastic syncopation.

Great, musical and emotional pieces that really help you to develop your technique.

Selina.

276

Latin America

Gerald Schwertberger

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This is simply a great little book full of sunshine and life! Schwertberger manages to capture the spirit of the dances without making the notes too complicated. What more can I say?

Skill Level
Beginner
Intermediate

This is simply a great little book full of sunshine and life! Schwertberger manages to capture the spirit of the dances without making the notes too complicated.

Interestingly, in the Preface the composer says “The point of this edition is to introduce guitarists to these dances, with all their appealing banality and stereotype turns of phrase.” In this he has been successful and although (or perhaps because) the music is not deep and meaningful, I was immediately drawn to its life and character and thoroughly enjoyed playing through the pieces.

The pieces are mostly in first position and generally based around chord shapes from which the melodies develop. There is, as you would expect a lot of syncopation, written in such a way that it is not difficult to work out and hear, although you will of course need to count! The greatest challenge is in the tempos; some of the suggested metronome marks are pretty quick and do give excellent results. However the music is still very effective at slower speeds and so provides very good technical development work. He achieves some great effects with rhythm and right hand patterns and each piece has a distinct character.

Highlights for me include Bossa Nova Breeze, which is ‘cool’ and relaxed with good use of chords and emerging melody lines. Nostalgia has a lovely bass melody topped by a syncopated accompaniment that uses some nice scrunchy harmonies. Bamba Samba is simply great fun and Nightwinds has an evocative atmosphere with its combination of rasgueado chords over the melody line.

The final Bossa Nova is a more challenging piece, with a straightforward right hand pattern that goes fast and some interesting harmonies to find.

Overall a book of sunshine that will bring a smile to your face and please and impress your audience.

Selina.

musburdenygprog2

The Young Guitarists Progress

David Burden

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This book covers the area from Grade 1 to Grade 2 providing repertoire for young pupils learning individually or in groups. The theory and ear development sections can be used alongside this at the discretion of the teacher.

Skill Level
Beginner
mussagreraslesson1-3

Guitar Lessons Books 1 to 3

Julio Sagreras

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The Guitar Lessons of Sagreras are among the most universally used collections of guitar music and represent a milestone in guitar didactic literature. Comprising of 6 books in all the Guitar Lessons were an immediate success on their introduction and remain highly sought after today.

Skill Level
Beginner
Intermediate
muswanderslatinduetsvol23

Latin Duets Volume 2

Jeop Wanders

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Book 2 of Latin Duets is a very cleanly printed work consisting of an exciting variety of Latin styles. Joep Wanders style of writing suits the guitar beautifully and you will gain a huge amount of confidence and fun playing these pieces. A play along CD is also included.

Skill Level
Beginner
Intermediate
Ensemble
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