Sheet Music

Sheet Music Database

Our Sheet Music database is very searchable using any or all of the following - Composer name, Title, Musical standard, Exam board and Grade of piece both that of the exam boards and also our own Stafford Guitar grading.

Our aim is to not only bring you the up to date exam syllabus but also a selection of music we have enjoyed over our years of playing. The Stafford Guitar grading is to help you when selecting new pieces to learn.

In addition you will find Selina’s review of a piece or book helpful and again these reviews are carried out to help with your choice.

We are also happy to obtain music that we currently do not stock so if there is a book or piece you would like call and we will attempt to find it for you.

Results 73 - 96 of 289

Sheet Music Database

musicbrouwer3

Nuevos Estudios Sencillos.

Leo Brouwer

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A group of studies covering various techniques such as arpeggio, staccato, legato, afro-cuban rhythmic patterns, tremolos, partial barre, this is an essential book for the committed student.

Skill Level
Beginner
Intermediate

I have always been a fan of Leo Brouwer’s music and so was immediately drawn in to these studies with their great use of the guitar and "natural" technique that compliments rather than fights the music!

Like Brouwer’s "Simple Studies", they provide varied technical and musical skills as well as training the ear to the more unusual sounds and dissonances of modern music which is very important in the development of the young (and not so young!) budding guitarist.

At the same time Brouwer manages to keep the music very lyrical, linking each study to a composer (homage to…) which heightens interest!

My only worry is the statement in the notes for study number one that the collection is for beginners or children. I think that these pieces would be of benefit to, and enjoyed by players of any age, but possibly suited to those with a bit more experience since the notation, rhythms and voicing is quite tricky in places.

I would place them at a grade 3 to 5 level, possibly 6 if all the tempo and articulation markings are kept to (for our database beginner/ intermediate)

Each study has written notes which clearly explain what is required and what to focus on.

The music requires clear dynamic control, careful articulation even between voices, pinpointing melody within arpeggios, legato phrasing and syncopated rhythms. There is simply loads to work on in each piece!

My favourites are Tarrega (no. 5) with its minimalist style, tremolo development and strong echoes of Brouwer’s Decameron Negro; Prokoviev (no. 4), which has an excellent, rhythmical bass melody; the lovely harmonies and chord melody in Villa Lobos (no. 8) and the beautiful simplicity of Szymanowski (no. 9).

Overall, this collection of pieces would be of great benefit to players of all standards and I particularly like the link to composers that will hopefully encourage young people to explore different kinds of music. Importantly the strongest element of "study" here is musical – excellent!

Selina.

323

Complete Studies for Guitar

Fernando Sor

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Edited by Paolo Cherici. In editing Sor's studies Cherici is attempting to seek new performing possibilities. Cherici has not restricted himself to Sor's original fingering or even to the traditional solutions adopted. Cherici wishes to develop an outcome that reflects his own personal view of how these pieces should be performed.

Skill Level
Beginner
Intermediate
Advanced
musUhl10pieces

Ten Pieces for Guitar

Alfred Uhl

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Do not be misled by the title, there are only 5 pieces within this edition. Having said that, the music is fun and well written allowing the player freedom to move around the fingerboard. If you are looking for intermediate pieces with which to challenge your sight reading skills and encourage fingerboard speed, look no further.

Skill Level
Intermediate

Playing these pieces really took me back since I played the Aria for my grade 5, what seems like an age ago!

There are three pieces offering contrast in character but strong links in melody that means they work beautifully together. The music is full of strong treble and bass melodies, driving rhythms, exciting harmonies and lots of opportunity for contrasts in articulation and tone. Techniques include fast articulation, control of long slurred passages and fluid movement around the fingerboard.

There are 6 pieces in this volume and I think they are a great set, introducing players to a contemporary style, possibly their first time, while remaining lyrical and fun to play. There is plenty to think about with quite detailed dynamics and articulation, plenty of melodies to follow, clear musical shape and some quirky harmonies.

The Bagatelle is unusual but in a way to get you interested with a strong rhythm and lyrical melody. I love the Aria with its lilting, melancholic melody ebbing and flowing throughout the piece, and the Capriccio is lively quick and rhythmical.

The printing is nicely spaced with quite a lot of fingering, most of which is necessary to convey the movement around the fingerboard.

In fact this is one of the main challenges in the music, very good for reading and fingerboard knowledge while also giving the player plenty to look for in telling the stories of the pieces and experimenting with tone and colour.

Definitely recommended.

Selina.

116

Suite Castellana

Federico Moreno Torroba

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Guitar Solo. By Federico Moreno-Torroba. Arranged by Andres Segovia. Published by Schott Music. Contents: Fandanguillo * Arada * Danza

Skill Level
Advanced
musryansongserin

Songs From Erin

Gary Ryan

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Songs from Erin (2007) is a shorter, two movement work for guitar commissioned by Rebecca Baulch and inspired by Ryan's visits to Ireland. Ryan explores different tunings for the guitar in these pieces, making the instrument sound reinvigorated, idiomatic and resonant in new ways. Out of Clonmel has an energetic flavour reflective of Irish folk music Lough Caragh is more contemplative and influenced by the traditional Irish ballad.

Skill Level
Advanced
baroque

The Baroque Book

Chanterelle

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The Baroque Book for guitar is a treasury of carefully selected pieces from the greatest composers of the 17th and 18th centuries. The music of the baroque era has always been a popular and important part of the guitar repertoire. A thorough understanding of the style, forms and rhythmic and harmonic conventions of the period are an essential part of the guitarist’s training. The Baroque Book introduces today’s guitarist to baroque music in a way that is both technically cumulative and musically comprehensive. Comprising arrangements of all the standard dance movements and other characteristic forms from across Europe, it is a critical part of any progressing classical guitarist’s repertoire.

Skill Level
Beginner
Intermediate
mustrinitytheoryg4

Theory of Music Workbook Grade 4

Trinity Guildhall

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Designed for use during lessons or at home these workbooks contain all the requirements for Trinity Guildhall examinations. Each book also contains sample exam papers.

Skill Level
Intermediate
37

Guitar Exam Pieces CD Grade 4

ABRSM

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Recordings of pieces from the new ABRSM Guitar Syllabus, from 2009. Innovative and valuable resource for candidates preparing for ABRSM exams. All duos are accompanied by another guitar, and playalong tracks for these pieces are also included.

Skill Level
Intermediate
314

Trinity Guitar 2016-2019 - Guitar Grade 8

Trinity College London

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Containing pieces required for the Trinity Guitar exam. Three pieces to be performed from those listed in this book, at least one from each group, or from the duets or alternative pieces listed for this grade, to form a balanced program. This is an excellent book even if you have no intention of taking the exams.

Skill Level
Advanced
musabauralcd1

Aural Training In Practice CD Grades 1 to 3

ABRSM

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Old Syllabus - for practice only. Aural Training In Practice provides clear, structured guidance for candidates preparing for the aural tests in the Associated Board's practical exams. These CDs accompany the Aural Training workbooks. I have used the book and CD with many of my pupils achieving great success. I highly recommend both for those wishing to achieve high marks in their graded exams.

Skill Level
Beginner
musdowlandmelancholy

Melancholy Galliard and Allemande

John Dowland

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Dowland's 'Melancholy Galliard' and 'Allemande' transcribed from the lute tablature and arranged and fingered for guitar by Karl Scheit

Skill Level
Intermediate
bach-inventions-1-7

Bach Inventions Vol 1 1-7

J. S. Bach

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BMV 772 - Written for 2 guitars. Transcribed by Mario Martino & Andrea Schiavina. As with all UT Orpheus publications this edition is very clearly and cleanly printed which really helps when sight reading ensemble pieces. Music written by Bach, what more can I say, if you have an interest in playing ensemble which in my opinion you should at least try, then these Inventions are fun and challenging.

Skill Level
Intermediate
Ensemble
muswynbergfirstrep

First Repertoire for Solo Guitar Book 1

Simon Wynberg

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The contents of book 1 cover a wide stylistic range with music of interest to adults and children alike. All compositions originally written for the guitar with some works being published here for the first time. Helpful notes are given on performance the selected pieces are designed to be varied and musically for the player.

Skill Level
Beginner
Intermediate
99

Five Bagatelles for Guitar

William Walton

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The Five Bagatelles were written for Julian Bream and dedicated to Malcolm Arnold on his 50th birthday. They were first performed by Julian Bream on 27th May. The five different bagatelles each capture a different mood from the relentlessly upbeat first, the languid second, the smoky, seductive third, the dreamy fourth and the frantic finale. All feel instinctively like guitar music.

Skill Level
Advanced
musryanscenesbrazil

Scenes from Brazil

Gary Ryan

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In Scenes from Brazil Gary Ryan continues the theme of attractive concert pieces from his hugely popular Scenes from the Wild West. The three pieces that comprise Scenes from Brazil draw their influence from a variety of sources including 1960s jazz legend Antonio Carlos Jobim, who played alongside Astrud Gilberto and Stan Getz on the famous Girl from Ipanema. The 3 pieces are titled Junglescape, Rio Bay (from the Corcovado)and Sugarloaf Mountain.

Skill Level
Advanced
musoneplusvol28

One + One Volume 2 (Teachers Part)

Chanterelle

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The three volumes of One + One contain arrangements of music from the renaissance, baroque, classical and romantic periods as well as folk-song settings and new compositions written specially for the EGTA Series. New compositions, even though they don’t apply to the exam list repertoire, are included, in order to maximise the books’ general value to the player and to show how this approach can work for all types of music.

certainhits5

Certain Hits 5

David Burden

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10 Songs and Themes from Film and TV. Ticket To Ride; And I Love Her; The Windmills of Your Mind; Pastorale(Vivaldi); The Harmonious Blacksmith(Handel); Plaisir d'Amour; Raindrops Keep Falling On My Head; Scarborough Fair; Eye Level; The Jeeves and Wooster Theme

Skill Level
Beginner
Intermediate
tapasdeespana

Tapas de Espana

Cees Hartog

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Like I Tocca Guitarra the fantastic thing about this book is how Spanish the music sounds!

Skill Level
Intermediate

The fantastic thing about this book is how Spanish the music sounds even when the pieces are quite easy and do not have many notes!

The 12 pieces in Tapas de Espana are more difficult than I Tocca Guitarra and even more fun to play.

All of the pieces are full of contrast in texture and colour.

They are great for developing basic technical skills such as arpeggio patterns, left hand versatility, rasguado and quick articulation, as well as improving feel for changing rhythms and melody with accompaniment.

Guajiras uses alternating 6/8, 3/4 bars producing a driving pulse and carnival spirit.

Boceto Menorca changes from a flowing quaver melody to triplet arpeggios and finishing with a strong, very Spanish bass melody with quick thumb articulation and slurring.

All of this transports you to Spain and the traditional dance forms, colourful outfits and stamping of feet! I think that my overall favourites are La Coruna which has a more mysterious feel with fast arpeggios and subtle harmonic changes, and Bolero which is simply great fun needing well controlled rasguado, fast articulation and a strong "dancing" pulse.

Selina.

292

Easy Pieces from Shakespeares Time Vol.2

Karl Scheit

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A characteristic of the musical practices of the time was the freedom with regards to the choice of instrument. Here the editor has brought this same freedom this guitar edition. The volume contains well known and enjoyable pieces such as Toy, Packington's Pond, Kemp's Jig. In total there are 15 pieces to experience and enjoy. These two volumes are full of pieces that have stood the test of time and are a must for anyone learning the classical guitar.

Skill Level
Intermediate

I am so enjoying reviewing our music because I am being reintroduced to a lot of the music that has been part of my life with the guitar and realizing how much great stuff there is to choose from whatever your level and expertise.

These books probably represent my first introduction to music of the Renaissance, music that is still my favourite.

We are so lucky as guitarists to have repertoire that spans so many centuries to choose from and the pieces here are simply great for developing musical skills like counterpoint, highlighting voices, repeated chords and exciting rhythm.

These books have been around for a long time, a fact that reflects their value on technical, musical and enjoyment levels. The printing is clear and the edition is good with fingering suggestions rather than the blanket fingering that is common among modern editions. The books include a wide range of music, from simple dances to slower more gentle pieces and on to quite difficult rhythms, voicing and counterpoint. Many of the pieces use compound time like the delightful A Toy and Wilson’s Wilde in volume 1, so good for improving your counting skills and developing a real feel for pulse which is so vital for flowing and musical performance.

What if a Day (vol.1) is excellent chord voicing, listening to harmony and keeping a smooth melody over the top. More detailed counterpoint is evident in Grisse his delight, An Almaigne and Alman (vol.1) with melodic lines being introduced in up to three lines as well as supporting harmony. This is such valuable experience for the developing guitarist as we are so used to thinking vertically. Here we can learn to find, sing and highlight the different melodies and the resulting phrasing, dissonances and musical drive are fantastic.

Volume 2 also includes a range of pieces reaching to a higher level than the first volume. I particularly love the Volt and Currant, musically simple with great drive and technically tricky with a fast melody over a repeated arpeggio in the bass – learning what it is like to be more than one musician on one guitar! Go From my Window and Fortune introduce the idea of F# tuning which allows the fingering to follow how it would have been played on the lute.

There is a lot of detail in this music but also loads of spirit, movement and fun. From an early stage it particularly teaches us to listen and on a technical level is especially good for the left hand developing independence and flexibility across the strings. I will certainly be bringing these into my teaching. The music may be very old but it is some of the best and accessible from an early stage. It may not seem trendy but that doesn’t matter because it is great fun to play!

Selina.

276

Latin America

Gerald Schwertberger

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This is simply a great little book full of sunshine and life! Schwertberger manages to capture the spirit of the dances without making the notes too complicated. What more can I say?

Skill Level
Beginner
Intermediate

This is simply a great little book full of sunshine and life! Schwertberger manages to capture the spirit of the dances without making the notes too complicated.

Interestingly, in the Preface the composer says “The point of this edition is to introduce guitarists to these dances, with all their appealing banality and stereotype turns of phrase.” In this he has been successful and although (or perhaps because) the music is not deep and meaningful, I was immediately drawn to its life and character and thoroughly enjoyed playing through the pieces.

The pieces are mostly in first position and generally based around chord shapes from which the melodies develop. There is, as you would expect a lot of syncopation, written in such a way that it is not difficult to work out and hear, although you will of course need to count! The greatest challenge is in the tempos; some of the suggested metronome marks are pretty quick and do give excellent results. However the music is still very effective at slower speeds and so provides very good technical development work. He achieves some great effects with rhythm and right hand patterns and each piece has a distinct character.

Highlights for me include Bossa Nova Breeze, which is ‘cool’ and relaxed with good use of chords and emerging melody lines. Nostalgia has a lovely bass melody topped by a syncopated accompaniment that uses some nice scrunchy harmonies. Bamba Samba is simply great fun and Nightwinds has an evocative atmosphere with its combination of rasgueado chords over the melody line.

The final Bossa Nova is a more challenging piece, with a straightforward right hand pattern that goes fast and some interesting harmonies to find.

Overall a book of sunshine that will bring a smile to your face and please and impress your audience.

Selina.

119

Guitar Music for Beginners Vol 2

Musica Budapest

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Skill Level
Intermediate
Out Of Stock Enquire
mussagreraslesson1-3

Guitar Lessons Books 1 to 3

Julio Sagreras

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The Guitar Lessons of Sagreras are among the most universally used collections of guitar music and represent a milestone in guitar didactic literature. Comprising of 6 books in all the Guitar Lessons were an immediate success on their introduction and remain highly sought after today.

Skill Level
Beginner
Intermediate
76

Solo Now Volume 1

Chanterelle

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Volume One of the Solo Now! series contains twenty-five original progressive guitar solos for the beginning classical guitarist. Part of the EGTA Series, Solo Now! focuses on development of a stable yet relaxed right hand position while nurturing correct technique for the left hand.

Skill Level
Beginner

The aim of the three Solo Now! books is to provide the elementary guitarist with a progressive and stimulating collection of pieces that specifically develop one of the most fundamental guitar techniques – that in which the right hand thumb and fingers combine to play mainly broken chord configurations using the tirando stroke.

The main principles behind the EGTA series of didactic music are establishing a good, balanced technique while not putting excessive demands on the hands of young players. Much of the 19th century teaching repertoire is focussed on developing the right hand but in doing so does make life difficult for the left hand! In these Solo Now books, the brief for composers was to concentrate on the right hand while keeping the left hand relatively simple.

Volume 1 concentrates on establishing the sense of “placement” of pima over a set of strings and maintaining a relaxed hand shape while playing across the strings. The left hand is mostly limited to placing one finger at a time, and keeps to 1st position.

In volume 2 the right hand is developed to include playing consecutive notes on a single string as well as more difficult arpeggio figurations. The left hand now has more double stopping and extensive use of 2nd and 3rd positions.

Volume 3 has a lot more left hand work including barre and slurring techniques, and movement over the first 5 positions. The right hand has more varied combinations of fingers, as you would find in most pieces, the culmination of the balanced and relaxed hand technique developed in the previous volumes.

When the aims of the books are laid out like this, it sounds like the pieces are going to be very dreary and technical but that is certainly not the case here. Nor are they very contemporary and difficult to interpret! In addition to the technical ideals, musicianship is the key.

There are lots of stories, feelings and pictures in the music with inspiring titles like “Chatterbox”, “Cowboy in the Saddle” and “Aquarium”. In fact, in looking through these books I have come to realise how important a title can be in giving us ideas and feelings to communicate in our playing.

There is extensive use of phrase lines throughout the series, wide ranging dynamics, articulation and musical indications that get progressively more detailed. There are excellent melodies, especially in the bass, and interesting rhythms that are contemporary but easily accessible through the titles.

In volume 1 “Toy Soldiers” starts the series with an excellent marching bass line maintained throughout; the “Stone Circle” requires thought and a picture to capture the majesty and “Three Ghosts” is marked “dark distant and cold”- a real challenge for the player! “Going for a Spin” at the beginning of volume 2 has a lovely, lilting quaver movement with the melody singing from the arpeggios; in “Ducks and Swans” you can really hear the difference between the graceful swans and quacking ducks – great fun! If you close your eyes at the beginning of “Circles in the Water” you can see the widening ripples and “Whirligig” makes you want to dance with a strong pulse and uplifting melody.

The pieces in volume 3 are a lot busier and more challenging but still continuing the original right hand arpeggio ideas within pieces with 2 and sometimes 3 voices. “Wishing Well” has a beautiful, relaxed melody with some scrunchy harmonies and in “Aquarium” you can follow the fish swimming over the arpeggio accompaniment! “Carillon” is a great finale to the series with a joyful stream of semiquavers forming arpeggios and melodies, syncopated bass notes and exciting harmonies.

These are just a few examples from a wide range of pieces in this series that are written with very important technical considerations in mind but also manage to inspire listening and musical invention, and are great fun to play! Ideal early repertoire.

Selina.

192

The Guitar Music of Spain Vol 3 Bartolome Calatayud

Bartolome Calatayud

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This sort of collection is great since as well as including some well-known and very popular pieces it introduces guitarists to some fairly obscure pieces and less well-known composers. This the third book in a series of three volumes contains the very best of Spanish guitar music. Traditional Spanish and Hispanic music by composers such as Rodrigo, Calatayud, Llobet, Cardoso, Sainz De La Maza and other masters.

Skill Level
Intermediate
Advanced

This sort of collection is great since as well as including some well-known and very popular pieces it introduces guitarists to some fairly obscure pieces and less well-known composers.

This sort of collection is great since as well as including some well-known and very popular pieces it introduces guitarists to some fairly obscure pieces and less well-known composers.

Included are quite a wide variety of styles from within this genre from the brightness and relative simplicity of Bolero and El Majo by Calatayud to the contemporary feel of Pajaros De Primavera by Rodrigo and the rich, romantic melody of Capricho Arabe by Tarrega.

The edition is very good with plenty of space allowed for each piece (which is very important for the amount of notes that some of them contain) and clear musical instructions and fingering.

As for the latter, there is not too much; the Torroba and Rodrigo have none at all allowing much more freedom for the performer even if it takes a little longer to work it out!

If you are considering this book for one or two pieces it is very worth while. For one thing the price is very good for the variety that you get!

Madronas by Torroba (grade 8) is a rich and beautiful piece that really captures the spirit of Spain and highlights the warmth, sonority and lyricism of the guitar as brought to us by Segovia.

Capricho Arabe is also here – a great repertoire standard with its soaring melodic lines and rich harmonies.

Another highlight for me is the music by Sainz De La Maza, which, unfortunately, is not heard so much these days. He uses the guitar very effectively having a lighter, simpler feel and so depicting the vitality of Spain.

There are some big and more complicated and contemporary pieces by Llobet as well as his glorious arrangement of El Noi de la Mare.

Some of these pieces take more working out and effort to learn but the experience is great for any guitarist in learning about musical style, shape and interpretation.

Selina.

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