Sheet Music

Sheet Music Database

Our Sheet Music database is very searchable using any or all of the following - Composer name, Title, Musical standard, Exam board and Grade of piece both that of the exam boards and also our own Stafford Guitar grading.

Our aim is to not only bring you the up to date exam syllabus but also a selection of music we have enjoyed over our years of playing. The Stafford Guitar grading is to help you when selecting new pieces to learn.

In addition you will find Selina’s review of a piece or book helpful and again these reviews are carried out to help with your choice.

We are also happy to obtain music that we currently do not stock so if there is a book or piece you would like call and we will attempt to find it for you.

Sheet Music Database

muslemayprogressivevol5

Repertoire Progressif Volume 3

Les Productions dOZ

Base price for variant: £15.95
Sales price: £15.95
Price:£15.95
Discount:
Tax amount:
Price / kg:

This album moves up to around Grade 4, (although a couple of pieces of Grade 3 have sneaked in) and there are more 'unknown' pieces than in the previous two books, the collection being the better for it; Claude Gagnon emerges yet again, this time with four pieces and there are two fingerstyle compositions by Jacques Chandonnet... ...these albums are presented to a high standard.

Skill Level
Beginner
Intermediate
295

100 Graded Classical Guitar Studies

Frederick Noad

Base price for variant: £18.10
Sales price: £18.10
Price:£18.10
Discount:
Tax amount:
Price / kg:

One hundred studies from the works of three outstanding composers, Sor, Giuliani & Carcassi. All of these studies are invaluable to the guitarist, as well as developing right and left hand technique they are a pleasure to play and listen too. With each study Noad has added a brief note which assists and encourages. This edition is great for both student and teacher.

Skill Level
Beginner
Intermediate
Advanced

This is a fantastic resource for guitarists of all ages and standards. If you are a beginner it is a great investment for the future, and if you have been playing for a few years it presents lovely pieces through which you can develop your technique and your musicianship. The Classical in the title not only refers to our instrument but to the period from which the music originates. The 19th century guitar repertoire is often under rated but is, in my opinion indispensible.

This edition represents great value for money, including all of Carcassi’s Op.60 as well as many of the well known Sor studies, for example the B minor arpeggio study, op.31 no.6 the detached quaver chords and op.6 no.6 the moving thirds in A major. The Giuliani studies tend to be less well known as there are so many that have not really been collected into dedicated edition for students.

There are some lovely examples here that really help you to work on specific aspects of technique such as arpeggios, moving intervals and chord movement while giving you lots of drama and excitement musically. Giuliani’s Opus 1 is well represented, giving a tantalizing taster to a group of studies and exercises that no guitarist should be without.

The book is very well laid out and clearly printed with a short paragraph of musical and technical notes for each of the 100 studies, and most importantly sensible levels of fingering!

This gives you great confidence as a player particularly if you don’t have a teacher to help you.

There is also a fairly brief but comprehensive introduction covering the editors ideas in the selection and grading of pieces as well as historical notes on each composer, Fernando Sor, Mauro Giuliani and Matteo Carcassi.

Frederick Noad produced some great collections for students really opening out the guitar repertoire for everyone to enjoy. There are too many favourites here for me to mention, a real treasure trove!

Selina.

musdodgson12intros

12 Introductory Studies for Guitar

Stephen Dodgson and Hector Quine

Base price for variant: £12.50
Sales price: £12.50
Price:£12.50
Discount:
Tax amount:
Price / kg:

These introductory studies are intended to introduce the player to a wide range of technical and musical challenges. A good sense of rhythm and counting are called for to help develop right hand articulation and left hand independence. Many of the rhythmic patterns need to be mastered if one is to advance to the higher grades in classical guitar exam syllabus.

Skill Level
Beginner
Intermediate
musponce12preludes

12 Preludes

Manuel M Ponce

Base price for variant: £10.95
Sales price: £10.95
Price:£10.95
Discount:
Tax amount:
Price / kg:

This is what I would describe as ‘classic’ repertoire, from a composer who did an awful lot towards exploring new possibilities in composing for the guitar and widening the repertoire during a vital period in the guitars history and development. This is rewarding and essential repertoire that I hope many people will find and enjoy. Arranged by Andres Segovia, edition covers 16 pages. Published by Schott Music.

Skill Level
Intermediate
Advanced

This is what I would describe as ‘classic’ repertoire, from a composer who did an awful lot towards exploring new possibilities in composing for the guitar and widening the repertoire during a vital period in the guitars history and development.

I am disappointed in myself for not having learnt to play these preludes sooner! They are lovely little miniatures with loads of musical detail and technical challenge packed in to pieces that individually last for 2 to 3 minutes but are still very rewarding to play and to listen to.

Very importantly they represent excellent opportunities for improving music reading and knowledge of the guitar fingerboard through exploration of key signatures and freedom of movement between positions. The keys range from C major to A flat and F sharp major, in other words up to 4 flats and 6 sharps. This is very good for guitarists, taking us out of our comfort zone and forcing us to use different and varied positions and to learn the geography of the fingerboard. As you play the Preludes you quickly discover that there are patterns in every key and if you name your notes and work out the patterns the, at first, seemingly uphill task of reading some of the music becomes fun and in fact very rewarding.

This variety of key signatures and the range of pitch used throughout means that the fingerboard is used in a very fluid way without blocks of notes in positions but constantly changing and also using all 6 strings in the higher positions rather than only the high notes.

For me this is a vital skill for a guitarist, one that gives you freedom of technique as well as musicianship. When learning pieces like these properly it does not take long to learn your fingerboard and become comfortable and at ease moving around.

There are a wide variety of tempos and emotions across the 12 pieces. Some have a more contemporary feel although I think that the majority are very melodic and full of character and storytelling.

Despite being small the Preludes have detailed musical requirements on the score with very clear rhythm and articulation, for example in the use of rests and rhythms crossing bar lines as well as important distinctions in voicing and counterpoint.

There is also a great deal of contrast from the tranquil and flowing lines of no.1 to the lively and bright fast movement of no.2. No.6, probably one of the best known, has a really beautiful, soulful and expressive melody set within a pulsing strummed chord really exploiting the tenor richness of the guitars inner strings, whereas no.8 has a continuous and fluid musical line in a lilting 9/8 time signature with the added challenge of 4 flats!

Particular highlights for me are no.9 which has a wonderful lightness and uplifting feeling with warm and almost ‘oriental’ harmonies forming from the semiquaver intervals, and no.10, a beautifully delicate and intricate sounding piece which is relatively simple to play.

The key to the enjoyment of these pieces is the combination of technical and reading challenges with the storytelling and freedom of expression required.

For me this is rewarding and essential repertoire that I hope many people will find and enjoy. I certainly intend to learn and record them so watch this space!

Selina.

musmilanofantasie9

14 Fantasie per Chitarra

Francesco Da Milano

Base price for variant: £7.50
Sales price: £7.50
Price:£7.50
Discount:
Tax amount:
Price / kg:

Guitar Solo. By Francesco Canova Da Milano. Arranged by Miklos Mosoczi. 18 pages. Published by Editio Musica Budapest.

Skill Level
Intermediate
Advanced
mussor20minuets

20 Selected Minuets GA15

Fernando Sor

Base price for variant: £8.50
Sales price: £8.50
Price:£8.50
Discount:
Tax amount:
Price / kg:

How should one perform Sor's music? I believe the answer is with considerably more freedom, expression and passion than has, for the most part, been done in the recent past. These 20 Minuets are a must have for the aspiring student wishing to develop the emotional side of their playing.

Skill Level
Intermediate
Advanced
98

24 Preludes Book 1

Gilbert Biberian

Base price for variant: £8.95
Sales price: £8.95
Price:£8.95
Discount:
Tax amount:
Price / kg:

Often intricate and complex, these Preludes are intended for a fairly advanced player, although there are no fearsome technical obstacles. They are composed skillfully and effectively for the guitar.

Skill Level
Advanced
Out Of Stock Enquire
104

24 Studies Op. 48

Mauro Giuliani

Base price for variant: £10.75
Sales price: £10.75
Price:£10.75
Discount:
Tax amount:
Price / kg:

Guitar Solo. By Mauro Giuliani. Arranged by Hans Ritter. This edition: GA32. Covers 27 pages and is published by Schott Music.

Skill Level
Advanced
muscoste25etuden

25 Etuden OP38

Napoleon Coste

Base price for variant: £9.50
Sales price: £9.50
Price:£9.50
Discount:
Tax amount:
Price / kg:

Napoleon Coste was a gifted guitarist who established himself as a teacher while still a teenager. He moved to Paris, where his brilliant technique placed him among the great guitarists of his generation. His Twenty-five Etudes are one of the guitar repertory's finest set of concert studies, notable for their attractive melodies and brilliant cadenzas.

Skill Level
Intermediate
Advanced

I know this set of studies well due to them holding a very important place in my technical development – I will come to that later!

In general, however I think that they are less well known and played than some of the other study repertoire from this period. This is a great shame because there are some great little pieces here with excellent technical development material.

The pieces are quite challenging, going from about grade 5 standard up to advanced.

For me, the things that stand out in this collection are fingerboard knowledge and musicianship. I am always talking about knowledge of the notes leading to greater fluency and musical direction, although it can be something that is difficult to achieve if it has not been there from the beginning. These pieces make no compromise in movement around the fingerboard, chord changing and general left hand freedom. They pretty much cover every single note up to the 12th fret, on every string – in one case probably all in one piece!

This may be frustrating at first but really focuses the mind and encourages you to learn in order to achieve the desired results.

The musical content is varied and engaging with some very interesting harmonies, rhythms, textures and colours. The studies particularly highlight harmonic sequences encouraging you to listen to voices to shape the music.

Technically all the basics are covered and developed including arpeggio and scale patterns, slurs, right hand patterns and speed of articulation, movement in thirds, sixths and octaves, alberti accompaniment figures and fully accompanied melodies.

All of the technical movement around the guitar seems to have musical purpose so that you find yourself really developing the link between sound and movement and so ‘feeling’ the momentum and shape under your fingers. I found this particularly satisfying and a big help when I was struggling with some of the technique!

I have not got the space to talk about every piece but will mention some of my highlights.

No.1 gives a taste of what is to come with its simple chord sequence and variation that gives you the chance to listen to, and feel the harmonic movement without having too many notes to think about. No.4 has a lovely, simple melody with chords on almost every beat and no compromise in movement around the fingerboard i.e. some tricky jumps. It is an excellent exercise in playing melodically (that is horizontally) in more than one voice. No.6 has a long line of melody over a lovely triplet accompaniment, using rests in the accompaniment to great effect. No.7 (Associated Board grade 7) has a strong and compelling character highlighting the guitar’s contrapuntal abilities and challenging the player to hear all of the voices.

I love the lower line melody in No.10 (Associated Board grade 8). This piece has great character and requires real control of lines and rhythm and finishes with a contrasting, smoother major section. No.12 (TrinityGuildhall grade 7) creates drama through lots of movement in semiquaver chords, big interval jumps and full harmonies while No.13 is altogether lighter with arpeggio thirds in higher registers using sliding shapes to produce long sequences. No. 15 has a brilliant ‘quirky’ triplet melody built around the chords giving the piece a very individual character. The 3/8 time and repeated semiquaver pedal give No.19 real flow and momentum carrying the melody in thirds through the piece. No. 21 is very difficult because of its constantly moving quaver chords, maintaining three voices for much of the time, and highlighting some unusual harmonies.

My absolute favorite has to be the piece that was a turning point in my studies, opening my eyes to a technique and resulting musicianship that I am still enjoying and developing today! Before playing study No.22 I don’t think that I had ever thought about controlling and stopping bass notes, however this study has a repeating bass rhythm that is as much about rests as it is about notes. Defining this bass line brings a whole different light to the music and is one of the most valuable techniques that I have learnt as well as being enormous fun to play!

I think that this is one set of studies that every dedicated guitarist should own and learn. They teach us as many lessons in musicianship as technique, are very enjoyable to play and highlight the musical abilities of the guitar. Brilliant.

Selina.

89

25 Etudes Esquisses (Complete)

Gerald Garcia

Base price for variant: £9.95
Sales price: £9.95
Price:£9.95
Discount:
Tax amount:
Price / kg:

This collection of classic guitar studies is intended for the intermediate guitarist. As a whole, these etudes emulate the content of Carcassi's famed 25 Etudes, yet in a more contemporary harmonic and rhythmic idiom. These pieces are also distinguished in that they are not only valuable as left and right-hand technical exercises, but also as valid, pleasurable concert repertoire.

Skill Level
Intermediate
Advanced

This really is a great volume of pieces. Yes, they are quite contemporary and will probably introduce you to new sounds and musical ideas but they are also very accessible and cover a wide range of technical ability. Best of all they are very specific in their aims and goals and the music is notated in a lot of detail to help with the interpretation.

Each study has an indication of style/ tempo at the beginning such as Mesto, Allegro Comodo, Lento e ritardando and Lento piacevole. We need to know the meaning of these terms! There is also a sub title at the end of the piece that gives us a story line or feeling, for example Flocon de Neige, Les Grandes Jaunes, l’Indigo seul and Voiles rouges. Again understanding the meanings is vital and with the Internet these days there is really no excuse!

There are so many good tunes and interesting rhythms, and the studies are very valuable for technical development. Requirements include detailed chord voicing, fast repeated notes and chords, quick left hand movement around the fingerboard, arpeggio shapes and detailed right hand patterns, slur patterns, intricate articulation and sustaining long singing phrases. The harmonies are fantastic with strong musical direction and momentum guiding the player.

You really have to listen and the music is fingered in a way that keeps you on your toes and keeps you thinking.

For example in no.13 the temptation is to hold fingers down to cover repeated chords but the rhythmic character requires you to let go for clear articulation. When you get it right it creates a brilliantly quirky and fun piece of music. In no. 14 (AB grade 5) the voicing is indicated with stems, sometimes double and sometimes offset, and it is very important to play to these voices and concentrate on holding sustaining notes and letting go of others in the right places. This means that you have to be very aware which of your fingers are playing which notes!

Dynamic control is a highlight throughout the book. In no.3 (AB grade 5, Trinity grade 5) there are long crescendos and diminuendos over the repeated note patterns and changes in mood and key that need to be reflected. Slurring technique is well covered, which is great since it seems to be one of those techniques that we just do rather than learn.

From the lilting melody of no.4 (AB grade 7, Trinity grade 6) and the haunting mood of no.20 to the vivace slur patterns in no.7 (Trinity grade 4) and the rhythmical and complex no.17 where the slur pattern is often in the middle voice needing great technical control, there is certainly enough variety to keep your interest and so improve your technique. No. 22 is one of my particular favourites as it uses only a single written line but implies many voices and is excellent for phrasing and interpretation.

There is not really enough space here to talk about every study but I hope that I have been able to inspire you to play this music. It works on just about every technique that we need in a fun and engrossing way, so that you do not feel as if you are working on technique. Even more importantly it develops your reading and interpretation skills, it makes you think about technique related to music and it is completely satisfying!

There is so much to enjoy and to work with in this volume, developing important skills whilst enjoying some excellent music. I would say an essential book for all guitarists from grade 4 upwards.

Selina.

96

25 Etudes Melodiques Progressives Op. 60

Carcassi

Base price for variant: £10.95
Sales price: £10.95
Price:£10.95
Discount:
Tax amount:
Price / kg:

This is the first accurate and reliable modern edition of Matteo Carcassi's 25 Melodic and Progressive Studies op.60. They are presented complete in their correct order with the composer's original fingering and phrasing. An indispensable part of the repertoire, these studies cover a wide variety of guitar techniques and are musically both inventive and attractive

Skill Level
Intermediate
Advanced

The 25 Melodic and Progressive Studies Opus 60 by Carcassi are fantastic pieces that should be an essential part of every guitarists repertoire.

They are more than studies, encouraging players to find musical shape and develop ideas using combinations of melody, accompaniment, various intervals both split and together, slurs, arpeggios and chords, creating some little musical gems.

At the same time they give an excellent grounding in the basic guitar techniques that are all to often taken for granted but that form the backbone of pretty much all the music that we play.

The most recent edition by Chanterelle has an excellent preface with information about Carcassi, a general description of the music and discussion about sources and early editions.

Of most interest to me are the comments on fingering.

They have used the Rowies edition as the main source, printed in 1914 and fingered by Miguel Llobet. Their reasoning is that this edition is very important in the history of The 25 Etudes, having, as they say one foot in the 19th century and one foot in the 20th century. This means that the edition respects the traditions of the past while looking forward to the development of guitar technique.

This is great information for a player to have and recognizes how playing techniques are constantly changing. It is very important for us to understand techniques and performance practice from the past so that we can use the information to help us interpret the music.

My problem comes when looking at the studies and seeing the level and very specific nature of the fingering. There is a lot of explanation in a long section following the preface entitled Playing The Studies. This is very interesting, especially useful if you are looking at the pieces without a teacher.

A lot of fingering is explained in detail with suggestions on learning the music. It is of course very technical, an important part of learning, but not the only one. The detailed fingering is then continued in most of the pieces and seems to result in learning by numbers.

For example in no. 1 the student is so involved in getting the printed right hand fingering correct (there is a letter for almost every note) that they haven’t got time to listen to musical lines, and so follow the natural flow of the music and discover a fingering that fits.

Since this edition has such a good preface and section of notes on the music, a lot of the technical information could be referred back to this, allowing the player more freedom to learn and interpret the music.

The reasons for using a later edition rather than Carcassi’s original fingering are ones of technical and musical progress.

Surely that still applies!

Moving on – I think that this music is fantastic. It really is collection of musical miniatures that, with the right attention to detail, make lovely little concert fillers and provide an excellent education for all guitarists.

Carcassi uses a number of different compositional styles and what I find most interesting is the music that is shaped with harmony, in other words with no obvious melodic line but the tension, relaxation and movement provided by changing harmonies. The best examples are no.8 using slurs to add texture and increase movement, no.4 with many more slurs to negotiate, no.2 with a dramatic build up in pitch and intensity, and no. 7 with a combination of repeated ‘tremolo’ notes and arpeggios underpinned with a clear bass melody.

Many of the studies are based on the harmonic movement with melody found within the arpeggio pattern or chord shape. The most well known example is no.3 in A major with a simple upper melodic motif and strong bass to help develop shape. Nos.1 and 6 clearly use simple scale patterns and show how developing smooth and fluent movement between notes brings simple lines to life.

I particularly like the vitality and bubbly character of no.9 with quick movement around the fingerboard, and the melancholy melody singing out from the triplet patterns in no.13. Nos.16 and 21 show how effective close chords punctuated by rests are in giving character and rhythmic shape to music and nos.20, 21, 22 and 23 develop quick, free and full movement up, down and across the fretboard resulting in breadth and excitement in the music. Nos.24 and 25 combine all the skills and musical ideas worked on in the book in two beautifully contrasting pieces from melodic lines moving smoothly between bass and treble voices in no.24 to the flowing and expansive arpeggio passages of no. 25.

If you can fluently use the techniques in these pieces and shape the music from them then the guitar repertoire opens out before you and you can move forward knowing that your foundations are strong. You will also thoroughly enjoy the learning process and will be able to experiment with lots of musical ideas, textures and emotions.

Just don’t get distracted by the fingering – be independent and learn more!

Selina.

musponce3canmex

3 Canciones Populares Mexicanas

Manuel M Ponce

Base price for variant: £7.00
Sales price: £7.00
Price:£7.00
Discount:
Tax amount:
Price / kg:

La pajarera, Por ti mi Corazon, La valentina. With valuable activity promoting music of the country and writing melodías Ponce gained the honorific title Creator of the Modern Mexican Song. He was also the first Mexican composer to project popular music onto the world stage.

Skill Level
Advanced
71

33 Czech Folksongs - (Pupils Part)

Peter Eben

Base price for variant: £6.50
Sales price: £6.50
Price:£6.50
Discount:
Tax amount:
Price / kg:

Learning to phrase melodies is the goal in this well chosen selection of folk songs by leading Czech composer Peter Eben with teacher's accompaniments.

Skill Level
Beginner

These beautiful, melodic, yet simple pieces have been arranged for 2 guitars from Petr Eben’s setting of 100 Czech folk tunes for solo piano – an achievement that he described thus:

Reach into the jewel box, take a handful of precious stones and set them into children’s rings!

The pieces are ideal for early learning as they emphasize the playing of melodies in low and high registers, shaping phrases and bringing out articulation. The pupil part always has the original melody with the teacher as purely accompaniment.

There are suggestions for right and left hand fingering which the preface advises teachers to follow, as they have been included for essentially musical reasons.

This is very enjoyable and charming music that also teaches style and interpretation and, most importantly for guitarists, how to follow a melody. Beginners are learning primarily how to sing a melody through the guitar, a vital first step in musical development.

Grade 1

  • The pipes were playing at Pobuba: emphasizes smooth phrasing across strings with lots of dynamic contrast, using i, m and a.
  • Oh love, oh love: this is a very simple, slower melody with echoing phrases in octaves, and concentration on phrase shape, hairpin dynamics and expression.

Grade 2

  • Andulichko, hello: a lively melody in 3/4 time, G major; question and answer phrases with repeat down an octave and fingering in third position.
  • When I took geese to the pasture: very strong quaver rhythm in 2/4 time, D major, that really brings out the character of the geese!

Grade 3

  • Whose are these geese? : quite a melancholy melody requiring long phrasing and detailed dynamic control. The first melody is repeated down and octave and then again in thirds.

Selina.

71

33 Czech Folksongs - (Teachers Part)

Peter Eben

Base price for variant: £9.50
Sales price: £9.50
Price:£9.50
Discount:
Tax amount:
Price / kg:

Learning to phrase melodies is the goal in this well chosen selection of folk songs by leading Czech composer Peter Eben with teacher's accompaniments.

Skill Level
Beginner
328

36 Caprices Op. 20

Luigi Legnani

Base price for variant: £11.00
Sales price: £11.00
Price:£11.00
Discount:
Tax amount:
Price / kg:

In the varied world of the 19th century guitar Legnani was an inspired and prolific composer. Initially trained as a violinist he became famous as a guitarist and was held in great esteem by Paganini. The Caprices were first published in 1822 with each having a defined character and some are outstanding examples of pure virtuosity yet with emotion and spontaneity.

Skill Level
Advanced
327

8 Compositions for Guitar Solo

Alonso Mudarra

Base price for variant: £9.00
Sales price: £9.00
Price:£9.00
Discount:
Tax amount:
Price / kg:

Alonso Mudarra (c. 1510 – April 1, 1580) was a Spanish composer of the Renaissance, and also played the vihuela, a guitar-shaped string instrument. He was an innovative composer of instrumental music as well as songs, and was the composer of the earliest surviving music for the guitar.

Skill Level
Intermediate
Advanced
326

9 Fantasias for Guitar Solo

Alonso Mudarra

Base price for variant: £9.00
Sales price: £9.00
Price:£9.00
Discount:
Tax amount:
Price / kg:

Alonso Mudarra (c. 1510 – April 1, 1580) was a Spanish composer of the Renaissance, and also played the vihuela, a guitar-shaped string instrument. He was an innovative composer of instrumental music as well as songs, and was the composer of the earliest surviving music for the guitar.

Skill Level
Intermediate
Advanced
musfirstbookguitarsolos

A First Book of Guitar Solos

John Gavall

Base price for variant: £9.50
Sales price: £9.50
Price:£9.50
Discount:
Tax amount:
Price / kg:

30 short and easy pieces, including original works by Carcassi, Carulli, and Sor, and arrangements of folk tunes

Skill Level
Beginner
musabcguitar

ABC Guitar

Stephen Kenyon

Base price for variant: £6.95
Sales price: £6.95
Price:£6.95
Discount:
Tax amount:
Price / kg:

This book is all about enjoying playing your guitar with a feel for the style of the music you are playing. This means playing in a way that may have sounded right to people from the time it was written.

Skill Level
Beginner
Out Of Stock Enquire
aguado27studies

Aguado 27 Studies for Guitar

Aguado

Base price for variant: £11.00
Sales price: £11.00
Price:£11.00
Discount:
Tax amount:
Price / kg:

Edited by Gianluca Allocca, published by UTOrpheus with a forward by Angelo Gilardino. A range of books of which this is one are beautifully printed, very easy to read making a good addition to ones music collection even before one considers playing the studies. This publication is from the third part of the Aguado method and is the most important.

Skill Level
Intermediate
Advanced
Out Of Stock Enquire
Page 1 of 15