Sheet Music

Sheet Music Database

Our Sheet Music database is very searchable using any or all of the following - Composer name, Title, Musical standard, Exam board and Grade of piece both that of the exam boards and also our own Stafford Guitar grading.

Our aim is to not only bring you the up to date exam syllabus but also a selection of music we have enjoyed over our years of playing. The Stafford Guitar grading is to help you when selecting new pieces to learn.

In addition you will find Selina’s review of a piece or book helpful and again these reviews are carried out to help with your choice.

We are also happy to obtain music that we currently do not stock so if there is a book or piece you would like call and we will attempt to find it for you.

Sheet Music Database

muszebramusic

Zebramusic

David Cottam

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This volume continues the overall sense of fun in playing the guitar and enjoyment of varied musical styles that we were first introduced to in Zebracadabra.

Skill Level
Intermediate

This volume continues the overall sense of fun in playing the guitar and enjoyment of varied musical styles that we were first introduced to in Zebracadabra.

The titles are wonderfully descriptive of the style and/or story of each piece which for me emphasizes the importance of this aspect of our guitar playing - one that is all too often neglected! A good example of this is Amontilado, which has a definite Spanish atmosphere.

Throughout the book, Cottam uses the whole fretboard, often utilising sliding shapes and open strings very effectively to get around. The speed of left hand work increases as the pieces get more difficult, as does the complexity of finger patterns, but Cottam always manages to produce music that sounds more complicated than it is to play through very clever writing.

This is great for the student as it provides a constant boost as you listen! There is also a distinct lack of fingering which I think is fantastic. Even for passages where it is not immediately obvious Cottam leaves you to discover the fingering that works, which means that you learn a lot more about the notes on the guitar and how to produce different effects.

The pieces make excellent use of "campanella" effects. This cross string technique is important and wonderful on the guitar and not used enough in my opinion especially as we are learning. Wisteria is an excellent example with clever and flowing campanella scales, and Campanella Prelude uses the technique throughout to great effect.

There are many different styles of music in the volume including some arranged traditional melodies, and David always seems to be able to put his own stamp on the music.

His Malaguena is completely recognisable as the traditional dance form but also unique in the way he voices and fingers the chords.

Little Cotton Socks, Little Toe Rag and Snapdragon all use fantastic articulation techniques where the player is required to use staccato in the bass voice and not the melody. This provides a big challenge but is so satisfying and brings out the humour and cheekiness that is suggested in the titles!

My last two highlights are Zebra Music, which is very different as a piece to listen to, and also totally suited to the guitar, and Arachnophobia which reflects its title beautifully with the effect of the pull off slurs while asking for excellent control and positioning on the first string.

The pieces that I have highlighted here are only a few examples put represent the strength of this volume, that is the unique approach, variety, use of the guitars natural assets and overriding fun in playing music on the guitar.

Selina.

106

Berkeley Quatre Pieces

Lennox Berkeley

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Composed and dedicated to the great Spanish exponent Segovia. This beautifully balanced set of four pieces adds significantly to the guitars repertoirs.

Skill Level
Advanced
rodrigofantasiagentilhombre

Fantasia para un Gentilhombre

Joaquin Rodrigo

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Arranged by Andres Segovia. This edition: GA208. Gitarren-Archiv (Guitar Archive). Contains a Piano Reduction with Solo Part. 50 pages. Published by Schott Music.

Skill Level
Advanced
276

Latin America

Gerald Schwertberger

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This is simply a great little book full of sunshine and life! Schwertberger manages to capture the spirit of the dances without making the notes too complicated. What more can I say?

Skill Level
Beginner
Intermediate

This is simply a great little book full of sunshine and life! Schwertberger manages to capture the spirit of the dances without making the notes too complicated.

Interestingly, in the Preface the composer says “The point of this edition is to introduce guitarists to these dances, with all their appealing banality and stereotype turns of phrase.” In this he has been successful and although (or perhaps because) the music is not deep and meaningful, I was immediately drawn to its life and character and thoroughly enjoyed playing through the pieces.

The pieces are mostly in first position and generally based around chord shapes from which the melodies develop. There is, as you would expect a lot of syncopation, written in such a way that it is not difficult to work out and hear, although you will of course need to count! The greatest challenge is in the tempos; some of the suggested metronome marks are pretty quick and do give excellent results. However the music is still very effective at slower speeds and so provides very good technical development work. He achieves some great effects with rhythm and right hand patterns and each piece has a distinct character.

Highlights for me include Bossa Nova Breeze, which is ‘cool’ and relaxed with good use of chords and emerging melody lines. Nostalgia has a lovely bass melody topped by a syncopated accompaniment that uses some nice scrunchy harmonies. Bamba Samba is simply great fun and Nightwinds has an evocative atmosphere with its combination of rasgueado chords over the melody line.

The final Bossa Nova is a more challenging piece, with a straightforward right hand pattern that goes fast and some interesting harmonies to find.

Overall a book of sunshine that will bring a smile to your face and please and impress your audience.

Selina.

286

Aural Training In Practice 2011 Grades 1-3

ABRSM

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Aural Training in Practice offers valuable support to teachers preparing students for ABRSM Practical exams. The three volumes, covering Grades 1-3, 4 & 5 and 6-8, provide information on what each test involves and what the examiner is looking for teaching hints and strategies, including warm-up material and ideas for integrating aural into lessons. Practice exercises to prepare students for the exam. CD recordings of all practice exercises, and examples in two or more parts, presented by an ABRSM examiner. Answers, both recorded and printed where appropriate, as a guide to the sort of responses that would be successful in the exam.

Skill Level
Beginner
Intermediate
37

Guitar Exam Pieces CD Grade 4

ABRSM

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Recordings of pieces from the new ABRSM Guitar Syllabus, from 2009. Innovative and valuable resource for candidates preparing for ABRSM exams. All duos are accompanied by another guitar, and playalong tracks for these pieces are also included.

Skill Level
Intermediate
musicbrouwer3

Nuevos Estudios Sencillos.

Leo Brouwer

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A group of studies covering various techniques such as arpeggio, staccato, legato, afro-cuban rhythmic patterns, tremolos, partial barre, this is an essential book for the committed student.

Skill Level
Beginner
Intermediate

I have always been a fan of Leo Brouwer’s music and so was immediately drawn in to these studies with their great use of the guitar and "natural" technique that compliments rather than fights the music!

Like Brouwer’s "Simple Studies", they provide varied technical and musical skills as well as training the ear to the more unusual sounds and dissonances of modern music which is very important in the development of the young (and not so young!) budding guitarist.

At the same time Brouwer manages to keep the music very lyrical, linking each study to a composer (homage to…) which heightens interest!

My only worry is the statement in the notes for study number one that the collection is for beginners or children. I think that these pieces would be of benefit to, and enjoyed by players of any age, but possibly suited to those with a bit more experience since the notation, rhythms and voicing is quite tricky in places.

I would place them at a grade 3 to 5 level, possibly 6 if all the tempo and articulation markings are kept to (for our database beginner/ intermediate)

Each study has written notes which clearly explain what is required and what to focus on.

The music requires clear dynamic control, careful articulation even between voices, pinpointing melody within arpeggios, legato phrasing and syncopated rhythms. There is simply loads to work on in each piece!

My favourites are Tarrega (no. 5) with its minimalist style, tremolo development and strong echoes of Brouwer’s Decameron Negro; Prokoviev (no. 4), which has an excellent, rhythmical bass melody; the lovely harmonies and chord melody in Villa Lobos (no. 8) and the beautiful simplicity of Szymanowski (no. 9).

Overall, this collection of pieces would be of great benefit to players of all standards and I particularly like the link to composers that will hopefully encourage young people to explore different kinds of music. Importantly the strongest element of "study" here is musical – excellent!

Selina.

83

Simply Guitar Book 2

Vincent Lindsey-Clark

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Simply Guitar introduces the basic skills of the Spanish guitar through the music of Vincent Lindsey-Clark and Alexander MacDonald. Book 2 introduces higher positions on the fingerboard, articulation techniques, tonal effects and interpretational skills. These are the skills that will turn you into a real musician.

Skill Level
Beginner
Intermediate
99

Five Bagatelles for Guitar

William Walton

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The Five Bagatelles were written for Julian Bream and dedicated to Malcolm Arnold on his 50th birthday. They were first performed by Julian Bream on 27th May. The five different bagatelles each capture a different mood from the relentlessly upbeat first, the languid second, the smoky, seductive third, the dreamy fourth and the frantic finale. All feel instinctively like guitar music.

Skill Level
Advanced
mustrinityaural2

Aural Book 2

Trinity College London

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This Aural book is designed to be used effectively either by teachers during lessons or by candidates at home. As teachers will generally wish to supply their own explanations of the questions, the text is addressed to the candidate. Contains all the information you will need plus sample tests and answers and 2 CD's of practice examples.

Skill Level
Intermediate
Advanced
Out Of Stock Enquire
musdodgson12intros

12 Introductory Studies for Guitar

Stephen Dodgson and Hector Quine

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These introductory studies are intended to introduce the player to a wide range of technical and musical challenges. A good sense of rhythm and counting are called for to help develop right hand articulation and left hand independence. Many of the rhythmic patterns need to be mastered if one is to advance to the higher grades in classical guitar exam syllabus.

Skill Level
Beginner
Intermediate
bach-french-suite-no1

Bach French Suite No.1

J. S. Bach

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BMV 812 - Written for 2 guitars this transcription has kept to the critical edition of the French Suites published by G. Henle Verlag. The only changes to the original text involve adopting new keys more suitable to the technical requisites of the guitar. Some fingering has been added to the individual parts and all the original phrasing and ornaments have been reproduced in this edition.

Skill Level
Intermediate
Ensemble
giuliani-le-avventure-di-amore

Giuliani Le Avventure di Amore OP.116

Mauro Giuliani

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CH 52 - Written for 2 guitars. 10 Waltzes, publication consists of Score and Parts, clearly written making for ease of reading. Great music that allows you enjoy with a partner.

Skill Level
Intermediate
Ensemble
  • Containing
  • L'Invito al ballo
  • L'Affetto
  • La Dichiarazione
  • Il Rifiuto
  • Il Dispiacere
  • La Disperazione
  • La Partenza
  • Il Pentimento
  • Il Ritorno
  • La Pace
musdivertissements

Divertissements Pour Guitar

Gerard Montreuil

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A collection of fourteen entertaining pieces written by the noted musician and teacher, Gerard Montreuil. Players will be delighted by the short pieces, leading to greater skill on the guitar and opportunity for further study.

Skill Level
Beginner
musdivertissements2

Divertissements 2 Pour Guitar

Gerard Montreuil

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11 Popular pieces written in order to stimulate the beginner's interest and to improve the learning of the guitar. These entertaining pieces will please players and listeners alike.

Skill Level
Beginner
Intermediate

These are a nice range of pieces written in a variety of musical styles.

My favourite thing about this book is Montreuil’s phrasing. He has taken time to write specific phrasing into the music, in his words, “in such a way as to show several possibilities of articulation”. This really makes you think about how the music is constructed and how different inflections can give a piece new life. With this in mind, these pieces are musical and fun to play.

Each piece is crafted to develop different skills; the two tangos introduce the player to syncopated rhythms and complex semiquaver rhythms, and are great when played with gusto! Unusually for beginners pieces, Crépuscule and Emeraude are slow burners; this helps the player to develop a sense of space in the music, improving musicality no end as the player learns not to rush through the music. Montreuil has written more interesting chord progressions into Emeraude, making the harmonies lush.

Other techniques are covered toward the end of the book, such as strummed chords (Orgue de barbarie), and the last piece (Premier Amour) is beautifully lyrical, making use of notes higher up the first string and harmonics. Overall, these are simple yet memorable melodies with interesting musical lines that provide you with an arsenal of pieces to entertain as well as enhance your playing.

Jess.

283

Progressive Reading for Guitarists

Stephen Dodgson and Hector Quine

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Only recently sight reading on the guitar was described as a nightmare. The traditional way of learning to play the guitar is to start in first position then gradually work up the fretboard. This book dispenses with this method. To obtain the best from this material read the Preface and introduction where there is information on how best to use the book. I have found this to be the best book written for becoming at ease with the guitar fretboard.

Skill Level
Beginner
Intermediate
Advanced
muszeatriptico6

Triptico Venezolano

Luis Zea

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Described by Leo Brouwer as the ideal soloist Luis Zea has spent a life time Performing, composing and as a teacher. The three pieces contained in this edition were written between 1973 and 1986 and are a must for a player who wishes to develop an emotional to their playing.

Skill Level
Intermediate
313

Trinity Guitar 2016-2019 - Guitar Grade 7

Trinity College London

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Containing pieces required for the Trinity Guitar exam. Three pieces to be performed from those listed in this book, at least one from each group, or from the duets or alternative pieces listed for this grade, to form a balanced program. This is an excellent book even if you have no intention of taking the exams.

Skill Level
Advanced
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312

Trinity Guitar 2016-2019 - Guitar Grade 6

Trinity College London

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Containing pieces required for the Trinity Guitar exam. Three pieces to be performed from those listed in this book, at least one from each group, or from the duets or alternative pieces listed for this grade, to form a balanced program. This is an excellent book even if you have no intention of taking the exams.

Skill Level
Intermediate
Out Of Stock Enquire
giuliani-sonatas-op-71

Giuliani 3 Sonatinas OP.71

Mauro Giuliani

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First published by Cappi in Vienna in 1816 and reissued by Mechetti soon after which this edition is based on. Op. 71 is a collection of studies in sonata form and the aim is to train the student in both technical and more importantly stylistic matters. All revisions are clearly marked and an amount of fingering has been added which was not present in the original. As with all UTOrpheus publications, clearly printed allowing for ease of read.

Skill Level
Intermediate
Advanced
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