Sheet Music

Sheet Music Database

Our Sheet Music database is very searchable using any or all of the following - Composer name, Title, Musical standard, Exam board and Grade of piece both that of the exam boards and also our own Stafford Guitar grading.

Our aim is to not only bring you the up to date exam syllabus but also a selection of music we have enjoyed over our years of playing. The Stafford Guitar grading is to help you when selecting new pieces to learn.

In addition you will find Selina’s review of a piece or book helpful and again these reviews are carried out to help with your choice.

We are also happy to obtain music that we currently do not stock so if there is a book or piece you would like call and we will attempt to find it for you.

Sheet Music Database

295

100 Graded Classical Guitar Studies

Frederick Noad

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One hundred studies from the works of three outstanding composers, Sor, Giuliani & Carcassi. All of these studies are invaluable to the guitarist, as well as developing right and left hand technique they are a pleasure to play and listen too. With each study Noad has added a brief note which assists and encourages. This edition is great for both student and teacher.

Skill Level
Beginner
Intermediate
Advanced

This is a fantastic resource for guitarists of all ages and standards. If you are a beginner it is a great investment for the future, and if you have been playing for a few years it presents lovely pieces through which you can develop your technique and your musicianship. The Classical in the title not only refers to our instrument but to the period from which the music originates. The 19th century guitar repertoire is often under rated but is, in my opinion indispensible.

This edition represents great value for money, including all of Carcassi’s Op.60 as well as many of the well known Sor studies, for example the B minor arpeggio study, op.31 no.6 the detached quaver chords and op.6 no.6 the moving thirds in A major. The Giuliani studies tend to be less well known as there are so many that have not really been collected into dedicated edition for students.

There are some lovely examples here that really help you to work on specific aspects of technique such as arpeggios, moving intervals and chord movement while giving you lots of drama and excitement musically. Giuliani’s Opus 1 is well represented, giving a tantalizing taster to a group of studies and exercises that no guitarist should be without.

The book is very well laid out and clearly printed with a short paragraph of musical and technical notes for each of the 100 studies, and most importantly sensible levels of fingering!

This gives you great confidence as a player particularly if you don’t have a teacher to help you.

There is also a fairly brief but comprehensive introduction covering the editors ideas in the selection and grading of pieces as well as historical notes on each composer, Fernando Sor, Mauro Giuliani and Matteo Carcassi.

Frederick Noad produced some great collections for students really opening out the guitar repertoire for everyone to enjoy. There are too many favourites here for me to mention, a real treasure trove!

Selina.

193

Ricercari and Fantasien

Franscesco Da Milano

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The pieces here are beautiful and peaceful; we have to learn new sounds and the techniques of playing contrapuntal lines but at the same time the music encourages freedom and invention. Learning this music is not really about technical virtuosity, for example how fast or loud we can play, but about control, understanding and listening - nurturing the musician in us.

Skill Level
Advanced

There is a short introduction at the beginning of this edition describing the sources used and introducing the musical style. Particularly interesting is the explanation of the titles that are so different to what we are used to!

Ricercari is an Italian verb meaning to seek/ quest. It was originally used in music to denote ‘trying out an instrument” or “prelude” so referring to an improvised introductory piece. In the 16th century ‘Ricercari’ and ‘Fantasia’ came to be applied to instrumental compositions that were mostly imitative with no clear distinction between the two.

The introduction makes an important point in explaining that the music of the Renaissance has a tonality and harmony all of its own, and that players need to spend time getting the feel of it. This is why it is so important to have the music in the exam repertoire, introducing it to a much wider audience and really expanding the guitarists’ repertoire and musical knowledge.

The edition uses F♯ tuning of the G string and recommends the use of a capo on the 3rd fret to bring the guitar closer to the pitch of the renaissance lute. A capo is not essential but it does make the voices much cleaner and the harmonies easier to hear.

The use of this tuning however is very important. It brings the intervals between the guitar strings in line with that of the lute, which means that the tablature can be followed more closely in the transcription and the chords flow more smoothly.

This, of course brings a new challenge to most guitarists, with notes in different places and chord shapes altered! For me it really emphasizes the importance of reading music and knowing the names of the notes on the page and on the guitar – you may be surprised that this can be a problem!

I love this music for its purity, depth and tranquility.

There are long melodic lines, interweaving and creating beautiful and complex harmonies. From a technical point of view it is all about tonal and dynamic control of melodies and harmonies. From a musical point of view the guitarist needs to recognize voices, motifs and imitation to understand the structure of the music. The thematic entries need to be brought out clearly and the dynamic control needs to be subtle so as not to interrupt the pretty constant flow of the music.

The edition helps by marking entries and imitations with capitol letters but this is an excellent opportunity for players to practice and improve their listening and interpretive skills and experimentation should be foremost!

The edition is not over fingered, which is great giving players more flexibility and choice. It is inevitable that some sacrifices in voicing, for example sustaining notes, have to be made but we should always be looking out for the importance of the interweaving lines and the dissonances and resolutions created – scrumptious!!

The pieces here are beautiful and peaceful; we have to learn new sounds and the techniques of playing contrapuntal lines but at the same time the music encourages freedom and invention.

Learning this music is not really about technical virtuosity, for example how fast or loud we can play, but about control, understanding and listening - nurturing the musician in us.

Selina.

musmartinquatrepiec

Quatre Pieces Breves

Frank Martin

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This edition presents the work in the form in which it appears in the definitive manuscriot written in 1955. The original composition for guitar solo dates from 1933 which was later arranged for large orchestra.

Skill Level
Intermediate
126

Tarrega Guitar Works Vol 3

Francisco Tarrega

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These are pieces written for the guitar to bring out the best it has to offer, highlighting the guitars warm, rich and singing character. The music is very evocative and, I think, teaches us how to express feeling and emotions through the guitar in a fun and relatively uncomplicated way! Berben Edition - Volume 3 Orginal Compositions. Titles include - Adelita, Alborada, Capricho Arabe, El Columpio, Danza Mora, Danza Odalisca, Jota, Gran Vals En La, La Cartagenera, Pavana, Las Dos Hermanitas, Maria, Marieta, Mazurka En Sol Mayor, Minueto, Pepita, Rosita, Sueno, Tango, Vals, Malaguena, Paquito, Isabel.

Skill Level
Intermediate
Advanced

This collection of pieces offers a lot of variety within this style of music and the pieces are just written so well for the guitar.

Tarrega gets the very most from the guitar using the range of pitch and varied special effects to create rich and interesting music that is simply fun to play and listen to.

From the simple soaring melody of Adelita, exploring the fingerboard, to the showiness and virtuoso feeling of Gran Jota, there is something here for everyone.

I particularly love El Columpio that has a sweet melody in thirds over a full and rich yet straightforward accompaniment. Of course there is Gran Valse that we know and love, a piece full of contrasts that requires full understanding of pulse and rhythm to get the best from it. This is true of all of this music. it is not just a case of getting the rhythm correct but of really feeling and getting into the pulse, and understanding what it brings to the music instead of just making it light and fluffy!

Rosita is a great little miniature packed full of energy and movement while Marieta is dramatic and colourful with its rich bass melodies exploiting the warmth and song of the guitar. Mazurka en Sol has passion and emotion created through rhythm and pitch contrasting with the cheeky light hearted character of Pepita, and Tango is simply marvelous, the G and D tuning giving wonderful resonance – simple but very effective and fun.

Capricho Arabe provides one of the great guitar melodies with so much opportunity for expression, contrasting moods and the accompaniment and melody combination that is so wonderful on a solo guitar.

This is a great edition.

There is a comprehensive Introduction including historical details of Tarrega’s life, composing and of the way that his music has survived and the difficulties involved in putting together a collection of his works. The music is then presented clearly without extra clutter and with the impression that it is as close to the original sources as possible.

Although the book is only present in the grade 6-8 lists the standard starts at about grade 5 and is certainly useful and appropriate for all players at and above this level to experience.

These are pieces written for the guitar to bring out the best it has to offer, highlighting the guitars warm, rich and singing character. The music is very evocative and, I think, teaches us how to express feeling and emotions through the guitar in a fun and relatively uncomplicated way!

Selina.

mustarregafantasia

Fantasia on Themes from La Traviata

Francisco Tarrega

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Skill Level
Advanced
107

Guerau Five Pieces

Francisco Guerau

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Five dances selected from Guerau's Poema Harmonico. If the themes have a familiar ring it is because they were in general use and were often built on traditional groungs rather like as this century has made use of the 12-bar blues sequence. Guerau treats his themes with much greater freedom and resource than Sanz.

Skill Level
Advanced
musmilanofantasie9

14 Fantasie per Chitarra

Francesco Da Milano

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Guitar Solo. By Francesco Canova Da Milano. Arranged by Miklos Mosoczi. 18 pages. Published by Editio Musica Budapest.

Skill Level
Intermediate
Advanced
323

Complete Studies for Guitar

Fernando Sor

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Edited by Paolo Cherici. In editing Sor's studies Cherici is attempting to seek new performing possibilities. Cherici has not restricted himself to Sor's original fingering or even to the traditional solutions adopted. Cherici wishes to develop an outcome that reflects his own personal view of how these pieces should be performed.

Skill Level
Beginner
Intermediate
Advanced
324

Grand Solo Op. 14

Fernando Sor

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Edited by Fabio Rizza. With this edition Rizza concludes that the Grand Solo op.14 was composed at a time when Sor was trying his luck in the World of opera in Barcelona. There are many editions of this work and in this edition Rizza leans a lot on Meissonniers second editon of the Grand Solo which was the last to be published during Sor's lifetime.

Skill Level
Advanced
325

Sor Variations Op. 9

Fernando Sor

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on a theme from Mozart's Magic Flute edited by Fabio Rizza. Based on the theme 'Das Klinget so herrlich' taken from the first act. This edition is worth owning just for the Preface which has much interesting historical detail. Print quality is clean bright and very easy to read. An excellent edition.

Skill Level
Advanced
mussor20minuets

20 Selected Minuets GA15

Fernando Sor

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How should one perform Sor's music? I believe the answer is with considerably more freedom, expression and passion than has, for the most part, been done in the recent past. These 20 Minuets are a must have for the aspiring student wishing to develop the emotional side of their playing.

Skill Level
Intermediate
Advanced
carulli-duo-op62-no2

Carulli Duo op. 62 no 2

Ferdinando Carulli

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CH 82 - Written for 2 guitars - Carulli, one of the most prolific composers of his century with at least 400 pieces to his name. A pioneer in his field he popularised the classical guitar in Paris where many guitarists came to study under him. This edition, for two guitars, is clearly printed with both score and parts. Fingering is absent which is great as this allows freedom for ones own interpretation.

Skill Level
Intermediate
Ensemble
  • Containing
  • Moderato
  • Largo
  • Minuetto - Allegro
  • Rondeau - Allegretto con poco moto
carulli-duo-op62-no1

Carulli Duo op. 62 no 1

Ferdinando Carulli

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CH 81 - Written for 2 guitars - Carulli, one of the most prolific composers of his century with at least 400 pieces to his name. A pioneer in his field he popularised the classical guitar in Paris where many guitarists came to study under him. This edition, for two guitars, is clearly printed with both score and parts. Fingering is absent which is great as this allows freedom for ones own interpretation.

Skill Level
Intermediate
Ensemble
  • Containing
  • Moderato
  • Romance - Largo
  • Minuetto - Allegro
  • Polonaise - Con poco moto
carulli-duo-op62-no3

Carulli Duo op. 62 no 3

Ferdinando Carulli

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CH 83 - Written for 2 guitars. Carulli, one of the most prolific composers of his century with at least 400 pieces to his name. A pioneer in his field he popularised the classical guitar in Paris where many guitarists came to study under him. This edition, for two guitars, is clearly printed with both score and parts. Fingering is absent which is great as this allows freedom for ones own interpretation.

Skill Level
Intermediate
Ensemble
  • Containing
  • Moderato
  • Larghetto molto sostenuto
  • Trio
  • Rondeau - Presto
116

Suite Castellana

Federico Moreno Torroba

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Guitar Solo. By Federico Moreno-Torroba. Arranged by Andres Segovia. Published by Schott Music. Contents: Fandanguillo * Arada * Danza

Skill Level
Advanced
f-m-torroba-castles-of-spain

Castles of Spain

Federico Moreno Torroba

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Federico Moreno-Torroba's Castles of Spain Invokes images both of his countries noble past and present. The collection was recorded by Andres Segovia in 1969. Immensely popular with players and audiences. Definately one of my bucket list acquisitions.

Skill Level
Intermediate
mustorrobamusicforguitar

Musica Para Guitarra

Federico Moreno Torroba

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This album presents some of the best examples of the Madrid born composers prolific output that spanned his long career. While his most celebrated work is 'Madronos', all pieces in this album are testimony to the fact that his inspiration is rooted in popular music, to which he adds a vocal style of melodic invention which reminds of his love of vocal music.

Skill Level
Intermediate
Advanced
mustorrobapiecescaracteristique

Pieces Caracteristiques

Federico Moreno Torroba

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This music is romantic and colourful, evocative not only of Spain and its scenery and music, but also of the traditions of the classical guitar and the music that I grew up listening to and striving to play. Andres Segovia Edition Volume 2 GA 134 includes the pieces entitled, Los Mayos, Albada and Panorama.

Skill Level
Advanced

This music is romantic and colourful, evocative not only of Spain and its scenery and music, but also of the traditions of the classical guitar and the music that I grew up listening to and striving to play. As such it is a part of the repertoire that is often overlooked as our musical tastes change but that can teach us a lot about what our instrument can achieve.

There are three pieces offering contrast in character but strong links in melody that means they work beautifully together. The music is full of strong treble and bass melodies, driving rhythms, exciting harmonies and lots of opportunity for contrasts in articulation and tone. Techniques include fast articulation, control of long slurred passages and fluid movement around the fingerboard.

Los Mayos is strong and bright with an uplifting theme that is used throughout, driving the music forward, lots of chord movement, and some lovely ‘clashy’ harmonies. It is marked Allegro no tanto – quick and cheerful but not too much!

Albada has a great, quirky and quite angular returning theme that contrasts with some lovely tenor melodies on the 4th and 5th strings and a gorgeous tune in the relative minor with a warm syncopated accompaniment. Again the Allegro marking is tempered, this time with gracioso, highlighting character as apposed to straight speed.

The final piece is Panorma, an expansive piece with a Lento Introduction, a central Allegro which develops into a fugal section using the main theme, and a return to the theme of Los Mayos to finish. The Lento consists of beautiful, big chords producing full and rich ‘open’ harmonies which rise and crescendo before falling in triplets with a diminuendo that leads into the Allegro. Now the music moves more quickly alternating between a melody in triads and flowing semiquavers, building into the relative major and towards a brief introduction of the Los Mayos theme before falling towards the fugal section.

Here the main theme from this movement is developed with many entries and echoes in other voices, moving through keys and creating full textures and harmonies, starting low and rising to 2 octaves higher than the first statement before falling back again and finally merging into the final strong statement of the Los Mayos theme. It is all very exciting and finishes with a great ‘big dipper’ run of semiquavers and then 2 lovely, soft, staccato chords – real drama!

This is perfect music for the Classical Guitar – warm and Spanish in character, exciting and dramatic, using all the instrument has to offer and a reflection of a golden age for the guitar.

Selina.

329

Christmas Carols

Fabio Rizza

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18 easy arrangements for guitar solo includes titles such as Coventry carol, The Wexford Carol, O Tannenbaum, Away in a Manger and many more. Beautifully printed, no cumbersome page turns, bringing fun and variety to the holiday period.

Skill Level
Intermediate
302

Villanesca

Enrique Granados

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Certain pieces of music stay with you all of your life, they just sit there in ones memory waiting to be brought back to life. Villanesca is a piece I learnt. played, loved, was excited by and impressed myself with.

Skill Level
Advanced

This is a good edition of a lovely piece originally written for the piano although it is probably better known as a classical guitar piece. It does ask for the guitar to be retuned with string 5 tuned down to G and string 6 down to D.

Do not be put off by this!

There are very few fingered notes on these two strings to have to adjust, and the tuning gives the piece a beautiful warm and open sound helping to create the atmosphere. Also most guitars sing beautifully with this tuning!

Unfortunately there is a rather big misprint in the first 4 bars. The bass note of each of the chords is written as a low E, normally open string 6. It is fingered with a 0 and is supposed to be a G – in this case open string 5.

Watch out for this and don’t try to find an E!

There are a lot of notes in higher positions and the fingering is detailed and helpful although do try to learn the actual notes as well, it will really improve your higher position reading. The arranger also makes good use of harmonics which are marked with position and string.

This really is a lovely piece with a simple melody that repeats and builds, with an accompaniment of Bass G crotchet followed by the highest D crotchet repeating to great effect (reminding me in some ways of Ravel’s Bolero accompaniment). There is a beautiful rubato, minor middle section that loses the regular accompaniment and moves into three voices diverging and interweaving, before returning to the uplifting main theme.

Great fun.

Selina.

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