Sheet Music

Sheet Music Database

Our Sheet Music database is very searchable using any or all of the following - Composer name, Title, Musical standard, Exam board and Grade of piece both that of the exam boards and also our own Stafford Guitar grading.

Our aim is to not only bring you the up to date exam syllabus but also a selection of music we have enjoyed over our years of playing. The Stafford Guitar grading is to help you when selecting new pieces to learn.

In addition you will find Selina’s review of a piece or book helpful and again these reviews are carried out to help with your choice.

We are also happy to obtain music that we currently do not stock so if there is a book or piece you would like call and we will attempt to find it for you.

Sheet Music Database

musvillaconcerto

Concerto

H. Villa-Lobos

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Concerto pour guitar et petit orchestre. Printed by Editions Max Eschig with reduction for guitar and piano. Includes separate printing of guitar part. One day a member of a local orchestra will ask you to name a piece of music which you can both work on. Start the practice now! Don't wait to be asked.

Skill Level
Advanced
rodrigomusicminusone

Concierto De Aranjuez

Joaquin Rodrigo

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What is undoubtedly the most famous and most acclaimed guitar concerto ever written is now a fabulous Music Minus One release! The recently deceased Joaquin Rodrigo, foremost proponent of the classical guitar in the concert literature, wrote this masterpiece of 20th-century music in 1939. Gorgeous and eternally popular, it is an indispensable component of any guitarist’s library. This deluxe 2CD set includes a slow-tempo practice version to help you get up to speed. Digital stereo CD with full performance, and second performance minus you, the soloist.

Skill Level
Advanced
mustansmandanza

Danza Pomposa

Alexandre Tansman

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musmarshderbyshire9

Derbyshire Suite

Steve Marsh

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A musical excursion into the beautiful countryside of the county of Derbyshire which is set in the heart of England known as the 'Peak District'. Lathkill Dale, Bleaklow, Kinder Downfall, Arbor Low, Litton, Millers Dale and Peak Cavern are the names of each of the seven movements which make up this suite which lasts approximately 30 minutes. The music tries to capture the mood of each of these contrasting areas: from the tranquillity and beauty of Lathkill Dale and Miller's Dale and the mysterious and dramatic Arbor Low and Bleaklow, through to the humorous Litton and the awe and power of Kinder Downfall and Peak Cavern. The album contains a brief description of each area

Skill Level
Intermediate

This suite consists of 7 movements with lots of contrast in character, mood and atmosphere, and with plenty of musical and technical challenges.

In fact I think the most important factor in Steve’s music is the musicianship, challenging the player to explore the written notes and find the movement and emotion within the piece.

The titles of the individual movements in this suite are very evocative and the way the music is written reflects this beautifully. For example the syncopated melody within the arpeggios and the dissonant harmonies definitely create a mysterious feel in Bleaklow and the fast, tumbling arpeggios give you a real sense of a dramatic waterfall in Kinder Downfall.

Millers Dale is a beautiful, gentle piece with a dramatic centre section that includes one of my favourite ‘buildups’! I visited Millers Dale a few years ago and was amazed at how well this piece reflects the landscape and feel of the place.

The 5th movement, Litton, is written in sections with instructions as to the order and repeats. It has a festive and dance like feel that put me in mind of a village fete or celebration before I looked it up and found that Litton is a village!

The final movement, Peak Cavern, is very dramatic with running semiquavers that change from flowing and swirling patterns to rhythmical and energetic passages and back again.

This really is a lovely set of pieces that will enhance your repertoire and expand your musical ideas. I think that it is music written from the heart, about places that the composer knows and cares about. With the wonders of the internet you can look up the landscape as you learn the music, although the way that the music is written really does create a picture and feeling for you to develop. Some of the sounds are definitely challenging but they go towards creating a sound picture that is compelling and inspiring.

Great fun!

Selina.

113

Deux Airs Populaires Cubains

Leo Brouwer

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Guitar Solo. By Leo Brouwer. Contents: Quajira Criolla (on a theme by d'Anckerman) * Zapateado. These pieces are quite unusual, full of folk character and melody expertly blended with a contemporary feel, fantastic harmonies and clashes, contrasting textures and techniques and Brouwer's usual exciting use of rhythm and articulation.

Skill Level
Advanced

These pieces are quite unusual, full of folk character and melody expertly blended with a contemporary feel, fantastic harmonies and clashes, contrasting textures and techniques and Brouwer's usual exciting use of rhythm and articulation.

These pieces are quite unusual, full of folk character and melody expertly blended with a ‘contemporary’ feel, fantastic harmonies and clashes, contrasting textures and techniques and Brouwer’s usual exciting use of rhythm and articulation.

The pieces are difficult but very ‘guitaristic’ meaning that they flow nicely under the fingers and once you have learnt the fingering and technique you get a lot of satisfaction from the freedom of movement around the guitar and through the music.

The melodies are lovely but come with a twist, keeping you on your toes and piquing your (and the listeners) interest!

Both pieces are marked with 2 time signatures, ‘simple’ 3 in a bar 3/4 and ‘compound’ 2 in a bar 6/8. This is great for learning how to feel the pulse and for recognizing and highlighting the differences. The overall structure of the pieces is also similar with an ‘A’ section that returns after contrasting ‘B’ and ‘C’ sections.

The pizzicato arpeggio melodies at the beginning of Guajira have lovely lilt and movement highlighted by the wide range of pitch and the 3 voices ‘talking’ in counterpoint are very effective in the first contrasting section. When this melody returns in the major key it is more expansive with the music opening out before the return of the pizzicato theme from the beginning bringing the piece to a fading finish.

The introduction of Zapateado is also lilting in character, 4 bars of 6/8 and 4 bars of 3/4, repetitive and with a narrow range of notes that gives quite a restless feel to the music.

The second section has a melody that changes in pulse throughout with a lower voice that uses the opposite pulse, for example the upper voice is in 3/4 with the lower voice in 6/8 and in the next bar they swap! This is syncopated rhythm that needs real concentration at first but once mastered gives great results and is very satisfying. The ‘C’ section has 2 voices starting high and an octave apart and gradually converging, again with crossing rhythms and a sense of the music building and then losing tension towards the return of the opening section at the end.

The symmetry in the music is very clever giving us ideas to hang on to, always drawing the listener in but never sounding predictable. These are 2 beautiful little pieces, an enticing musical style captured in an instant.

Selina.

musbensa2preludes

Deux Preludes

Olivier Bensa

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Skill Level
Intermediate
80

Diversions

Peter Nuttall and John Whitworth

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An exciting collection of eleven guitar pieces that cover a wide range of popular styles; from folk to blues, Elizabethan music to Jazz and Classical. The mixture of arrangements and original compositions will ensure that this selection has something to offer players of all ages.

Skill Level
Beginner

This is a wonderfully varied little book.

For Diversions, Peter Nuttall and John Whitworth have written music within 5 different styles – Folk, Jazz, Elizabethan, Classical and Blues. The result is 11 pieces each with their own technical and musical challenges. This book is great for building repertoire; in their introduction Nuttall and Whitworth say that their aim is to ‘provide the intermediate guitarist with a repertoire of pieces covering a wide range of popular musical styles’, and many of the pieces introduce the player to different techniques that are used across the board in classical guitar music.

Nuttall and Whitworth have written an ‘introduction’ to each piece, in which they point out the prevalent musical characteristics, give advice on counting or ‘feel’, and provide some interesting context. From the off the player is introduced to swing rhythms and slides in ‘Inside Blues’, techniques that will pop up again later in the book. With the slides and accidentals, Inside Blues has a very fluid, gritty feel that will get any player into the groove! It is followed by a more mellow piece called ‘Celebration’, in which a lingering top line melody is supported by flowing right hand patterns. The melody switches to the bass halfway through the piece, so we get the chance to use the thumb to bring that out. ‘The Helston Floral Dance’ and ‘The Rakes of Mallow’ work well both separately and as a pair, and are both arrangements of traditional tunes that contain more technical semiquaver runs.

My favourite tunes in this book have to be in the Jazz Suite, a collection of three pieces designed to test the player’s musicality. The pieces all contain a certain amount of space and are open to a little more interpretation, from the improvisatory feel of ‘Lazy Afternoon’ to the syncopation and catchy melody of ‘Stomp’, finishing with ‘Night Piece’ with it’s irresistible energy and walking bass line.

There is so much scope in this book to develop ones musicality; each piece has its own character and is fun to play in its own way. What Nuttall and Whitworth have produced is music that is appealing to listen to and play, but also can help to improve ones technique.

Jess.

musdivertissements2

Divertissements 2 Pour Guitar

Gerard Montreuil

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11 Popular pieces written in order to stimulate the beginner's interest and to improve the learning of the guitar. These entertaining pieces will please players and listeners alike.

Skill Level
Beginner
Intermediate

These are a nice range of pieces written in a variety of musical styles.

My favourite thing about this book is Montreuil’s phrasing. He has taken time to write specific phrasing into the music, in his words, “in such a way as to show several possibilities of articulation”. This really makes you think about how the music is constructed and how different inflections can give a piece new life. With this in mind, these pieces are musical and fun to play.

Each piece is crafted to develop different skills; the two tangos introduce the player to syncopated rhythms and complex semiquaver rhythms, and are great when played with gusto! Unusually for beginners pieces, Crépuscule and Emeraude are slow burners; this helps the player to develop a sense of space in the music, improving musicality no end as the player learns not to rush through the music. Montreuil has written more interesting chord progressions into Emeraude, making the harmonies lush.

Other techniques are covered toward the end of the book, such as strummed chords (Orgue de barbarie), and the last piece (Premier Amour) is beautifully lyrical, making use of notes higher up the first string and harmonics. Overall, these are simple yet memorable melodies with interesting musical lines that provide you with an arsenal of pieces to entertain as well as enhance your playing.

Jess.

musdivertissements

Divertissements Pour Guitar

Gerard Montreuil

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A collection of fourteen entertaining pieces written by the noted musician and teacher, Gerard Montreuil. Players will be delighted by the short pieces, leading to greater skill on the guitar and opportunity for further study.

Skill Level
Beginner
301

Due Ragtimes

Scott Joplin

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Champagne Rag & The Entertainer written by Joplin and arranged by Mario Gangi. Interested in trying something different? then here you are. Good fun, light hearted and great at parties.

101

Dyens Mambo des Nuances

Roland Dyens

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Skill Level
Advanced
92

Easy Pieces from Shakespeares Time Vol.1

Karl Scheit

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This music, in its beauty and easy playability, constitutes an excellent introduction to the extensive lute literature of the Elizabethan Era. Through the pieces in this collection the player, from the outset, will be made familiar with the most diverse interpretation techniques, such as ornamentation, diminution and song settings for lute alone. Includes pieces by John Dowland, Francis Cutting and Thomas Robinson. These two volumes are full of pieces that have stood the test of time and are a must for anyone learning the classical guitar.

Skill Level
Intermediate

I am so enjoying reviewing our music because I am being reintroduced to a lot of the music that has been part of my life with the guitar and realizing how much great stuff there is to choose from whatever your level and expertise.

These books probably represent my first introduction to music of the Renaissance, music that is still my favourite.

We are so lucky as guitarists to have repertoire that spans so many centuries to choose from and the pieces here are simply great for developing musical skills like counterpoint, highlighting voices, repeated chords and exciting rhythm.

These books have been around for a long time, a fact that reflects their value on technical, musical and enjoyment levels. The printing is clear and the edition is good with fingering suggestions rather than the blanket fingering that is common among modern editions. The books include a wide range of music, from simple dances to slower more gentle pieces and on to quite difficult rhythms, voicing and counterpoint. Many of the pieces use compound time like the delightful A Toy and Wilson’s Wilde in volume 1, so good for improving your counting skills and developing a real feel for pulse which is so vital for flowing and musical performance.

What if a Day (vol.1) is excellent chord voicing, listening to harmony and keeping a smooth melody over the top. More detailed counterpoint is evident in Grisse his delight, An Almaigne and Alman (vol.1) with melodic lines being introduced in up to three lines as well as supporting harmony. This is such valuable experience for the developing guitarist as we are so used to thinking vertically. Here we can learn to find, sing and highlight the different melodies and the resulting phrasing, dissonances and musical drive are fantastic.

Volume 2 also includes a range of pieces reaching to a higher level than the first volume. I particularly love the Volt and Currant, musically simple with great drive and technically tricky with a fast melody over a repeated arpeggio in the bass – learning what it is like to be more than one musician on one guitar! Go From my Window and Fortune introduce the idea of F# tuning which allows the fingering to follow how it would have been played on the lute.

There is a lot of detail in this music but also loads of spirit, movement and fun. From an early stage it particularly teaches us to listen and on a technical level is especially good for the left hand developing independence and flexibility across the strings. I will certainly be bringing these into my teaching. The music may be very old but it is some of the best and accessible from an early stage. It may not seem trendy but that doesn’t matter because it is great fun to play!

Selina.

292

Easy Pieces from Shakespeares Time Vol.2

Karl Scheit

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A characteristic of the musical practices of the time was the freedom with regards to the choice of instrument. Here the editor has brought this same freedom this guitar edition. The volume contains well known and enjoyable pieces such as Toy, Packington's Pond, Kemp's Jig. In total there are 15 pieces to experience and enjoy. These two volumes are full of pieces that have stood the test of time and are a must for anyone learning the classical guitar.

Skill Level
Intermediate

I am so enjoying reviewing our music because I am being reintroduced to a lot of the music that has been part of my life with the guitar and realizing how much great stuff there is to choose from whatever your level and expertise.

These books probably represent my first introduction to music of the Renaissance, music that is still my favourite.

We are so lucky as guitarists to have repertoire that spans so many centuries to choose from and the pieces here are simply great for developing musical skills like counterpoint, highlighting voices, repeated chords and exciting rhythm.

These books have been around for a long time, a fact that reflects their value on technical, musical and enjoyment levels. The printing is clear and the edition is good with fingering suggestions rather than the blanket fingering that is common among modern editions. The books include a wide range of music, from simple dances to slower more gentle pieces and on to quite difficult rhythms, voicing and counterpoint. Many of the pieces use compound time like the delightful A Toy and Wilson’s Wilde in volume 1, so good for improving your counting skills and developing a real feel for pulse which is so vital for flowing and musical performance.

What if a Day (vol.1) is excellent chord voicing, listening to harmony and keeping a smooth melody over the top. More detailed counterpoint is evident in Grisse his delight, An Almaigne and Alman (vol.1) with melodic lines being introduced in up to three lines as well as supporting harmony. This is such valuable experience for the developing guitarist as we are so used to thinking vertically. Here we can learn to find, sing and highlight the different melodies and the resulting phrasing, dissonances and musical drive are fantastic.

Volume 2 also includes a range of pieces reaching to a higher level than the first volume. I particularly love the Volt and Currant, musically simple with great drive and technically tricky with a fast melody over a repeated arpeggio in the bass – learning what it is like to be more than one musician on one guitar! Go From my Window and Fortune introduce the idea of F# tuning which allows the fingering to follow how it would have been played on the lute.

There is a lot of detail in this music but also loads of spirit, movement and fun. From an early stage it particularly teaches us to listen and on a technical level is especially good for the left hand developing independence and flexibility across the strings. I will certainly be bringing these into my teaching. The music may be very old but it is some of the best and accessible from an early stage. It may not seem trendy but that doesn’t matter because it is great fun to play!

Selina.

museightsolos

Eight Original Solo's for Guitar

Peter Nuttall

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An appealing companion volume to the Twelve Inventions. Attractive melodies, inventive harmonies and an interesting variety of musical styles...Lyrical, highly guitaristic music, easily accessible to the student guitarist.

Skill Level
Beginner
Out Of Stock Enquire
108

Eight Sonatas

Domenico Scarlatti

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Of the more than 500 sonatas (originally termed esercizi) written for harpsichord by Domenico Scarlatti, Raymond Burley has chosen to arrange eight for guitar. These include K. 480, K. 379, K. 208, K. 232, K. 491, K. 94, as well as K. 376 and K. 377, which Scarlatti's cataloger, Ralph Kirkpatrick, suggests should be performed together. Burley has done a terrific job of fitting these pieces to the fretboard.

Skill Level
Advanced
musicbrouwer4

El Decameron Negro.

Leo Brouwer

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I have loved this work from the first time I heard it played. Yes it is difficult and you may be put off by the rhythm patterns, counting and shear range of movement required to get around your guitar however it is definitely worth the effort no matter how many years it takes you to learn.

Skill Level
Advanced
315

Elogio de la danza

Leo Brouwer

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A much loved and often performed piece that will test your technical and interpretive abilities yet give a great sense of achievement when mastered. The two movements Lento & Obstinato have been clearly printed making for easy reading and page turns are well catered for.

Skill Level
Advanced
194

En La Playa

Isaac Albeniz

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Garden Music edition - Arranged for guitar by David Burden. En La Playa (on the beach) is the seventh and last piece from Recuerdos de Viaje (Souvenirs of Travel) Op71 written in 1887. This is one of Albeniz's most beautifully lyrical pieces and, like so much of his music, is guitaristic in its character and invention.

Skill Level
Advanced
musduarteenglishsuite

English Suite

John Duarte

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This piece is obviously written for the guitar as it exploits all the best bits, but it certainly doesn’t give the performer an easy ride! An exciting addition to any advanced guitarist's repertoire. Duarte's English Suite contains three movements: 1) Prelude, 2) Folk Song and 3) Round Dance.

Skill Level
Advanced

This work is in three movements - Prelude, Folk Song and Round Dance, all of which are full of life and movement with a strong sense of the tradition upon which they are based.

The music in the Prelude is immediately bright, sunny and spirited and I was drawn to the full rich harmonies and varied texture. There is definitely a modal feel highlighting English folk influence in the music making it easy music to explore and develop. The melodies are expansive and ‘singing’ with plenty for the player to think about in shaping and shifting rhythms. I really like the slow, minor section with its interweaving lines making very evocative music.

The Folk Song is in two sections, firstly calm and expressive and then with a little more movement. There are some beautiful melancholy melodies combined with big harmonies, dotted rhythms and sweeping arpeggios requiring good left hand movement and freedom. The feel is full and almost majestic at times but always manages to maintain the ‘folk’ simplicity.

The Round Dance is lively and energetic with a contrasting lyrical section in the middle. There are plenty of changes in time signature with an overall 9/8 that really pushes the music along, with nothing being held back in physical movement for the performer.

This piece is obviously written for the guitar as it exploits all the best bits, but it certainly doesn’t give the performer an easy ride!

I think that it is great music for the imagination and for finding out about expression and especially texture in performance.

Selina.

300

Estudios Sencillos

Leo Brouwer

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Etudes simples volume 1 studies 1-5. These are a must for any aspiring guitarist. Leo Brouwer's attention to musical and technical detail stretches the player encouraging expression and freedom of movement.

Skill Level
Beginner
Intermediate

This is definitely a case of good things come in small packages, a classic edition for the classical guitar, unchanged since its first publication in 1972.

The ‘book’ consists of an A5 piece of card for the front and back covers and an A5 piece of paper that provides 4 pages for the printed music, however within this the music is excellent and essential repertoire for any beginner or intermediate guitarist, as well as offering great technical and musical practice for those of us who consider ourselves more advanced.

These 5 pieces are wonderful miniatures packed full of musical and technical detail covering articulation, syncopation, voicing and a wide range of colour and dynamics. The use of descriptive words is also great including “movido’, ‘cantando’ and ‘sonoro’, descriptions that are so evocative and good for your musical knowledge!

There are great bass melodies in nos.1 and 4 with an upper accompaniment of repeated thirds (chords) requiring technical and rhythmical control. The shifting time signature in no.4 gives it lovely flow and overall movement. No.2 consists of very slow moving chords highlighting balance and voicing with some wonderful dissonant and emotional harmonies. No.3 concentrates on rapid articulation and no.5 is beautifully lyrical despite some quirky harmonies and fantastic syncopation.

Great, musical and emotional pieces that really help you to develop your technique.

Selina.

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