Sheet Music

Sheet Music Database

Our Sheet Music database is very searchable using any or all of the following - Composer name, Title, Musical standard, Exam board and Grade of piece both that of the exam boards and also our own Stafford Guitar grading.

Our aim is to not only bring you the up to date exam syllabus but also a selection of music we have enjoyed over our years of playing. The Stafford Guitar grading is to help you when selecting new pieces to learn.

In addition you will find Selina’s review of a piece or book helpful and again these reviews are carried out to help with your choice.

We are also happy to obtain music that we currently do not stock so if there is a book or piece you would like call and we will attempt to find it for you.

Sheet Music Database

giuliani-variations-op45

Variations Op.45 sur les Folies d'Espagne

Mauro Giuliani

Base price for variant: £9.00
Sales price: £9.00
Price:£9.00
Discount:
Tax amount:
Price / kg:

Like most Renaissance court dances, the Follia was originally a country dance. Shaking off its merry but coarse peasant character, the Follia rapidly entered the repertoire of art music as a simple harmonic scheme upon which to improvise or compose variations. Consisting of Theme and six variations this edition by Fabio Rizza is clearly printed making for ease of study and performance.

Skill Level
Intermediate
Advanced
Out Of Stock Enquire
giuliani-le-avventure-di-amore

Giuliani Le Avventure di Amore OP.116

Mauro Giuliani

Base price for variant: £12.00
Sales price: £12.00
Price:£12.00
Discount:
Tax amount:
Price / kg:

CH 52 - Written for 2 guitars. 10 Waltzes, publication consists of Score and Parts, clearly written making for ease of reading. Great music that allows you enjoy with a partner.

Skill Level
Intermediate
Ensemble
  • Containing
  • L'Invito al ballo
  • L'Affetto
  • La Dichiarazione
  • Il Rifiuto
  • Il Dispiacere
  • La Disperazione
  • La Partenza
  • Il Pentimento
  • Il Ritorno
  • La Pace
299

Café Music

Michael Stimpson

Base price for variant: £11.50
Sales price: £11.50
Price:£11.50
Discount:
Tax amount:
Price / kg:

Suite for Solo Guitar, was originally conceived as a reflection of the lighter styles of music written for the classical guitar. The character of the suite is predominantly preserved by the contrasts of mood between pieces. Adrian's thoughts - I was introduced to this book many years ago and thoroughly enjoyed the challenge.

Skill Level
Intermediate

This is descriptive music at its best with storytelling created using harmony and texture as well as through title, tempo and rhythm.

In order to communicate the music successfully the player has to be aware of the musical detail and be interested in the emotions and stories being told.

These pieces provide excellent experience in developing musicianship with a lot of detail written in to each piece, for example articulation, dynamics and tone colour. This also challenges the player technically but in the end it is thinking of, and listening to, the music that must be the most important thing.

Ouvert, a gentle introduction with warm cross string resonances, slurs and glissandi that all combine to create atmosphere. I love the closely spaced “talking” voices.

Promenade has a strong storyline and lots of contrast between the repeating, stately ‘promenade’ phrases and sections between. The first of these changes key and uses triplets and warmer colours to give a light and fluid feel. The second is slower and more tranquil while the third is in a minor key and lower in pitch with some lovely dissonances giving a darker feel.

Reverie is slow, sad and dreamlike using a repeated melody in different registers. It requires a lot of tonal control with a beautiful combination of tambora chords and harmonics at the end.

Folies is all in thirds and so the angry and bustling feel is quite tricky technically but very exciting all the same! I particularly like the arpeggios across the strings in thirds at the end.

Chanson is a joyous and flowing piece, again more challenging with barres and flowing arpeggios incorporating an upper melody to highlight.

Ferme is the finale and has great lift and rhythm with plenty of articulation, dynamic contrast and rasgueado technique.

These are great little pieces guaranteed to keep you occupied for months and very effective in performance.

Selina.

119

Guitar Music for Beginners Vol 2

Musica Budapest

Base price for variant: £8.95
Sales price: £8.95
Price:£8.95
Discount:
Tax amount:
Price / kg:
Skill Level
Intermediate
Out Of Stock Enquire
muscoste25etuden

25 Etuden OP38

Napoleon Coste

Base price for variant: £9.50
Sales price: £9.50
Price:£9.50
Discount:
Tax amount:
Price / kg:

Napoleon Coste was a gifted guitarist who established himself as a teacher while still a teenager. He moved to Paris, where his brilliant technique placed him among the great guitarists of his generation. His Twenty-five Etudes are one of the guitar repertory's finest set of concert studies, notable for their attractive melodies and brilliant cadenzas.

Skill Level
Intermediate
Advanced

I know this set of studies well due to them holding a very important place in my technical development – I will come to that later!

In general, however I think that they are less well known and played than some of the other study repertoire from this period. This is a great shame because there are some great little pieces here with excellent technical development material.

The pieces are quite challenging, going from about grade 5 standard up to advanced.

For me, the things that stand out in this collection are fingerboard knowledge and musicianship. I am always talking about knowledge of the notes leading to greater fluency and musical direction, although it can be something that is difficult to achieve if it has not been there from the beginning. These pieces make no compromise in movement around the fingerboard, chord changing and general left hand freedom. They pretty much cover every single note up to the 12th fret, on every string – in one case probably all in one piece!

This may be frustrating at first but really focuses the mind and encourages you to learn in order to achieve the desired results.

The musical content is varied and engaging with some very interesting harmonies, rhythms, textures and colours. The studies particularly highlight harmonic sequences encouraging you to listen to voices to shape the music.

Technically all the basics are covered and developed including arpeggio and scale patterns, slurs, right hand patterns and speed of articulation, movement in thirds, sixths and octaves, alberti accompaniment figures and fully accompanied melodies.

All of the technical movement around the guitar seems to have musical purpose so that you find yourself really developing the link between sound and movement and so ‘feeling’ the momentum and shape under your fingers. I found this particularly satisfying and a big help when I was struggling with some of the technique!

I have not got the space to talk about every piece but will mention some of my highlights.

No.1 gives a taste of what is to come with its simple chord sequence and variation that gives you the chance to listen to, and feel the harmonic movement without having too many notes to think about. No.4 has a lovely, simple melody with chords on almost every beat and no compromise in movement around the fingerboard i.e. some tricky jumps. It is an excellent exercise in playing melodically (that is horizontally) in more than one voice. No.6 has a long line of melody over a lovely triplet accompaniment, using rests in the accompaniment to great effect. No.7 (Associated Board grade 7) has a strong and compelling character highlighting the guitar’s contrapuntal abilities and challenging the player to hear all of the voices.

I love the lower line melody in No.10 (Associated Board grade 8). This piece has great character and requires real control of lines and rhythm and finishes with a contrasting, smoother major section. No.12 (TrinityGuildhall grade 7) creates drama through lots of movement in semiquaver chords, big interval jumps and full harmonies while No.13 is altogether lighter with arpeggio thirds in higher registers using sliding shapes to produce long sequences. No. 15 has a brilliant ‘quirky’ triplet melody built around the chords giving the piece a very individual character. The 3/8 time and repeated semiquaver pedal give No.19 real flow and momentum carrying the melody in thirds through the piece. No. 21 is very difficult because of its constantly moving quaver chords, maintaining three voices for much of the time, and highlighting some unusual harmonies.

My absolute favorite has to be the piece that was a turning point in my studies, opening my eyes to a technique and resulting musicianship that I am still enjoying and developing today! Before playing study No.22 I don’t think that I had ever thought about controlling and stopping bass notes, however this study has a repeating bass rhythm that is as much about rests as it is about notes. Defining this bass line brings a whole different light to the music and is one of the most valuable techniques that I have learnt as well as being enormous fun to play!

I think that this is one set of studies that every dedicated guitarist should own and learn. They teach us as many lessons in musicianship as technique, are very enjoyable to play and highlight the musical abilities of the guitar. Brilliant.

Selina.

muspaggrandsonata

Grand Sonata

Nicolò Paganini

Base price for variant: £9.95
Sales price: £9.95
Price:£9.95
Discount:
Tax amount:
Price / kg:

Niccolò Paganini was an Italian violinist, violist, guitarist, and composer. He was one of the most celebrated violin virtuosi of his time, and left his mark as one of the pillars of modern violin technique. There is a very short preface to this edition in which the editor explains that the original was for guitar with violin accompaniment, but the part allocated to the violin is so modest as to be hardly worth the effort

Skill Level
Intermediate
Advanced

There is a very short preface to this edition in which the editor explains that the original was for guitar with violin accompaniment, but the part allocated to the violin is so modest as to be hardly worth the effort!

Paganini played both the violin and guitar to virtuoso level and so composed his pieces for the instrument that he was playing with the other generally having a very simple accompaniment roll. The editor explains that the wealth of musical structure and invention in the Grand Sonata makes it worthwhile incorporating the violin part into a solo guitar piece, and it does make a very successful, exciting and virtuosic composition.

There is no doubt that you have to have a very good mastery of the guitar as well as relaxed technique and freedom of movement to pull this one off successfully, although the Romanze which is the choice in the grade 8 list is a good and more accessible opening to the style, being slightly slower in tempo!

The first movement Allegro risoluto is quite extensive and has some charming singing melodies that link throughout the movement. The variety of textures created using flowing octaves, arpeggio figures and alberti bass accompaniment is very reflective of the classical period, really bringing the guitar into the mainstream of musical style and development. The challenge is to make it all work so that you can hear the drama excitement intended by the composer through freely and quickly flowing notes and movement all over the fingerboard.

The Romanze has a lovely melancholy with its simple, lilting melody. Here the challenge is to maintain this simple feel while dealing with demisemiquaver accompaniment and melody notes doubled variously in thirds, sixths, octaves and tenths. There is also a lot of freedom implied and required in the music, really giving it the feel of a cadenza.

The final movement is in the form of a Theme and 6 variations. The theme is a very jaunty tune with a dotted rhythm that is almost shouting out to be decorated! Paganini does this using triplet rhythms, movement in all intervals both together and split, slur patterns, rapid repeated notes over melody in the bass, and, in variation 6 some loud slurring to open strings and a lot of very quick and unusual chromatic movement. In fact the piece ends in an unexpected way with a repeated and disappearing chromatic motif that is actually very effective.

All in all this is an exciting and impressive piece with lots of detail to find and explore, very good for your technical development and simply good fun to play!

Selina.

muskoshkinmasqrds

Mascarades

Nikita Koschkin

Base price for variant: £11.50
Sales price: £11.50
Price:£11.50
Discount:
Tax amount:
Price / kg:

The traditional repertory for young guitarists obviously needs an enrichment, this album of picturesque music written by the young Moscow composer give guitar players time to get to know the many facets of this instrument. The music, inspired by a world of stories and fairy tales, offers you the chance to live a fantasy adventure through music.

Skill Level
Intermediate
Out Of Stock Enquire
musbensa2preludes

Deux Preludes

Olivier Bensa

Base price for variant: £7.95
Sales price: £7.95
Price:£7.95
Discount:
Tax amount:
Price / kg:
Skill Level
Intermediate
musmagicguitarveryeasypieces

Magic Guitar Very Easy Pieces (la Guitare Enchantee)

Paul Gerrits

Base price for variant: £11.95
Sales price: £11.95
Price:£11.95
Discount:
Tax amount:
Price / kg:

Book One of The Magic Guitar series, containing twenty-seven graded very easy pieces, selected and edited by Paul Gerrits. The Magic Guitar series presents a collection of pieces suitable for the first years of classical guitar study, designed to be used along with a method. The main purpose of The Magic Guitar is to give beginning guitarists the opportunity to express themselves musically at various stages of their technical development.

Skill Level
Beginner

These two volumes offer a wide range and variety of music for guitarists in their first years of playing.

At first the emphasis is on developing melodic playing combined with simple bass lines but even here the student is challenged with detailed phrasing, tied notes and right hand techniques like the arpeggio pattern in "Etude" by Carcassi.

Contemporary, Classical and Traditional styles are all mixed together helping to maintain interest and offering something for everyone, for example the popular "Greensleeves" (it is always particularly satisfying to be able to play a piece that everyone recognizes!).

As the books progress the music becomes more detailed.

The first book works up to the use of thirds in the melodic lines, more complicated bass lines requiring sustained fingered notes and up to three fingered notes together – notably in no.16 "Theme et Variation".

In "Chanson Populaire" the melody to bring out is in the bass and "Souvenir d’Espagne" introduces rasgueado chords and flamenco triplets.

The second volume includes more detailed counterpoint and requires greater musical understanding.

Higher positions are explored here, for example in "Etude"” by Coste and there is a nice mix of arpeggio style and purely melodic pieces.

I particularly enjoyed the collection of classical pieces, "Marlborough" which is an effective arrangement of this traditional melody, and the final "Valse" which is simply great fun to play and listen to!

Selina.

mustimepieces1

Time Pieces for Guitar Vol 1

Peter Batchelor and Richard Wright

Base price for variant: £8.95
Sales price: £8.95
Price:£8.95
Discount:
Tax amount:
Price / kg:

These are excellent books and I find myself asking, Why wasn't this sort of syllabus available years ago. Preparing an exam syllabus is much more difficult than it may seem, and a thankless job, but with these books they have got it just right.

Skill Level
Beginner

These are excellent books and I find myself asking, "Why wasn't this sort of syllabus available years ago". Preparing an exam syllabus is much more difficult than it may seem, and a thankless job, but with these books they have got it just right.

They are beautifully laid out with clear printing and just a little fingering that is by no means intrusive and allows the students to really learn about the guitar fingerboard. The best thing however is the way that they introduce the history of music to guitarists, from the thirteenth to the twenty-first century, with very sympathetic arrangements throughout that allow you to forget that the pieces were not originally written for the guitar!

As guitarists, we have a wonderful repertoire of music but it is great to have the opportunity to experience the music of Mozart, Handel and Beethoven in a first hand and positive way. This is especially important for young people to develop understanding and enjoyment of classical music (and for GCSE and A level exams!) For this reason, I will happily use these books for all of my students in future whether taking exams or not.

There is a good mix of music throughout including traditional, classical, jazz influenced, popular and song arrangements, in solo and duo formats. Many of the pieces have explanatory notes of, for example, the history of the piece, translation of the title, and original format as in accompanied song or original instrument.

All of the early dance forms are explained and given context so that the student is learning far more than just (!) how to play the guitar. There are 36 pieces in the first volume and 32 in the second so you are getting an awful lot of music for your money! Each piece also states clearly the year in which it was written so, as the books quote, "you can map your journey through time."

The books clearly cover all the technical requirements of the first years of learning including legato melodies, shaping phrases, articulation and ensemble playing to name but a few.

To summarise the choice of music, quality and suitability of arrangements, and accompanying notes are all excellent. There are many recognisable tunes "throughout the ages" and contrast in styles from Personent Hodie (1360) to Bach (1736), and from our own Aguado (1843) to Granados (1902) and Lennon/McCartney (1966)!

The editions are easy to read with a level of fingering that is not overpowering and I can truly say that all the pieces are enjoyable to play (from personal experience!)

Highly recommended.

Grade 1 pieces

  • Ductia: a gentle flowing melody in 6/8 time using the open D string as accompaniment.
  • Branle d’Ecosse: a lot of running quavers in this dance using the open A string as accompaniment.
  • Gavotte: this lively dance by Handel has been arranged as a duet. The student’s part is a single line melody on the treble strings with a steady crotchet and quaver rhythm.
  • Douce dame jolie: this is a "virelais" which is an old French musical form related to dancing. It has an interesting syncopated rhythm and open A as accompaniment.
  • Leccion: a simple single line melody "Alla marcia"! in 2/4 time
  • Valse: a flowing waltz using an arpeggio style in the first half and then separating into 2 voices.
  • El Noy de la Mare: this is a duet arrangement of a beautiful traditional Catalan melody in F major using a dotted crotchet rhythm.
  • Poor Wayfaring Stranger: an arrangement of a traditional spiritual with an interesting syncopated rhythm.
  • One Hand, One Heart: a lovely arrangement of this song from Westside Story, with simple melody using long sustained notes in G major.
  • The Dangers of Poking Holes in Ice: as the title suggests this is great fun with staccato and accent articulation and dynamics that are vital to bring out the character.

Grade 2 pieces

  • Pavane: a short stately dance using 2 and 3 note chords.
  • Can she excuse my wrongs: a duet arrangement of this beautiful Dowland song. The student plays the vocal line including some syncopated rhythms and changes of pulse.
  • Farewell Manchester: this is a lively little piece, mostly in 2 voices with more challenging left hand changes.
  • Aria detta la Frescobalda: a duet arrangement; the student plays a single line melody which uses long tied notes, mostly in 2nd and 5th positions. In the key of E minor.
  • Ode to Joy: an excellent arrangement of this popular melody using 2 voices.
  • Menuet: a duet arrangement of this famous Haydn Menuet with longer quaver passages in the melody and detailed left hand fingering using positions 1, 2, 3, 4 and 5.
  • The Sixpence: a traditional Irish melody with a lot of quaver passages and dotted rhythms and some fingered bass notes; in G major.
  • Here, There and Everywhere: a very effective duet arrangement of this Lennon/ McCartney song. The melody is syncopated requiring a good feel for the pulse and style.
  • Ballroom Blues: this little waltz is an original guitar piece written in a blues/ reggae style with simple 3 note chords and a bass melody. Great fun!

Selina.

mustimepieces2

Time Pieces for Guitar Vol 2

Peter Batchelor and Richard Wright

Base price for variant: £8.95
Sales price: £8.95
Price:£8.95
Discount:
Tax amount:
Price / kg:

These are excellent books and I find myself asking, Why wasn't this sort of syllabus available years ago. Preparing an exam syllabus is much more difficult than it may seem, and a thankless job, but with these books they have got it just right.

Skill Level
Intermediate

These are excellent books and I find myself asking, "Why wasn't this sort of syllabus available years ago". Preparing an exam syllabus is much more difficult than it may seem, and a thankless job, but with these books they have got it just right.

They are beautifully laid out with clear printing and just a little fingering that is by no means intrusive and allows the students to really learn about the guitar fingerboard. The best thing however is the way that they introduce the history of music to guitarists, from the thirteenth to the twenty first century, with very sympathetic arrangements throughout that allow you to forget that the pieces were not originally written for the guitar!

As guitarists, we have a wonderful repertoire of music but it is great to have the opportunity to experience the music of Mozart, Handel and Beethoven in a first hand and positive way. This is especially important for young people to develop understanding and enjoyment of classical music (and for GCSE and A level exams!) For this reason, I will happily use these books for all of my students in future whether taking exams or not.

There is a good mix of music throughout including traditional, classical, jazz influenced, popular and song arrangements, in solo and duo formats. Many of the pieces have explanatory notes of, for example, the history of the piece, translation of the title, and original format as in accompanied song or original instrument.

All of the early dance forms are explained and given context so that the student is learning far more than just (!) how to play the guitar. There are 36 pieces in the first volume and 32 in the second so you are getting an awful lot of music for your money! Each piece also states clearly the year in which it was written so, as the books quote, "you can map your journey through time."

The books clearly cover all the technical requirements of the first years of learning including legato melodies, shaping phrases, articulation and ensemble playing to name but a few.

To summarise the choice of music, quality and suitability of arrangements, and accompanying notes are all excellent. There are many recognisable tunes "throughout the ages" and contrast in styles from Personent Hodie (1360) to Bach (1736), and from our own Aguado (1843) to Granados (1902) and Lennon/McCartney (1966)!

The editions are easy to read with a level of fingering that is not overpowering and I can truly say that all the pieces are enjoyable to play (from personal experience!)

Highly recommended.

Grade 1 pieces

  • Ductia: a gentle flowing melody in 6/8 time using the open D string as accompaniment.
  • Branle d’Ecosse: a lot of running quavers in this dance using the open A string as accompaniment.
  • Gavotte: this lively dance by Handel has been arranged as a duet. The student’s part is a single line melody on the treble strings with a steady crotchet and quaver rhythm.
  • Douce dame jolie: this is a "virelais" which is an old French musical form related to dancing. It has an interesting syncopated rhythm and open A as accompaniment.
  • Leccion: a simple single line melody "Alla marcia"! in 2/4 time
  • Valse: a flowing waltz using an arpeggio style in the first half and then separating into 2 voices.
  • El Noy de la Mare: this is a duet arrangement of a beautiful traditional Catalan melody in F major using a dotted crotchet rhythm.
  • Poor Wayfaring Stranger: an arrangement of a traditional spiritual with an interesting syncopated rhythm.
  • One Hand, One Heart: a lovely arrangement of this song from Westside Story, with simple melody using long sustained notes in G major.
  • The Dangers of Poking Holes in Ice: as the title suggests this is great fun with staccato and accent articulation and dynamics that are vital to bring out the character.

Grade 2 pieces

  • Pavane: a short stately dance using 2 and 3 note chords.
  • Can she excuse my wrongs: a duet arrangement of this beautiful Dowland song. The student plays the vocal line including some syncopated rhythms and changes of pulse.
  • Farewell Manchester: this is a lively little piece, mostly in 2 voices with more challenging left hand changes.
  • Aria detta la Frescobalda: a duet arrangement; the student plays a single line melody which uses long tied notes, mostly in 2nd and 5th positions. In the key of E minor.
  • Ode to Joy: an excellent arrangement of this popular melody using 2 voices.
  • Menuet: a duet arrangement of this famous Haydn Menuet with longer quaver passages in the melody and detailed left hand fingering using positions 1, 2, 3, 4 and 5.
  • The Sixpence: a traditional Irish melody with a lot of quaver passages and dotted rhythms and some fingered bass notes; in G major.
  • Here, There and Everywhere: a very effective duet arrangement of this Lennon/ McCartney song. The melody is syncopated requiring a good feel for the pulse and style.
  • Ballroom Blues: this little waltz is an original guitar piece written in a blues/ reggae style with simple 3 note chords and a bass melody. Great fun!

Selina.

71

33 Czech Folksongs - (Pupils Part)

Peter Eben

Base price for variant: £6.50
Sales price: £6.50
Price:£6.50
Discount:
Tax amount:
Price / kg:

Learning to phrase melodies is the goal in this well chosen selection of folk songs by leading Czech composer Peter Eben with teacher's accompaniments.

Skill Level
Beginner

These beautiful, melodic, yet simple pieces have been arranged for 2 guitars from Petr Eben’s setting of 100 Czech folk tunes for solo piano – an achievement that he described thus:

Reach into the jewel box, take a handful of precious stones and set them into children’s rings!

The pieces are ideal for early learning as they emphasize the playing of melodies in low and high registers, shaping phrases and bringing out articulation. The pupil part always has the original melody with the teacher as purely accompaniment.

There are suggestions for right and left hand fingering which the preface advises teachers to follow, as they have been included for essentially musical reasons.

This is very enjoyable and charming music that also teaches style and interpretation and, most importantly for guitarists, how to follow a melody. Beginners are learning primarily how to sing a melody through the guitar, a vital first step in musical development.

Grade 1

  • The pipes were playing at Pobuba: emphasizes smooth phrasing across strings with lots of dynamic contrast, using i, m and a.
  • Oh love, oh love: this is a very simple, slower melody with echoing phrases in octaves, and concentration on phrase shape, hairpin dynamics and expression.

Grade 2

  • Andulichko, hello: a lively melody in 3/4 time, G major; question and answer phrases with repeat down an octave and fingering in third position.
  • When I took geese to the pasture: very strong quaver rhythm in 2/4 time, D major, that really brings out the character of the geese!

Grade 3

  • Whose are these geese? : quite a melancholy melody requiring long phrasing and detailed dynamic control. The first melody is repeated down and octave and then again in thirds.

Selina.

71

33 Czech Folksongs - (Teachers Part)

Peter Eben

Base price for variant: £9.50
Sales price: £9.50
Price:£9.50
Discount:
Tax amount:
Price / kg:

Learning to phrase melodies is the goal in this well chosen selection of folk songs by leading Czech composer Peter Eben with teacher's accompaniments.

Skill Level
Beginner
303

Half Moon

Peter Nuttall

Base price for variant: £6.50
Sales price: £6.50
Price:£6.50
Discount:
Tax amount:
Price / kg:

A set of rhythmic pieces, together with a set of lyrical melodies and cool harmonies. Nostalgic, romantic, blues, stomping! These colourful pieces are beautifully written for the guitar and a delight to play.

Skill Level
Beginner

It is lovely to have a new collection of pieces from Peter Nuttall.

His music is so good for beginner into intermediate players because it is always musical, interesting and has focused technical requirements meaning that the player is not having to think about too many different things at once.

Half Moon is a set of lyrical and accessible pieces, never getting too technically difficult but certainly challenging in musicianship, interpretation and reading and counting rhythms. Peter says in his introduction that “They are written in a variety of styles….and make use of common guitar techniques and idioms. Style is always more important than speed.” This second comment is so important in our development as guitarists, and is something that we often forget in our efforts to improve our playing.

For me the pieces are summed up by the words atmosphere and character. If we keep these in mind then we can have great fun exploring the music, experimenting and listening.

Peter has grouped the pieces into 2 sections, First half – rhythmic, Second half – lyrical. This is an excellent idea for variety and focus in learning and also for programming performance! The idioms that he talks about in the preface are types of guitar writing like arpeggio style that includes melody, a single line melody that incorporates tune, bass and harmony or a 2 voice melody and accompaniment style. He has kept technical requirements very straightforward with no full barres or awkward finger movements.

The time signatures are varied with plenty of tied notes and syncopation (off beat) to keep us on our toes and counting. There are some lovely, interesting and quite unusual harmonies as well always encouraging us to listen.

I love the jazz feel of the triplets in Before you go and the distinctly Celtic feel of The Western Isles which, to look at, is all single notes but creates melody, harmony and bass with a lovely relaxed and sustained feel. The contrasting sections in Jig are great and really give you the feel of the dance whereas in complete contrast, and my favourite, At the end of the day is a beautiful and evocative piece. The harmonies are simple but so effective enabling you to get lost in the music. Perfect!

Selina.

musfirstperformance

First Performance Pieces

Peter Nuttall

Base price for variant: £6.50
Sales price: £6.50
Price:£6.50
Discount:
Tax amount:
Price / kg:

Ten pieces in a popular and attractive style making an ideal start to the student repertoire. These pieces are all substantial enough for "First Performance" while remaining technically accesible to early students.

Skill Level
Beginner

This is a very good collection of pieces designed to give early students some ‘proper’ pieces that start to build a repertoire and expand horizons

The pieces are technically very accessible offering a wide range of musical styles and easier techniques to explore.

The music covers all the basic technical skills and makes good use of the fingerboard with plenty of notes in higher positions on string one. The writing is very effective creating full and interesting pieces without being too difficult.

The first five pieces use a lot of arpeggio technique, interspersed with melody or with the melody as an integral part of the arpeggio. Romantic Prelude and Ballade are good examples of this.

The simple harmonic progressions and comfortable chord shapes help easy left hand movement and there is full use of a variety of right hand patterns.

Little Reverie has a beautifully simple arpeggio section at the beginning and end with a central flowing melody moving up to fifth position. Romantica is more difficult with flowing 6/8 quavers moving between arpeggio and melody, very good practice for the left hand.

The 6th piece, Triste, is very different in style, more of a ‘mood’ piece with slurs and simple syncopation helping to create lovely gentle music and encouraging expressive playing.

The last four pieces are in a blues style, excellent for working on pulse and rhythm, with movement between simple chord shapes introducing new sounds and harmonies.

Selina.

museightsolos

Eight Original Solo's for Guitar

Peter Nuttall

Base price for variant: £6.25
Sales price: £6.25
Price:£6.25
Discount:
Tax amount:
Price / kg:

An appealing companion volume to the Twelve Inventions. Attractive melodies, inventive harmonies and an interesting variety of musical styles...Lyrical, highly guitaristic music, easily accessible to the student guitarist.

Skill Level
Beginner
Out Of Stock Enquire
161

The Enchanted Forest

Peter Nuttall

Base price for variant: £4.00
Sales price: £4.00
Price:£4.00
Discount:
Tax amount:
Price / kg:

One delightful (two page) piece with a haunting melody, introducing the student to classical tremolo technique. A must for all aspiring guitarists.

Skill Level
Beginner

This lovely little piece definitely fills a gap in technical development for guitar students in that it gives us the chance to start learning about and developing tremolo technique at a much earlier stage in our learning.

Tremolo involves rapid right hand finger articulation, usually in a “p a m i” pattern designed to give the impression of long sustained notes which can then form a melody or act as an accompaniment or counter melody to a bass melody.

There are a few easier studies from the 19th century using this type of technique but all of the main pieces are advanced repertoire, most famously Recuerdos De La Alhambra by Tarrega.

The Enchanted Forest uses simple Left Hand fingering with no quick changes to notes and positions in the tremolo line.

The left hand consists mostly of half barre shapes moving up and down the fingerboard with some easy fingering around that. The bass line is very good for working on travel of the thumb across the strings and is easy to hear and shape as a musical line. Both the bass and tremolo notes are to be highlighted rather than one being purely accompaniment.

The thumb has a low string to stretch to at the beginning of each bar and then mostly alternates closer to the fingers, much easier for the tremolo novice!

The earlier that we can start working on this technique the better as it can become a natural part of the way that we use our fingers and this piece offers a fantastic opportunity for that and for enjoying a beautiful, little musical experience.

Selina.

musgoingplaces

Going Places

Peter Nuttall

Base price for variant: £6.50
Sales price: £6.50
Price:£6.50
Discount:
Tax amount:
Price / kg:

An attractive travelog of styles from around the world. Ideal simple recital pieces for early years students - melodic, varied and effective.

Skill Level
Beginner
musmoodsblues

Moods n Blues

Peter Nuttall

Base price for variant: £6.50
Sales price: £6.50
Price:£6.50
Discount:
Tax amount:
Price / kg:

A colourful collection of appealing pieces for the early student. Written in a variety of attractive styles - blues, simple flamenco, classical etc. These pieces serve as a very playable and enjoyable introduction to many common guitar techniques and idioms.

Skill Level
Beginner
mustwelve

Twelve Inventions

Peter Nuttall

Base price for variant: £8.50
Sales price: £8.50
Price:£8.50
Discount:
Tax amount:
Price / kg:

Covering a wide range of musical styles,these twelve pieces are characterised by strong melodies, idiomatic harmonies and an inventive use of the fingerboard. They have become one of the most popular guitar publications at this level.

Skill Level
Beginner